For 16,532 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,702 out of 16532
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Mixed: 5,813 out of 16532
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Negative: 2,017 out of 16532
16532
movie
reviews
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- By Critic Score
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Reviewed by
Kenneth Turan
This masterful celebration starts off slowly, even uncertainly, giving no hint of the rich and elegant exploration of love, jealousy and animal attraction it will in all good time become.- Los Angeles Times
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Reviewed by
Kevin Thomas
Effortlessly graceful and burnished to a glow, Dinner Rush is surely as satisfying as any of the delicious-looking food served at Louis' restaurant -- and is as full of surprises as any dish Udo ever concocted.- Los Angeles Times
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John Anderson
Although Born Romantic is sweetly intentioned and staunchly on the side of love, it meanders long to enough to alienate whatever affection it otherwise earns.- Los Angeles Times
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Reviewed by
Kenneth Turan
Assisted by a well-crafted script by the veteran William Goldman and a masterful performance by Anthony Hopkins, Hicks has turned two King short stories into a somber meditation on the dreams and frustrations of childhood and the ways the adult world makes its darker qualities known.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
A very small film but a sweet one, an easygoing venture of the feel-good variety. What sets it apart is something even larger pictures often lack: an excellent performance by its star.- Los Angeles Times
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Reviewed by
Kevin Thomas
Sobrevivire has a satisfying scope and substance with an appealing blend of warmth, humor and pathos with a dash of tartness.- Los Angeles Times
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Reviewed by
Kenneth Turan
There is something about Stephen Frears' complex, heartbreaking, beautifully made Liam that seems to speak eloquently, painfully to the dilemmas we are facing today, to the terrible price dark times can extort from us all.- Los Angeles Times
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Reviewed by
Charles Solomon
A baroque, bloody fantasy-adventure that stubbornly remains less than the sum of its parts.- Los Angeles Times
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Reviewed by
Kenneth Turan
Butler used several elements to make this story come alive, starting with that vintage Frank Hurley footage, whose rescue from icy waters is in itself something of a miracle.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
What's wrong with Megiddo is not its good-versus-evil theme but the clunky, unpersuasive manner in which it has been expressed.- Los Angeles Times
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Reviewed by
Kevin Thomas
Glitter is the week's only major Hollywood release, and it offers considerable escapist entertainment while hitting an affirmative note.- Los Angeles Times
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Reviewed by
Kenneth Turan
A sly and captivating comedy of imaginative leaps and gently orchestrated pandemonium.- Los Angeles Times
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Reviewed by
Kevin Thomas
So laughably awful that it begs to have stones thrown at it; it's a wonder it got made at all.- Los Angeles Times
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Reviewed by
Kevin Thomas
A surefire heart-tugger made with skill and judgment, affords Keanu Reeves a career high point.- Los Angeles Times
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Reviewed by
Kevin Thomas
Although the film's narrative line sometimes proves hard to follow, and some of the songs heard on the soundtrack seem to have little to offer beyond sheer noise, Kill Me Later is a gem, even if a little rough around the edges.- Los Angeles Times
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Reviewed by
Kevin Thomas
Not ultimately original enough to sustain its many horrific images.- Los Angeles Times
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Gene Seymour
There probably isn't another actress anywhere who could make that corny self-advertisement work. And there definitely isn't another actress who could make such an overbearing heroine worth watching for an hour and a half.- Los Angeles Times
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Reviewed by
Kenneth Turan
An elegant study of devious mind games and emotional perversion, it makes the strangest of psychological dynamics plausible and involving.- Los Angeles Times
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Reviewed by
Kevin Thomas
For his robust and handsome The Musketeer, Hyams enlisted veteran Hong Kong stunt coordinator Xin-Xin Xiong to stage a clutch of spectacular action sequences that are amusing in the imaginative intricacy of their bravura.- Los Angeles Times
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Reviewed by
Kevin Thomas
L.I.E. has embraced tragedy, folly, perversity and outrageous dark humor. Like "Happiness" and "American Beauty," it takes an unflinching look at the darker aspects of life in American suburbia.- Los Angeles Times
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Reviewed by
Kevin Thomas
The actors are game, but their roles lack color and depth, and it's a real struggle to survive Soul Survivors to the finish.- Los Angeles Times
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Reviewed by
Kevin Thomas
As the film, with its haunting score and inspired use of popular music, builds flawlessly to its resounding conclusion, it is accompanied by a pitch-dark humor that grows out of the sheer absurdity of the city's daily body count.- Los Angeles Times
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Reviewed by
Kenneth Turan
A genial look at what happens when a wannabe becomes a headliner, Rock Star only stumbles when it decides it has to deliver a lesson about What's Really Important.- Los Angeles Times
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Reviewed by
Kevin Thomas
It is high-energy entertainment that is also silly and sentimental and so over-the-top as to become wearying at times. But that it is also funny and good-natured ends up counting more.- Los Angeles Times
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Reviewed by
Kevin Thomas
It is best to let this stunning film simply wash over you and trust that all will become clear enough in time. Vengo in a sense is a concert film tied together with the slenderest of plots.- Los Angeles Times
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Reviewed by
John Anderson
Has been described as a "midnight-style musical." And perhaps it should be seen that way, with a crowd of kindred knuckleheads and some moshing in the aisles.- Los Angeles Times
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Reviewed by
Kenneth Turan
Essential to the success it manages is Hartnett's low-key, charismatic performance -- cool, withholding, compelling. The triumph of his insinuating Hugo/Iago is how plausible he is, how he manages to convincingly inject poison in so many minds without seeming to be trying.- Los Angeles Times
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