For 16,531 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,702 out of 16531
-
Mixed: 5,812 out of 16531
-
Negative: 2,017 out of 16531
16531
movie
reviews
- By Date
- By Critic Score
-
- Critic Score
The film's greatest strength is the deadpan narration of Hyde Pierce.- Los Angeles Times
- Read full review
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kevin Thomas
A shimmeringly beautiful and wise reverie on love and desire.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
A solid genre film that offers the satisfactions of the familiar while deriving its resonance through its specific and telling references to the '60s.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
If Superstar were meatloaf--and that would be an improvement--the recipe would be 4 pounds bread crumbs to 3 ounces sirloin. Make that chuck.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
An exceptional--and exceptionally disturbing--film from a first-time director and writer (with Andy Bienen) named Kimberly Pierce. Unflinching, uncompromising, made with complete conviction and rare skill.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
- Critic Score
Everything is stunningly photographed by John Mathieson, but to paraphrase Gertrude Stein, a cockroach is a cockroach is a cockroach.- Los Angeles Times
- Read full review
-
-
Reviewed by
Kenneth Turan
It is Australian Crowe, a previous non-skater, who gives the film's standout performance.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Gene Seymour
It looks as if no one bothered to deliver more than the minimum requirement of magic or artistry.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
A hoot, a hilarious comedy that's smart and caring, yet sexy and ingenious enough that it just might stir up some of that elusive "Full Monty"-style box-office appeal.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
An emotion-charged tale that's also an edgy commentary on women's destinies and how they're still so largely affected by men.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Off-and-on cynical and sentimental, Russell's darkly comic tale shows how much can be done with familiar material when you're burning to do things differently and have the gifts to pull that off.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Critic Score
Like the song, the movie is bouncy and catchy but disposable pop material.- Los Angeles Times
- Read full review
-
-
Reviewed by
Gene Seymour
For all its familiar conventions and hoary improbabilities, Double Jeopardy is a relatively efficient model of its kind.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
In recording life as it unfolds in the course of a year, On the Ropes not only defies prediction as to its outcome but is in some ways downright confounding...as involving and suspenseful as the best fictional films.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Has the stuff of a cavalry classic...but it lacks the vision and personality to attain such a level of artistry.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Those who enjoy the old-fashioned Hollywood pleasure of seeing divergent threads neatly pulled together will be more than satisfied.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
The latest in what feels like an endless string of movies ... in which the actor's parts have ruinously overdosed on sentimentality and schmaltz at the expense of humor and even sanity.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Critic Score
Peel away the layers of contrivances, however, and the leftover plot barely fills a doggy bag.- Los Angeles Times
- Read full review
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kenneth Turan
We have a right to yawn, but we don't, and Sarah Polley is the reason.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
-
-
Reviewed by
Jan Stuart
Has the hit-machine aura of something whipped together by L.A. studio execs over avocado sandwiches and banana smoothies.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
The pleasing Splendor is surely more likely to appeal to a wider audience than any of Araki's previous films.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
The kind of full-length career portrait that every great actor deserves but rarely receives.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Diverting and sometimes humorous but sticks to the superficial ...not distinctive enough to make much of an impression.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
This starry ensemble dazzles, but the film never comes fully alive until its climactic 20 minutes, which are deeply moving.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Lucie Aubrac has it all: a tender romance, acute suspense, terrific acting, and a camera style and and score that are beautiful yet understated...a major work, possessing breadth, depth and passion.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review