For 16,523 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16523
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Mixed: 5,808 out of 16523
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Negative: 2,017 out of 16523
16523
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
It has opulent, stylized settings of elegance, grandeur and scope, flawless special effects, and awesome martial arts combat staged by the master, Sammo Hung. Yet bravura spectacle never overwhelms either the plot or the key characters. Chang Chia-lu's intricate script bristles with wit and suspense; the film from start to finish is a terrific entertainment.- Los Angeles Times
- Posted Sep 2, 2011
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Reviewed by
Betsy Sharkey
What the film captures so effectively is the cultural reality of Mexico's ubiquitous underclass.- Los Angeles Times
- Posted Jan 20, 2012
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Reviewed by
Kenneth Turan
It is Mulligan and most especially Fassbender that give the film its power. The desperation, hostility and despair he conveys through the act of sex make Shame a film that is difficult to watch but even harder to turn away from.- Los Angeles Times
- Posted Dec 1, 2011
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Reviewed by
Gary Goldstein
It's exhausting, exhilarating, riveting stuff that fans of high-octane filmmaking should not miss.- Los Angeles Times
- Posted Mar 22, 2012
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Reviewed by
Kenneth Turan
Affleck easily orchestrates this complex film with 120 speaking parts as it moves from inside-the-Beltway espionage thriller to inside Hollywood dark comedy to gripping international hostage drama, all without missing a step.- Los Angeles Times
- Posted Oct 11, 2012
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Reviewed by
Kenneth Turan
Whether you're familiar with Pina Bausch's work or not, the new film Pina is a knockout.- Los Angeles Times
- Posted Jan 14, 2012
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Reviewed by
Robert Abele
Deliberate and marked by uncommon grace, In The Family manages to feel politically and culturally acute without ever resorting to melodrama, or having to wave banners for issues or causes, except perhaps in its quiet way for a renewed humanism in movies and a return to stories about everyday lives.- Los Angeles Times
- Posted May 3, 2012
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Reviewed by
Mark Olsen
Na captures at once the fragility of the human body and the deep-rooted darkness of the human soul. The Yellow Sea is easily one of the films of the year for underserved action-heads.- Los Angeles Times
- Posted Dec 1, 2011
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Betsy Sharkey
This is definitely animation for grown-ups - its look is voluptuous, sexy and sultry; its Latin-inflected Dizzy Gillespie sound is seductive; and its story of young lovers whose passions are tested is timeless.- Los Angeles Times
- Posted Mar 8, 2012
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Reviewed by
Kenneth Turan
Nothing is rushed, everything is given its appropriate time and place. When we watch Hansen-Løve's films, we're not only experiencing a life unfolding before us, we're also realizing what a great privilege it is to be able to do that.- Los Angeles Times
- Posted Apr 19, 2012
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Reviewed by
Kenneth Turan
An intense, shattering film, a confident and accomplished, punch-in-the-gut debut by Belgian writer-director Michael R. Roskam that starts out like a thriller and turns into a disturbing tragedy in an unlikely and unexpected key.- Los Angeles Times
- Posted Feb 16, 2012
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Reviewed by
Kenneth Turan
What Marley and its wonderful performance footage leave you with most of all is the joy the man took in the music that set him free and enchanted the world.- Los Angeles Times
- Posted Apr 19, 2012
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Reviewed by
Kenneth Turan
This jazzy crime melodrama is engrossing and exhilarating because of Espinosa's impressive command of a wide range of filmmaking skills.- Los Angeles Times
- Posted Jul 12, 2012
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Reviewed by
Kenneth Turan
Headhunters is a dark adult entertainment, a wild and bloody adrenaline rush of a movie that deals in gleeful grotesqueness and over-the-top implausibilities.- Los Angeles Times
- Posted Apr 26, 2012
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Reviewed by
Kenneth Turan
So though it echoes the films of Charles Burnett, the plays of August Wilson and "A Raisin in the Sun," at its heart Middle of Nowhere is old-school, character-driven narrative at its most quietly effective.- Los Angeles Times
- Posted Oct 11, 2012
