For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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- Los Angeles Times
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Reviewed by
Kevin Thomas
This stylish Disney production is an ideal family film.- Los Angeles Times
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Reviewed by
Sheila Benson
Watching the strength of [Nair]'s vision and her craft, balanced by the empathy shown in all her work so far--her earlier documentaries as well--there is every reason to believe that “Salaam Bombay!” marks the opening of an extraordinary career.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Taut, corrosive and compelling, Gangster No. 1 has the galvanic appeal of "Little Caesar" and "Scarface" in its full-sized portrait of a brilliant but twisted and savage criminal.- Los Angeles Times
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Kevin Thomas
None of this intellectualizing is necessary to the simple enjoyment of Storytelling -- provided the viewer has a taste for the pitch-black humor that emerges when Solondz's camera becomes a veritable blowtorch aimed at humanity's myriad failings.- Los Angeles Times
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Reviewed by
Mark Chalon Smith
Sunset Blvd., directed by Billy Wilder, is an attack on Hollywood, especially its image-making fickleness and casual exploitation of all things shimmery. [20 Apr 1995, p.14]- Los Angeles Times
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Reviewed by
Peter Rainer
Ash's dialogue keeps the movie just goofy enough that even audiences that don't go in for schlock-horror phantasmagorias will be tickled. [19 Feb 1993, Calender, p.F-8]- Los Angeles Times
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Reviewed by
Kevin Thomas
Sensitive, gritty and courageous, this film gathers a power and focus not foreshadowed in its deliberately rambling earlier sequences.- Los Angeles Times
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Kevin Crust
Carandiru is Babenco's fourth film set inside some type of incarceration facility and meshes his documentary style and fondness for realism with the escapism of storytelling found in "Kiss of the Spider Woman." It plunges us deep inside a corrupt system and its sincere empathy creates a stirring mix of emotions.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Crust
Redeemed by its adherence to a simple yet distinctive approach to storytelling and its uniformly strong acting.- Los Angeles Times
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Manohla Dargis
Biographies of living people are tricky if for no other reason than a biographer can sometimes feel protective of his or her subject. Berman and Pulcini obviously adore Pekar, but by not getting out of his head more often and taking him on his own harsh terms, they blow the chance to dig as deep as the source.- Los Angeles Times
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Kevin Thomas
An exhilarating celebration of the possibilities of love and friendship, and Lucía, Félix and Adrián could not be more likable.- Los Angeles Times
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Reviewed by
Kenneth Turan
Genteel moviemaking with modern overtones, The Winslow Boy is especially good at the visual re-creation of its time.- Los Angeles Times
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Reviewed by
Kenneth Turan
Even with its drawbacks, Blue Car remains an intimate, thoughtful drama, with a performance no one is likely to forget.- Los Angeles Times
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Kevin Thomas
Collette is fearless in reaching deeply into her emotions, and her expressiveness as an actress comes across as completely natural because it so clearly comes from within.- Los Angeles Times
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Kenneth Turan
A lively, old-fashioned adventure yarn with just a twist of modern attitude, it's the kind of pleasant entertainment that allows the paying customers to have as much fun as the people on screen.- Los Angeles Times
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Reviewed by
Kevin Thomas
As funny as it is nourishing, and it has stellar performances from Uwe Ochsenknecht and Gustav Peter Wohler, who play off each other like Jack Lemmon and Walter Matthau.- Los Angeles Times
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Reviewed by
Kevin Thomas
Has all the ingredients for a cult film success but most definitely is not for everyone. It's stylish, sophisticated, venturesome--to say the least.- Los Angeles Times
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Reviewed by
Kevin Thomas
A good example of complex Hollywood wizardry placed in the service of sharp, intelligent family entertainment.- Los Angeles Times
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Kenneth Turan
If people here feel trapped, despairing of a way out, it is Singleton's gift to make us empathize with their hopelessness, and make us wonder, along with them, how long this must go on.- Los Angeles Times
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Reviewed by
Kenneth Turan
It's a convincing romantic drama, written, directed and acted with so much skill it's able to break loose from its conventional moorings and become more effective, more moving than we anticipated.- Los Angeles Times
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Kevin Thomas
The result is an intensely involving entertainment that can be enjoyed by viewers who scarcely know how their own cars work.- Los Angeles Times
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Reviewed by
Kenneth Turan
Stella may be frothy and paper-thin, but it's also another great success for star Angela Bassett, who transforms the film into an infomercial for her considerable abilities.- Los Angeles Times
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Kenneth Turan
With warm humor and perceptive writing, director Kenneth Lonergan displays a gift for creating realistic characters and a compelling story.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Looser and less obviously formulaic in its fresh approach to our hearts, the brash Lilo & Stitch has an unleashed, subversive sense of humor that's less corporate and more uninhibited than any non-Pixar Disney film.- Los Angeles Times
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Kenneth Turan
Every holiday season needs a pleasant surprise, and this year it's Drumline. This entertaining and enthusiastically told tale shrewdly energizes its way-familiar plot line by setting it amid one of the greatest and least-known spectacles in American sports.- Los Angeles Times
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Reviewed by
Kevin Thomas
A giddy comic fantasy, full of romance, chicanery and beguiling, sophisticated players.- Los Angeles Times
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