Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. If it weren't for the masterful work of director Dover Kosashvili, this rich, evocative film wouldn't have nearly the impact it does.
  2. The film is enough to prompt soul-searching among parents, educators and the LGBT community on how to provide adequate guidance and support for LGBT youths.
  3. This Is Congo is a vivid and immersive — if not all that neatly structured or focused — documentary about the Democratic Republic of Congo.
  4. While the cast is uniformly superb, Garfield ("Lions for Lambs") deserves special mention for his deep, extraordinarily expressive performance.
  5. The potent image-making and performative ferocity turns what could have been a crime thriller into a near-metaphysical showdown.
  6. The Punk Singer fascinatingly traces the evolution of a woman.
  7. [Labaki] finds a magically resonant space between documentary-like vibe and dramatic performance that honors the characters’ inherent humanity while memorably framing the wretched circumstances that dictate their actions.
  8. Although “Dark” eschews overly graphic depiction of the more horrific physiological aspects of MND and barely touches upon the financial toll the illness clearly takes, this is as real a human story as it gets.
  9. The gripping story of how hawk-turned-dove Ellsberg's explosive actions circuitously led to the impeachment of Richard Nixon and, in turn, an end to the Vietnam War is comprehensively detailed in Judith Ehrlich and Rick Goldsmith's evocative documentary.
  10. A film of rough edges and no easy answers, nearly perfect in its imperfection.
  11. José is hardly the first movie to spotlight a young person navigating their homosexuality in a repressive and perilous environment. Nonetheless, this sophomore feature from Chinese-born director Li Cheng, who co-wrote with George F. Roberson, feels like a singular and essential entry in that subset of LGBTQ coming-of-age films with an international beat.
  12. Director Cohen, whose “Facing Fear” was among the 2014 Oscar nominees for documentary short, lends this classic David versus Goliath story a playfully retro feel.
  13. Smart, thorough and thoughtful, this disturbing film unfolds like a slow-motion nightmare that has taken half a century to fully reveal itself, a trenchant examination that deserves to stand next to compelling Israeli documentaries on similar themes, including “The Law in These Parts” and “The Gatekeepers.”
  14. The man is the movie, and the long stretch of lived road Frank describes as an immigrant grappling with his adopted country’s faults is revealing, at times heartbreakingly so.
    • 75 Metascore
    • 70 Critic Score
    Rendered in Japanese ink wash, it is a surreal look at nuclear family dynamics. [21 Oct 2014, p.D5]
    • Los Angeles Times
    • 75 Metascore
    • 80 Critic Score
    Terrific aerial footage and fine performances. [24 Dec 1998, p.F12]
    • Los Angeles Times
  15. From the mundane to the eventful, the movie takes a fairly unflinching, yet respectful view of Dina and Scott’s world.
  16. The Retrieval comes at you like a haunting slip of a memory, one that writer-director Chris Eska retrieves from a mostly forgotten era in unforgettable ways.
  17. Brydon and Coogan's discourse over breakfast, lunch and dinner is captured with a casualness that makes the eavesdropping delicious.
  18. Vidal-Naquet’s film knows that every wound and balm to the flesh is also one to the spirit.
  19. In scene after scene, Serra holds beauty and menace in a kind of uneasy equilibrium. He’s made a trouble-in-paradise movie where the trouble doesn’t overwhelm the paradise so much as poison it, at an almost imperceptible slow drip, from the inside.
  20. Beautifully wrought and wonderfully acted, The Flower of My Secret is in fact the kind of film that George Cukor often made - and he surely would have been delighted at Almodovar's deft blend of humor, tenderness and wisdom. [13 Mar 1996]
    • Los Angeles Times
  21. Wolf’s strange, sad and finally exhilarating portrait is one of radical consumerism turned into a searchable legacy — the viewer as activist.
  22. Like the best of personal, independent cinema -- it is both marvelously observed and completely individual. There is no film like this film, and that is something you don't hear every day.
  23. When the melodrama does get strong, and it does, when bad things happen on a dark and stormy night, we go with it rather than resisting. The film has won our trust, given some heft to its characters and involved us in their lives, come what may.
  24. Terrific escapist fare, stylish, outrageous and compelling.
  25. Under their all-encompassing tutelage the band originally billed as the High Numbers would go on to international renown as the Who, and the extent to which Lambert & Stamp can take credit for that transformation is thoughtfully weighed in this revealing film.
  26. Propelled by lovely, engaging writing and wonderful performances, Stan & Ollie, the story of the bittersweet final bow of legendary duo Stan Laurel and Oliver Hardy, should move and delight fans of the beloved performers while enjoyably exposing the less initiated to these comedy giants.
  27. Undine is a poker-faced fairy tale, a fantasy wrought by a committed cinematic realist. It’s an example of how a filmmaker can take an outlandish central idea and play it beautifully straight.

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