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Reviewed by
Betsy Sharkey
The Lego Movie is strikingly, exhilaratingly, exhaustingly fresh.- Los Angeles Times
- Posted Feb 6, 2014
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Reviewed by
Kenneth Turan
This clever bag of tricks is made with so much cinematic skill it makes implausibility irrelevant. What happens on screen is unapologetically far-fetched, but it unfolds with enough panache to make turning away out of the question.- Los Angeles Times
- Posted Feb 7, 2013
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Reviewed by
Betsy Sharkey
From the clockwork comic timing to the movie's salty mix of the ridiculous and the reflective, This Is the End is stupidly hysterical and smartly heretical. Cross my heart and hope to die, it's funny as hell.- Los Angeles Times
- Posted Jun 11, 2013
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Sheri Linden
The latest in a recent spate of AIDS-themed documentaries, How to Survive a Plague is an exceptional portrait of a community in crisis and the focused fury of its response.- Los Angeles Times
- Posted Sep 20, 2012
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Reviewed by
Kenneth Turan
"It is extremely difficult to be like a mountain, to create stillness in the middle of hell," is how Abramovic describes her task. The most resonant part of this surprisingly emotional film demonstrates how powerful this interaction is, how it expresses something that is no less moving for being, literally, beyond words.- Los Angeles Times
- Posted Jun 14, 2012
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Reviewed by
Betsy Sharkey
There is action galore, but Future Past is a deeper, richer, more thoughtful film, more existential in its contemplations than earlier Xs, all rather nicely embedded in the mayhem churned up by the mutants' altered states.- Los Angeles Times
- Posted May 22, 2014
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Reviewed by
Betsy Sharkey
The truth-is-stranger-than-fiction saga has been a hit on the festival circuit, winning top documentary prizes at Sundance for Sweden's Bendjelloul. What sets Searching for Sugar Man apart, though, is the way in which the filmmaker preserves a sense of mystery in the telling.- Los Angeles Times
- Posted Jul 27, 2012
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Reviewed by
Kevin Thomas
Timelessly elegant and charming 1957 musical with a Gershwin score. [20 Nov 1994, p.6]- Los Angeles Times
Posted Jun 7, 2022 -
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Reviewed by
Sheri Linden
With its harrowing restraint, Compliance is potent filmmaking that's not easily forgotten.- Los Angeles Times
- Posted Aug 23, 2012
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Reviewed by
Kenneth Turan
Matching the strength of these actresses and their personal drama is the film's masterful sense of time and place - the way it makes us feel that this was how it was during four pivotal days in July 1789 as the wheels came off the French monarchy.- Los Angeles Times
- Posted Jul 12, 2012
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Reviewed by
Kenneth Turan
Blessed with a loose, anarchic B-picture soul that encourages you to enjoy yourself even when you're not quite sure what's going on, the scruffy "Guardians" is irreverent in a way that can bring the first "Star Wars" to mind.- Los Angeles Times
- Posted Jul 31, 2014
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Reviewed by
Kenneth Turan
There is nothing bravura or overly emotional about Spielberg's direction here, but the impeccable filmmaking is no less impressive for being quiet and to the point.- Los Angeles Times
- Posted Nov 8, 2012
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Reviewed by
Kenneth Turan
Watching Ai Weiwei: Never Sorry is like experiencing a thrilling unfinished symphony: The story is enthralling, but it's not over, and there's no telling where it's going. Which makes what we see on screen all the more involving.- Los Angeles Times
- Posted Aug 5, 2012
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Reviewed by
Kenneth Turan
A small but exquisite film, beautifully observed and impeccably executed. Written and directed by So Yong Kim, it shows a different side of an actor we thought we knew and reveals unexpected aspects of a character who turns out to be not as familiar as he seems.- Los Angeles Times
- Posted Oct 18, 2012
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Reviewed by
Gary Goldstein
A haunting, immersive portrait of a romance between two men, one that's marked - and marred - by both drug dependency and emotional codependency. Not unlike last year's gay-themed drama, "Weekend," it proves an important and mature piece of business.- Los Angeles Times
- Posted Sep 8, 2012
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