Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. Main lure is what feels like a very authentic visual sense of the nontourist side of Kingston, where the ambience of zinc-walled shacks wallpapered with old newspapers is captured by cinematographer Richard Lannaman.
  2. Stillborn, pointless piece of work.
  3. Too glib too often to make much of an impression any way you look at it.
  4. Duchovny and Driver have distinctive good looks and they both combine attractiveness with talent and intelligence. Best of all, they possess that essential quality all screen lovers must have: terrific chemistry.
  5. Warm and appealing, but there clearly was a far more informative and comprehensive film to be made of the life and world of Francis Barrett.
  6. Griffiths' Pam holds your attention without any gratuitous mannerisms or broad asides. It's a sleek, rangy performance that all but redeems the hackneyed familiarity of the premise.
  7. Passable, moderately diverting dramatic entertainment.
  8. Takes the most somber of predicaments, and makes it involving, romantic and ultimately intensely suspenseful.
  9. A film as arresting and at times as frustrating as the Pistols themselves.
  10. A series of subtly interlocking character studies.
  11. A movie made for wrestling fans that makes fun of wrestling fans? That cuts a little too close to the vicarious masochism at the heart of pro wrestling's core constituency. Also, it's not funny.
  12. The voyeuristic indulgences of a middle-aged filmmaker playing out his most deep-seated and unresolved sexual fantasies and anxieties.
    • 32 Metascore
    • 40 Critic Score
    The specificity of Glory's setting and the ethnicity of its characters enrich the story without moving it one iota away from a mainstream frame of reference.
  13. Reasonably diverting, but don't count on it lingering in your memory.
    • 24 Metascore
    • 40 Critic Score
    It contains, perhaps, one pinkie-toe bone of surprise in its skeleton of cliche.
  14. A sharp and satisfying romantic comedy.
  15. A ruggedly beautiful landscape of desert and sea provides a dramatic setting for a psychological drama told with the utmost rigor--and unabashed eroticism.
  16. As worthy and moving as The Color of Paradise is, it is not entirely free of the manipulative, the arbitrary and the downright punitive.
  17. Just the ticket for girls in their early teens.
  18. Production notes for Mark Hanlon's Buddy Boy describe it as "a dark and twisted exploration of faith, alienation and madness"--and is it ever!
  19. It's guys like Floyd who make a movie like Whatever It Takes feel like high school. And the rest of the losers make it feel like a movie.
  20. A thoughtful but uneven film.
  21. It is a film of uncommon intelligence and rigor that illuminates a complex era, and the romance at its center is also one of exceptional passion and honesty.
  22. Offers a riveting depiction of the classic collision of fate and character, with geography in this instance playing a crucial role.
  23. Has a great look and an edgy feel, along with some broad swaths of humor.
    • Los Angeles Times
  24. Irresistible, hugely satisfying feminist fairy tale.
  25. A terrific theatrical feature debut for television veterans Glen Morgan and James Wong.
  26. Connects the antics of professional wrestlers with their lives out of the ring with such compassion, humor and perception that the result is utterly captivating.
  27. Asks us to spend 101 minutes with people most of us wouldtake pains to avoid in real life.
  28. Lurie undermines his high-wire act with the melodramatic carryings-on of the diner patrons.

Top Trailers