Los Angeles Times' Scores

For 16,532 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16532 movie reviews
  1. This remarkably revealing and timely film, in which the depiction of pain and sorrow is suffused with a sense of beauty and a graceful, flowing style, more than lives up to glowing advance notices.
  2. A remarkably thoughtful drama, Lantana makes it clear not only how hard to come by any emotional comfort is in this life, but more important, why we can't give up on the struggle.
  3. Stirring, often tragic yet hopeful, In Search of Peace benefits from its eloquent narrator Michael Douglas, and from the voices of Edward Asner, Anne Bancroft, Richard Dreyfuss, Miriam Margolyes and Michael York.
  4. Ichaso moves easily between a black-and-white past and a full-color present, maintaining a pace as buoyant and rhythmic as the beat of the infectious Latin music that accompanies the film.
  5. Intelligent, poignant film.
    • 32 Metascore
    • 30 Critic Score
    That's not to say there aren't funny moments here. There are. Two, maybe three of them. But unless you're a hearty 14-year-old -- who of course is not supposed to be seeing this R-rated movie -- it's hardly worth fishing them out of the potty humor and repulsive sex talk.
  6. Director Wes Anderson, who also co-wrote the "Royal" script with actor Owen Wilson, unquestionably has one of America's most distinctive filmmaking sensibilities, but that is part of the problem. As my mother used to say, too good is no good.
  7. Though Vanilla Sky is smoothly and professionally done, even audiences who haven't seen the original will sense there is something off in the translation.
  8. Carvalho's superb cinematography, Antonio Pinto's score and a dedicated cast and crew admirably sustain this poetic and uncompromising film.
  9. The well-made Princesa is daring, for it ends on an upbeat note in circumstances that are traditionally treated otherwise.
  10. A superlative work, offering a rich emotional experience that at the same time calls attention to the seemingly endless suffering of the Afghan people.
  11. Vera has created a provocative, absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores.
  12. This one-of-a kind charmer casts an immediate and delightful spell.
  13. Less than terrific technically; focus and sound levels waver. Luckily, these flaws are not inconsistent with the film's raw, unvarnished tone and they do not diminish the effect of Leary's performance or that of Davis.
  14. Gathering its forces slowly, this careful, thoughtful film, quietly but deeply moving, is dramatic without seeming to be.
  15. Few people will be able to go along with Bolton's point of view regarding relationships between adults and underage youths, but there's no denying the writer-director, in his feature debut, has avoided sensationalism in telling this story.
  16. Crisp and provocative, and no small amount of its pleasure derives from Channing's dazzling performance.
  17. A savage comedy about the war in the former Yugoslavia that artfully mixes comic absurdism with a passion for what's right and a concern for the individuality of all concerned.
  18. A champagne bubble of a movie, lively, effervescent and diverting. If it bursts earlier than we'd like -- and it does -- that takes nothing away from the considerable pleasure it provides along the way.
  19. Has much that tries for outrageous camp, but too much of it plays like a crude travesty of overly familiar Southern decadence. It needed a director who knows how to stylize intense theatricality rather than merely revel in it in wobbly fashion.
  20. A routine shoot-'em-up, with the triteness of Scott Busby and Martin Copeland's script exceeded only by the flatness of Steve Miner's direction.
  21. Because Bay of Angels reveals rather than moralizes, because its concerns are character and psychology, it's a potent showcase for Moreau's gifts.
  22. It's polished without being slick; well-paced and graceful and brought alive by stellar performances led by Jaffrey.
  23. Haneke illuminates beautifully the lives of his people with an eye for the revealing nuance and detail.
  24. Unashamedly silly, inevitably erratic, it has so much fun sending up the world of exploitation filmmaking that even the most serious film student won't be able to suppress a laugh or two. Maybe even more.
  25. Shyer and Sweet bring consistent clarity and ever-increasing depth to the playing out of Jeanne's bold scheming and single-minded resolve; a tone of brisk wit gives way effortlessly to poignancy and ultimately tragedy.
  26. As a director, Moore is like an energetic puppy who's all over you all at once. You admire his energy, and it's awfully hard to get angry at such high spirits, but you can't help but wish he'd calm down just a bit.
  27. Highly problematical. The trouble with "Trouble" is one of temperament. Denis' formality and seriousness make the horror genre a risky business for her, especially when sex is combined with outrageous gore.
  28. With performances that will raise the hairs on the back of your head, it's a film that knows the private geography of love, grief and obsession.
  29. It has more hilarious throwaway lines than most comedies offer up as their best jokes, and it is consistently inspired, energetic and, most important, light on its feet.

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