Los Angeles Times' Scores

For 16,531 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16531 movie reviews
  1. (Lawrence) has every right to be proud of carrying this rickety film on his stooped shoulders.
  2. Those who have even a small soft spot for baseball's soothing rhythms will be hard-pressed to resist it.
  3. As pretentious as it is hard-core specific, this fiercely anti-erotic film makes even the chilly "Eyes Wide Shut" play like "The Big Easy."
  4. A blood-chilling dark comedy with unexpected moments of both fury and warmth, a strange, brooding and very accomplished film that sets us back on our heels from its opening frames.
  5. Eerie, quietly compelling... a fresh and mesmerizing experience...such an unsettling experience you find yourself still taking it all in well after the lights have gone up.
  6. Telling things through the eyes of a spoiled, precocious, troublemaking 8-year-old narrator is both an overdone device and not a particularly engaging one.
  7. As skilled, resourceful actors, (Argento and Harris) make...a more believable couple than you would have thought possible.
  8. Low comedy doesn't get any lower than Love Stinks.
  9. Essentially a late-'90s MTV version of "The Exorcist," a half-serious, half-silly piece of business that keeps us involved despite (or maybe because of) being more than a little overdone.
  10. A fine mood piece with lots of atmosphere and boasts terrific performances from its stars.
  11. Kusturica works marvels with his endlessly amusing cast, and his film has an appealingly free and easy tone.
  12. There's something plodding and uncomfortably strident about Little Animals that keeps the audience from sharing, much less understanding, Bobby's enchantment.
  13. Corrente's gift for evoking the lives of blue-collar men that made his debut film, "Federal Hill," so appealing blends perfectly with the antic sensibility of the Farrellys.
  14. Melts swiftly...don't expect a shred of credibility.
  15. The sharpest inside Hollywood comedy in quite a while.
  16. A moderately diverting thriller that builds suspense and entertains effectively... strongest selling point is Charlize Theron.
    • Los Angeles Times
  17. Glowing, amusing movie that's a good bet to lift your spirits.
  18. This is a movie for younger children -- they won't notice that the children deliver their lines with all the conviction of an airline flight boarding announcement.
  19. Thinking too much about the contents will ruin what little pleasure there is in the experience.
  20. Tiresome, inept farce that's not even a fraction as clever or entertaining as it likes to imagine it is -- a complete waste of time.
  21. Script resounds throughout with astringent dialogue and stark authenticity.
  22. With preposterously convoluted plot twists, not even Grant is enough to make us smile all the way through the end.
    • Los Angeles Times
  23. In his knockout directorial debut writer Kevin Williamson taps into such universal memories with his shrewd and energetic dark comedy.
  24. Sleek...This is one "return" that's surely welcome.
    • Los Angeles Times
  25. Adapted by Sadayuki Murai from Yoshikazu Takeuchi's novel, "Perfect Blue" creates an increasingly terrifying world and pulls you into it with the effectiveness of a Hitchcock suspense classic. [07 Oct 1999, p.F16]
    • Los Angeles Times
  26. Just another lurid, contrived, xenophobic tale about Americans trapped in hideous foreign prisons.
  27. Has it's share of downtime.
    • Los Angeles Times
  28. This aggressively stupid film is merely business as usual, a compendium of all the current obsessions and fixations that make so many of these films such unhappy experiences.
  29. Even though you could wish that Better Than Chocolate was a little more substantially developed, it nonetheless brims over with good humor and high spirits and has some moments of stunning yet tasteful eroticism. [13 Aug 1999, p.F10]
    • Los Angeles Times
  30. Droll and delicious.

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