For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
Main lure is what feels like a very authentic visual sense of the nontourist side of Kingston, where the ambience of zinc-walled shacks wallpapered with old newspapers is captured by cinematographer Richard Lannaman.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Too glib too often to make much of an impression any way you look at it.- Los Angeles Times
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Reviewed by
Kevin Thomas
Duchovny and Driver have distinctive good looks and they both combine attractiveness with talent and intelligence. Best of all, they possess that essential quality all screen lovers must have: terrific chemistry.- Los Angeles Times
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Kevin Thomas
Warm and appealing, but there clearly was a far more informative and comprehensive film to be made of the life and world of Francis Barrett.- Los Angeles Times
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Gene Seymour
Griffiths' Pam holds your attention without any gratuitous mannerisms or broad asides. It's a sleek, rangy performance that all but redeems the hackneyed familiarity of the premise.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Takes the most somber of predicaments, and makes it involving, romantic and ultimately intensely suspenseful.- Los Angeles Times
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Reviewed by
Kenneth Turan
A film as arresting and at times as frustrating as the Pistols themselves.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
John Anderson
A movie made for wrestling fans that makes fun of wrestling fans? That cuts a little too close to the vicarious masochism at the heart of pro wrestling's core constituency. Also, it's not funny.- Los Angeles Times
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John Anderson
The voyeuristic indulgences of a middle-aged filmmaker playing out his most deep-seated and unresolved sexual fantasies and anxieties.- Los Angeles Times
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- Critic Score
The specificity of Glory's setting and the ethnicity of its characters enrich the story without moving it one iota away from a mainstream frame of reference.- Los Angeles Times
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Reviewed by
Kevin Thomas
Reasonably diverting, but don't count on it lingering in your memory.- Los Angeles Times
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- Critic Score
It contains, perhaps, one pinkie-toe bone of surprise in its skeleton of cliche.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
A ruggedly beautiful landscape of desert and sea provides a dramatic setting for a psychological drama told with the utmost rigor--and unabashed eroticism.- Los Angeles Times
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Kevin Thomas
As worthy and moving as The Color of Paradise is, it is not entirely free of the manipulative, the arbitrary and the downright punitive.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Production notes for Mark Hanlon's Buddy Boy describe it as "a dark and twisted exploration of faith, alienation and madness"--and is it ever!- Los Angeles Times
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Reviewed by
John Anderson
It's guys like Floyd who make a movie like Whatever It Takes feel like high school. And the rest of the losers make it feel like a movie.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
It is a film of uncommon intelligence and rigor that illuminates a complex era, and the romance at its center is also one of exceptional passion and honesty.- Los Angeles Times
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Reviewed by
Kevin Thomas
Offers a riveting depiction of the classic collision of fate and character, with geography in this instance playing a crucial role.- Los Angeles Times
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Reviewed by
Kevin Thomas
Has a great look and an edgy feel, along with some broad swaths of humor.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
A terrific theatrical feature debut for television veterans Glen Morgan and James Wong.- Los Angeles Times
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Reviewed by
Kevin Thomas
Connects the antics of professional wrestlers with their lives out of the ring with such compassion, humor and perception that the result is utterly captivating.- Los Angeles Times
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Kevin Thomas
Asks us to spend 101 minutes with people most of us wouldtake pains to avoid in real life.- Los Angeles Times
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Jan Stuart
Lurie undermines his high-wire act with the melodramatic carryings-on of the diner patrons.- Los Angeles Times
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