Los Angeles Times' Scores

For 16,532 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16532 movie reviews
  1. This masterful celebration starts off slowly, even uncertainly, giving no hint of the rich and elegant exploration of love, jealousy and animal attraction it will in all good time become.
  2. Effortlessly graceful and burnished to a glow, Dinner Rush is surely as satisfying as any of the delicious-looking food served at Louis' restaurant -- and is as full of surprises as any dish Udo ever concocted.
  3. Although Born Romantic is sweetly intentioned and staunchly on the side of love, it meanders long to enough to alienate whatever affection it otherwise earns.
  4. Assisted by a well-crafted script by the veteran William Goldman and a masterful performance by Anthony Hopkins, Hicks has turned two King short stories into a somber meditation on the dreams and frustrations of childhood and the ways the adult world makes its darker qualities known.
  5. Exuberant and insidiously funny satire.
  6. Smart, stylish and, most important, satisfying.
  7. A very small film but a sweet one, an easygoing venture of the feel-good variety. What sets it apart is something even larger pictures often lack: an excellent performance by its star.
  8. Sobrevivire has a satisfying scope and substance with an appealing blend of warmth, humor and pathos with a dash of tartness.
  9. There is something about Stephen Frears' complex, heartbreaking, beautifully made Liam that seems to speak eloquently, painfully to the dilemmas we are facing today, to the terrible price dark times can extort from us all.
  10. A baroque, bloody fantasy-adventure that stubbornly remains less than the sum of its parts.
  11. Butler used several elements to make this story come alive, starting with that vintage Frank Hurley footage, whose rescue from icy waters is in itself something of a miracle.
  12. Energetic and absorbing documentary.
  13. What's wrong with Megiddo is not its good-versus-evil theme but the clunky, unpersuasive manner in which it has been expressed.
  14. Glitter is the week's only major Hollywood release, and it offers considerable escapist entertainment while hitting an affirmative note.
  15. A sly and captivating comedy of imaginative leaps and gently orchestrated pandemonium.
  16. So laughably awful that it begs to have stones thrown at it; it's a wonder it got made at all.
  17. A surefire heart-tugger made with skill and judgment, affords Keanu Reeves a career high point.
  18. Although the film's narrative line sometimes proves hard to follow, and some of the songs heard on the soundtrack seem to have little to offer beyond sheer noise, Kill Me Later is a gem, even if a little rough around the edges.
  19. Not ultimately original enough to sustain its many horrific images.
  20. There probably isn't another actress anywhere who could make that corny self-advertisement work. And there definitely isn't another actress who could make such an overbearing heroine worth watching for an hour and a half.
  21. An elegant study of devious mind games and emotional perversion, it makes the strangest of psychological dynamics plausible and involving.
  22. For his robust and handsome The Musketeer, Hyams enlisted veteran Hong Kong stunt coordinator Xin-Xin Xiong to stage a clutch of spectacular action sequences that are amusing in the imaginative intricacy of their bravura.
  23. L.I.E. has embraced tragedy, folly, perversity and outrageous dark humor. Like "Happiness" and "American Beauty," it takes an unflinching look at the darker aspects of life in American suburbia.
  24. The actors are game, but their roles lack color and depth, and it's a real struggle to survive Soul Survivors to the finish.
  25. As the film, with its haunting score and inspired use of popular music, builds flawlessly to its resounding conclusion, it is accompanied by a pitch-dark humor that grows out of the sheer absurdity of the city's daily body count.
  26. A genial look at what happens when a wannabe becomes a headliner, Rock Star only stumbles when it decides it has to deliver a lesson about What's Really Important.
  27. It is high-energy entertainment that is also silly and sentimental and so over-the-top as to become wearying at times. But that it is also funny and good-natured ends up counting more.
  28. It is best to let this stunning film simply wash over you and trust that all will become clear enough in time. Vengo in a sense is a concert film tied together with the slenderest of plots.
  29. Has been described as a "midnight-style musical." And perhaps it should be seen that way, with a crowd of kindred knuckleheads and some moshing in the aisles.
  30. O
    Essential to the success it manages is Hartnett's low-key, charismatic performance -- cool, withholding, compelling. The triumph of his insinuating Hugo/Iago is how plausible he is, how he manages to convincingly inject poison in so many minds without seeming to be trying.

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