Los Angeles Times' Scores

For 16,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16534 movie reviews
  1. A droll, hearty Irish comedy with a serious undertow all the more effective for its unexpected candor and depth.
  2. A handsomely mounted, graceful production that is well-played across the board.
  3. Aviva Kempner's warm and intelligent mash note to a man who clearly deserved it.
    • Los Angeles Times
  4. Lives up to its ambitiousness in all its aspects.
    • 63 Metascore
    • 50 Critic Score
    Tries to make larger points, but it trips over itself just trying to make the small ones.
  5. All the ingredients of a success--a stellar cast, a promising premise, a strong production team--but nothing comes together in satisfying fashion.
  6. A peppy affair that works in fits and starts but is unable to put its successful moments together in any consistently satisfying way.
  7. Has a warmth and sweetness that is especially hard to resist.
  8. A routine sci-fi/horror action-adventure, takes us where we've been countless times before.
  9. Not only is it Merchant's best directorial effort to date but also is among the finest films the Merchant Ivory company has ever made.
    • 34 Metascore
    • 30 Critic Score
    Isn't for teens, it's for the kids who aspire to be teens.
  10. Parents and older siblings...may grow impatient with the uneven execution that weakens the genuine charm the film sporadically exhibits.
  11. As (DiCaprio's) character heads for The Beach's predictable heart of darkness denouement, only die-hard fans will have the heart to tag along.
  12. This story of an East L.A. Latina determined to follow in her father's footsteps to the boxing ring does pack a punch.
    • 42 Metascore
    • 40 Critic Score
    What use is journeyman acting, quality set design and a kicky, eclectic score in a movie that's so ineptly scripted?
  13. Genuinely scary and also highly amusing.
  14. Charming, slyly comic and far from conventionally religious.
    • Los Angeles Times
    • 29 Metascore
    • 20 Critic Score
    It isn't insultingly bad; it's just incompetent.
    • Los Angeles Times
    • 34 Metascore
    • 40 Critic Score
    Cinematographer Thom Best never captures the glory of the Canadian Rockies, and the uncredited editing is jarring and unconvincing in key action sequences.
    • Los Angeles Times
  15. Ah, what glorious casting!
    • Los Angeles Times
  16. Has the same kind of humor, charm and sensuality that made "Like Water for Chocolate" the most popular foreign-language film until "Life Is Beautiful" came along.
  17. A cheerful and smart mock documentary about hairdressing and Hollywood that knows enough not to take itself too seriously.
    • Los Angeles Times
    • 76 Metascore
    • 90 Critic Score
    Richly imagined, gracefully written and delicately realized. [10 Mar 2001, p.F15]
    • Los Angeles Times
  18. The best the makers of Down to You can hope for is that girls in their early teens--clearly the film's target audience--will be so carried away by its charismatic stars that they'll overlook the film's various flaws.
    • Los Angeles Times
  19. May be too heady for some tastes but can stir you deeply, if you're open to it.
  20. Supernova isn't so super.
  21. A standard-issue Hollywood family film about a boy and his dog growing up in a Southern small town during World War II.
  22. There is plenty of nasty patter and aimless jokes about hard-core sex, soft-core drugs, dog feces and flatulence to keep you occupied while you wait, in vain, for any reason to laugh out loud.
  23. Grainy as it looks in its massive Imax blowup, Mickey's misadventures with water and a broom still have the kind of magic even modern technology can't always manage.
  24. An exciting, upbeat film, but not a very impressive example of the animator's art. [01 Feb 1989, p.8]
    • Los Angeles Times

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