Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Though overlong, Hui's valentine never milks the drama for tears, maintaining an unsentimental focus on the central duo's playful chemistry and the loving way Ah Tao's attention to detail is repaid.
  2. While you don’t have to be crazy about cats to enjoy this documentary, it would certainly help.
  3. The film's maximalist storytelling, both expansive and precise, snatching specific emotions from its torrid swirl, is best exemplified by the fact that the title card doesn't appear until an hour in.
  4. This is Pedersen's second movie for Sen in the same role (after "Mystery Road," with a reported Australian television series in the works), and his Jay is the kind of compellingly gloomy, intelligent and tough justice-seeker easily worth a whole series of politically thorny, culturally resonant crime sagas.
  5. Come for the cold case, stay for a couple of remarkably lived-in performances from Simon Baker and Natasha Wanganeen.
  6. A fascinating film that is as thorough as it is idiosyncratic.
    • 78 Metascore
    • 80 Critic Score
    What keeps "Gaslight" burning is its tantalizing aura of mystery. [10 Feb 1994, p.5]
    • Los Angeles Times
  7. If it weren’t for Moore and Qualley hurling themselves into the shared role, it’d be as flat as a scotch-taped pin-up. If it weren’t for Moore, I’m not even sure it would work.
  8. Denis and Testud, in a wondrous collaboration of a gifted director and equally gifted actress, succeed in making Christine a tragic figure.
  9. Mr. Death, which is shot through with one dark absurdity after another, emerges as a cautionary tale if ever there was one.
  10. Gathering its forces slowly, this careful, thoughtful film, quietly but deeply moving, is dramatic without seeming to be.
  11. Although there is real pain and suffering in It All Starts Today, it is too impassioned, too brisk and too embracing of life and human foibles to be depressing.
  12. If you believe that bringing the questionable virtues of "American Idol" to Afghanistan would do that beleaguered nation no favors, the remarkable documentary Afghan Star will change your mind in an instant.
  13. Sublime psychological thriller.
  14. The most hopeful — and the best — of this solid and unsettling series.
  15. If it verges on being a little too pleased with itself for its own good, that's an acceptable price to pay for something that makes you smile.
  16. the first techno-misfire from Walt Disney Pictures, an over-elaborate film that leaves you feeling harangued, harassed and assaulted.
  17. The Starling Girl doesn’t always hold our attention, mainly due to an occasionally shaggy pace that forgets we’re often ahead of the plot. There are also two endings: one built on a choice of Jem’s that’s incredibly stirring and naturally tense, but then a subsequent scene with music and dance that reads more like something scripted to be a meaningful bookend.
  18. Denis’ coolly appalling vision gets an infusion of warmth from [Robert] Pattinson, an actor of brooding intelligence and remarkable physical grace.
  19. The film is a feat of maximalist and moody production design and cinematography, but the tedious and overwrought script renders every character two-dimensional, despite the effortful acting, teary pronunciations and emphatically delivered declarations.
  20. This is a rebellious, empathetic adventure story about a grandmother who catches on that her society needs to learn how to think freely.
  21. Exploring a Lao family's experience during and since the Vietnam War, the film chronicles the treacheries of geopolitics and the upheaval of exile.
  22. Wong brilliantly blends musical styles and eras to create an intoxicating mood.
  23. Transformer beautifully captures the process of Janae crafting her own sense of femininity, unique to who she was and who she continues to be.
  24. The stately rhythms of the dialogue — drawn out by the particulars of Davies’ blocking, framing and editing — become a kind of music. The effect is bewildering at first, then absorbing, then transfixing. Its purpose, in line with the loftiest ideals of poetry itself, is to clear the mind and stir the soul.
  25. The whole point of this illuminating and often moving film is that all of these people have a tale to tell — and one that’s not as simple as Hollywood would have it.
  26. The introduction of a baby that Tonny supposedly fathered feels worrisome initially...but in Refn's skilled street-realist hands, the child becomes a potent, wailing metaphor for Tonny's own dilemma of rudderless need.
  27. If there is a through line that unites all the women in Abortion: Stories Women Tell, it’s that they take the potential responsibilities of parenthood very seriously. And no matter how tough and self-reliant they are, this decision is always an impossible one, and one that the outside world's unbending attitudes do not make any easier.
  28. Tickling Giants surprises us on several levels. It reveals Egypt’s familiar Arab Spring experience through a lens, that of satiric comedy, which is very different from the way we usually see it. And it has the personal element of Youssef’s involving story, showing what can happen when your dreams come true to a completely unexpected extent.
  29. Brilliantly choreographed and shot, Kung Fu Hustle is often grisly, visually spectacular and unabashedly silly, sometimes all at once.

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