Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. Welcome to Happiness
    While its heart is in the right place, Welcome to Happiness is too fixated on its twee peccadilloes to truly succeed.
  2. The Last Face
    Shedding light on world atrocities is vital, but spelling them out in neon is deadly.
  3. No Stranger Than Love
    Few will likely embrace the insufferably chirpy, high-concept rom-com that struggles to stretch a mighty shallow premise into a feature-length proposition.
  4. Back in the Day
    Director Paul Borghese, who previously attempted to ape Scorsese with his 2013 mob drama, “Once Upon a Time in Brooklyn,” is content to simply rehash shopworn tropes.
  5. Buddymoon
    Had the film and its poky lead characters at least managed to pick up the sluggish pace, experiencing Buddymoon wouldn’t have felt like such a slog.
  6. Queen of Spades: The Dark Rite
    A compendium of genre clichés — or, more charitably, “homages” — Queen of Spades offers little that fright fans haven’t seen before.
  7. Undrafted
    The unfocused Undrafted ultimately possesses all the dramatic intrigue of an intentional walk.
  8. Intruder
    This flavorless home-invasion thriller hasn’t ripened with age.
  9. Septembers of Shiraz
    The trouble is, director Wayne Blair’s perfunctorily handled adaptation of Dalia Sofer’s 2008 novel is long on cardboard characterizations and short on genuine tension.
  10. The Pickle Recipe
    Rose’s pickles might have a pleasant snap, but there’s none to be found in the tired, limp shtick in Sheldon Cohn and Gary Wolfson’s screenplay, which has been choreographed at a lumbering, drawn-out pace by director Michael Manasseri.
  11. The Debt
    Despite its best efforts to be thought-provoking, the film is dramatically inert, slow and its revelations aren’t all that politically illuminating, relying on coincidence and worn tropes to obfuscate its lack of ingenuity.
  12. Table 19
    The movie is choking on fumes before it’s even had the chance to begin.
  13. The 9th Life of Louis Drax
    It’s an off-putting mix of matters whimsical and disturbing, more obvious and ludicrous than chilling.
  14. Kickboxer: Vengeance
    While Moussi has ample skills as a fighter — and is plenty handsome to boot — he lacks Van Damme’s charisma. It turns out that just slapping the title “Kickboxer” onto a movie isn’t enough to revive a B-movie favorite. The actual kickboxer matters.
  15. For the Plasma
    [An] annoyingly oblique exercise in arty affectation.
  16. A Beautiful Now
    The ambitious but unwieldy screenplay suffers from a lack of cohesion and loses control of the nonlinear memories and fantasies of seven people, with some of the characters’ motivations also lost in the shuffle.
  17. Autumn Lights
    American writer-director Angad Aulakh tries to agitate the pensive set-up with sex and a supposed mystery that never raises the pulse. The Bergman-esque posturing falls so far short of the Swedish master that it wouldn’t even qualify as accidental parody.
  18. Maximum Ride
    The obvious exposition, tortured dialogue and shoddy special effects just make you wish you were watching something else.
  19. The Fight Within
    The Fight Within is too generic as a sports flick, and too pro forma as a tract. There’s more vitality and humanity in the closing-credits blooper reel than in anything in the actual picture.
  20. I.T.
    Ultimately, there’s just nothing here that’s snappy or relevant. In tech-speak, this film is bricked.
  21. This Last Lonely Place
    The cryptic and mysterious story is crammed with overwrought issues — cancer, divorce, fraud, war — which the characters then over-explain.
  22. Milton's Secret
    Even for something preaching spiritual tranquility, Milton’s Secret exhibits the barest trace of a pulse.
  23. ClownTown
    It tests the theory that a creepy clown lurking in the dark is always terrifying. It turns out that with repetition, some nightmares become boring.
  24. Summer of 8
    The film is more mood and aesthetic than anything else, and it nails the fictionalized, aspirational high school look — down to the actors who appear to be in their mid-to-late 20s playing 18-year-olds.
  25. The People Garden
    The People Garden is so slow and spare that it barely registers. It just floats through the forest, silent and bloodless.
  26. Happy Birthday
    From the overwritten, pop-culture-reference-laden dialogue to the incessant attempts to be shocking, Happy Birthday tries way too hard. For a movie that doesn’t have much to say, it sure never stops jabbering.
  27. The Lennon Report
    Despite the admittedly unique angle, this ambitious drama gets crushed under the considerable weight of its artistic, as well as budgetary, limitations.
  28. Passage to Mars
    [A] misguided hybrid that makes tediously clear from the outset that the conceit just isn’t working.
  29. Good Kids
    One could say the mechanical direction leeches the energy out of virtually every sequence, but that would imply there was any there to begin with — and, although the young actors seem likable enough, their characters never credibly come to life.
  30. Search Engines
    This overcooked Thanksgiving turkey succeeds only in managing to take all the fun out of dysfunctional.
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