Los Angeles Times' Scores

For 16,532 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16532 movie reviews
  1. A sharp and satisfying romantic comedy.
  2. A ruggedly beautiful landscape of desert and sea provides a dramatic setting for a psychological drama told with the utmost rigor--and unabashed eroticism.
  3. As worthy and moving as The Color of Paradise is, it is not entirely free of the manipulative, the arbitrary and the downright punitive.
  4. Just the ticket for girls in their early teens.
  5. Production notes for Mark Hanlon's Buddy Boy describe it as "a dark and twisted exploration of faith, alienation and madness"--and is it ever!
  6. It's guys like Floyd who make a movie like Whatever It Takes feel like high school. And the rest of the losers make it feel like a movie.
  7. A thoughtful but uneven film.
  8. It is a film of uncommon intelligence and rigor that illuminates a complex era, and the romance at its center is also one of exceptional passion and honesty.
  9. Offers a riveting depiction of the classic collision of fate and character, with geography in this instance playing a crucial role.
  10. Has a great look and an edgy feel, along with some broad swaths of humor.
    • Los Angeles Times
  11. Irresistible, hugely satisfying feminist fairy tale.
  12. A terrific theatrical feature debut for television veterans Glen Morgan and James Wong.
  13. Connects the antics of professional wrestlers with their lives out of the ring with such compassion, humor and perception that the result is utterly captivating.
  14. Asks us to spend 101 minutes with people most of us wouldtake pains to avoid in real life.
  15. Lurie undermines his high-wire act with the melodramatic carryings-on of the diner patrons.
  16. It's a wonderful piece of filmmaking, but once any mouth is opened the magic is immediately tarnished.
  17. Lacking noticeable energy or drive, its almost visceral distaste for dramatic momentum is puzzling, especially in a film about the black arts.
  18. Has an edgy feel and a knockout soundtrack.
  19. A misguided romantic serio-comedy aimed at women and gay men that ends up caricaturing both.
    • 68 Metascore
    • 90 Critic Score
    It's a nearly pitch-perfect melding of genres, influences and modes of expression--it's the first Mafia movie for the hip-hop age.
  20. With a hilarious script and capable cast, the film puts a clever spin on the everyone-is-a-suspect plot.
  21. Sporadically funny, often strange and almost never poignant.
    • 11 Metascore
    • 20 Critic Score
    The bad news is that it's also vile, not to mention sophomoric and unfunny.
    • Los Angeles Times
  22. A comedy of the most delicately balanced perfection.
  23. An uncommonly satisfying private-eye mystery that is at once classic in form and deeply personal in feeling.
  24. A pow-in-the-kisser kind of movie.
  25. A wonder several times over.
  26. Its twisty film noir world of down-on-their-luck men and unfathomable women is vintage B-picture material, but, in the grand B tradition, the games it plays are more ambitious than successful.
  27. A droll, hearty Irish comedy with a serious undertow all the more effective for its unexpected candor and depth.
  28. A handsomely mounted, graceful production that is well-played across the board.

Top Trailers