Los Angeles Times' Scores

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For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,697 out of 16520
  2. Mixed: 5,806 out of 16520
  3. Negative: 2,017 out of 16520
16520 movie reviews
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  1. Ithaka
    Ithaka isn’t as effective an advocacy doc as it could be, sometimes feeling trapped between wanting to intellectualize with onscreen text and contextualized history and looking for observational moments that crystallize the pain and concern for the Assange family.
  2. What We Do Next
    While it doesn’t venture far from its evident stage roots, neither does “What We Do Next,” a sinewy, tautly calibrated morality play, ever stray from the decidedly contemporary issues at its complex core.
  3. Pacifiction
    In scene after scene, Serra holds beauty and menace in a kind of uneasy equilibrium. He’s made a trouble-in-paradise movie where the trouble doesn’t overwhelm the paradise so much as poison it, at an almost imperceptible slow drip, from the inside.
  4. Creed III
    Coogler and Baylin’s screenplay isn’t all that innovative with the sports movie formula, and it unfortunately tends to rely on characters plainly spelling out their inner monologues, rather than leaving it to subtext. But Jordan’s steady direction elevates the material, keeping a strong hand on the tone and emotional tenor.
  5. Cinema Sabaya
    A wonderfully unforced, lightly intimate experience existing in a dramatic arena between observational nonfiction and bare-bones theater’s nowhere-to-go focus.
  6. God's Time
    God’s Time has an endearingly scrappy vibe and a talented cast filled with unfamiliar faces. But it also feels cobbled together, as though Antebi had multiple ideas for how to approach this material.
  7. The Outwaters
    Some may find all this tedious or confusing, but there’s an admirable integrity to Banfitch’s approach. The Outwaters genuinely feels like a first-person perspective on the end of the world.
  8. Ambush
    Ambush has the structure of an old-fashioned two-fisted combat picture, but with too little actual combat.
  9. Devil's Peak
    The elements of a good, “Winter’s Bone”-like depiction of the rural social order are here. But they only really coalesce — and combust — when Thornton’s on the screen.
  10. Bruiser
    If this gently philosophical film has a lesson for Darious — and for us — it’s that life is long and things change. The choices made yesterday don’t always have to define who we are today.
  11. We Have a Ghost
    Landon gets a lot of help from Harbour, whose facial expressions alone capture this ghost’s wit, hopes, fears and heartbreak. He’s one lovable dead guy.
  12. My Happy Ending
    The premise of My Happy Ending is somewhat slight, but there’s nothing insubstantial about a woman coming to a profound realization about her life thanks to a surprising encounter with unexpected new allies.
  13. Linoleum
    West has a lot on his mind with this film; and he’s ultimately less interested in explaining everything happening onscreen than in free-associating about the complicated, lifelong relationship between children and their parents. But Gaffigan’s everyman presence and seeker’s soul make him a great vessel for big ideas.
  14. Juniper
    Saville too often skims the surfaces of his characters, substituting traumatic concepts and plot devices for narrative logic and truly authentic, compelling emotion.
  15. Cocaine Bear
    It’s hard to completely dismiss a mainstream horror-comedy that offers a nice supply of sharp and grisly, at least until it takes a disappointing turn for soft and cuddly.
  16. Jesus Revolution
    Unfortunately, despite the interesting history, the film itself is a dry, scattered slog, neutered of all the thorny, contradictory details of the real story.
  17. A Radiant Girl
    There are no false moves in Marder’s truly radiant lead performance.
  18. Swallowed
    Swallowed is slow-paced and often aggressively unpleasant — unless your idea of a good time is watching people moan in pain for minutes on end while clutching their stomachs. But it’s a memorably intense experience, with sharp points to make about how the lives of outsiders and outlaws can tip in an instant into sloppy chaos.
  19. The Civil Dead
    The movie’s premise is clever; but what really makes it work is that these two use this ghost schtick as a way to examine the ways that friendship can be a hassle.
  20. Jethica
    Indie filmmaker Pete Ohs and a small cast of committed actors ventured out into a barren New Mexico nowhere for “Jethica,” a horror-comedy that doesn’t offer much in the way of scares or laughs but is strangely fascinating regardless.
  21. The Integrity of Joseph Chambers
    For the most part, this is an absorbing and nuanced character sketch, with a well-deployed supporting cast.
  22. Sharper
    It’s stylish and well-acted, and it does keep viewers guessing. It does its job well. It’s a pretty-looking puzzle.
  23. 88
    Overall, the approach proves too cluttered and diffused, especially if the goal — as it should be here — is to build real dramatic tension.
  24. Emily
    Written and directed by the Australian actor Frances O’Connor, making a vibrant feature filmmaking debut, it will surely madden sticklers for accuracy, which is all to the good.
  25. Ant-Man and the Wasp: Quantumania
    The moments of wit and feeling that occasionally steal into the frame. . .feel like emotional outliers in a flat, inexpressive void.
  26. The Blue Caftan
    An exquisitely tender tribute to love in its purest expression, The Blue Caftan doesn’t romanticize the complications and conflicts facing its two soulmates, and precisely because of that it feels like an utterly honest tale of romance.
  27. Full Time
    Gravel, in the heart-stopping vein of Belgium’s social-realism-minded Dardennes brothers, invests his protagonist’s one-challenge-at-a-time needs with the kind of visual intimacy and racing rhythm that makes us feel intensely close to Julie, from first sprint in her dehumanizing day to the exhaling bathtub soak she takes each night.
    • 41 Metascore
    • 40 Critic Score
    Consecration
    One of the film’s biggest weaknesses is that Smith and Cook withhold key information so they can spring a big twist. When the threat the characters are facing remains so vague for so long, it robs the story of tension.
  29. Seriously Red
    Even at its bluntest, Seriously Red draws a lot of heat and light from Boylan, whose Red enjoys embodying the casual confidence, folksy wisdom and bombshell bravura of one of the world’s most beloved entertainers.
  30. Nothing Lasts Forever
    Kohn’s talking heads are remarkably animated and, collectively, the interviews present a provocative debate about the meaning of “valuable.”
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