Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. Directed with bristling immediacy by Rashaad Ernesto Green (“Gun Hill Road”), Premature could be classified as a love story, a coming-of-age drama, a cautionary tale (the title offers a clue) and a portrait of young black women and men finding their way in contemporary New York. But it also strikes me as a movie about the uses and occasional uselessness of language, with stop-and-go verbal cadences that seem particularly attentive to what its characters say and don’t say.
  2. Tchoupitoulas is a jewel-bright whoosh of a ride through nighttime New Orleans.
  3. Imamura's mastery of tone has always matched his capacity for compassion and acuteness of observation. [18 Sep 1998, p.F16]
    • Los Angeles Times
  4. In Skyfall, Mendes has given us a thrilling new chapter in a franchise that by all rights should have been gasping for air - which really makes him the hero of this saga.
  5. Though it sometimes overplays the sentimentality, Thunder Soul gets not just the music but also the sense of possibility for this post-civil-rights generation.
  6. Most of all, Davies proves himself to be a poet of the commonplace whose art is the exalting of the everyday. He may rail against "the British genius for creating the dismal," but his own work is anything but.
  7. As much as Amanda may seem like an irredeemable antihero, you come to appreciate her unspoken dream of finding fulfillment in the company of at least one other person on her crooked wavelength.
  8. With its startling mix of 16-millimeter-shot, handmade animation styles using stop-motion, sketches, collages and models, along with uncensored characters often resembling cadaverous marionettes, this twisted look at life in a faded Appalachian town is one decidedly idiosyncratic ride.
  9. Despite its intimate focus, Memoir of a Snail is a towering achievement. This touching animated film serves as a reminder that Elliot is a humanist who clearly sculpts his “clayographies” (as he dubs his films) from the very essence of life itself.
  10. What really resonates are the memories of women helping women by talking openly about the specific economic and health concerns that the male-dominated establishment typically ignored. JANE’s supportive atmosphere opened eyes, showing a possibility of a world where everyone, regardless of social status, could be seen and heard.
  11. There are moments here that arrest you with their hallucinatory power.
  12. The movie’s spirit is by turns energetic and serene, impetuous and wise, its wild shifts from comedy to tragedy to romance revealing themselves not as tonal swings so much as variations in a larger cosmic pattern.
  13. The Scent of Green Papaya, a film as delicate and evocative as its name, recognizes that out of illusion can come reality.
  14. Firmly rooted in the filmmaker's esoteric, frustrating, provoking, demanding narrative style, the movie is also amazingly romantic - lush, ripe, rich, delicious.
  15. You, the Living suggests that we would do well to discover the joy we find in each other that so often goes along with the pain.
  16. Part science fiction scare movie, part offbeat romance, part completely unclassifiable, "Color" is also one-man filmmaking of a remarkable sort.
  17. Every once in a while, a small, unheralded film comes along, so smart and funny, such a pleasure to experience, you can't believe your luck. Hunt for the Wilderpeople is such a film.
  18. A captivating film that truly elevates the spirit, Ballets Russes is the most emotionally satisfying documentary since "Mad Hot Ballroom."
  19. Boorman signals that he may not like what the real Cahill did, but as a storyteller with a proven affection for larger-than-life subjects, he can't resist him, either.
  20. [A] vital, absorbing documentary.
  21. It's not until Harry Potter and the Goblet of Fire that a film has successfully re-created the sense of stirring magical adventure and engaged, edge-of-your-seat excitement that has made the books such an international phenomenon.
  22. Kon's best work yet.
  23. Made under unique and wrenching circumstances, it gained poignancy and a kind of purity from its troubles, and an already affecting film ended up suffused with emotion.
  24. More disturbing than you expect, its story of innocence lost and perspective gained holds us and will not let go.
  25. What it offers isn't really a nostalgic look at a "more innocent time" so much as a saucy wink at a casually vicious time that is constantly being sold to us as innocent.
  26. In eschewing directness of intent for the artful massaging of space, sound and rhythm, Beshir’s film — a very personal project for the Mexican Ethiopian director, which she shot over 10 years — stakes a richer claim to our sense of the place and the effect of its most lucrative crop.
  27. If this gently philosophical film has a lesson for Darious — and for us — it’s that life is long and things change. The choices made yesterday don’t always have to define who we are today.
  28. Identifying herself with other minorities (whose members she mimics outrageously), Cho shatters racial and sexual stereotypes with merciless wit.
  29. King Kong is an homage not just to the original but to the history of movies themselves.
  30. It's Zeta-Jones who keeps you watching from start to finish -- You'd have to go back to Joan Crawford in her hungry prime, in films like "Rain" and "The Women," to find another female film star who grabs hold of the screen with such ferocity.

Top Trailers