Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. The piercingly realistic Captain Phillips will exceed your expectations.
  2. A masterpiece of bromantic woes, the movie subdues toxic masculinity and makes a case for men’s often dismissed necessity for platonic companionship.
  3. The ability to pull off that kind of moral reversal, to draw you into an almost Hitchcockian complicity with characters at their lowest ebb, is one of Farhadi’s signature strengths as a storyteller.
  4. Off-and-on cynical and sentimental, Russell's darkly comic tale shows how much can be done with familiar material when you're burning to do things differently and have the gifts to pull that off.
  5. Like his memorable period freakouts “The Witch” and “The Lighthouse,” though on a vastly more ambitious scale, The Northman is both a dazzling display of film craft and a sly retooling of genre, a movie that delights in fulfilling certain conventions while turning others on their artfully severed heads.
  6. Sentimentality and violence have gone hand-in-hand from the beginning of the movies, but seldom have they been carried to such extremes and played against each other with such effectiveness as in writer-director John Woo’s The Killer (Nuart), an example of the highly addictive, supercharged, go-for-broke Hong Kong cinema at its most deliberately outrageous.
  7. The sly genius of Întregalde is how readily its characters — who can be cruel and decent, self-serving and well-meaning, often in the same instance — encourage the viewer to take their own moral inventory.
  8. In its focused glimpse into a strange, funny-sad friendship, it’s almost mesmerizingly nonjudgmental as it treks to a very dark place.
  9. Although informed by the busy workings of history, politics and personal affairs, Neruda proceeds like a light-footed chase thriller filtered through an episode of “The Twilight Zone,” by the end of which the audience is lost in a crazily spiraling meta-narrative. Who exactly is the star and author of that narrative is one of the film’s more enticing mysteries.
  10. In an attempt to be both modern and traditional, this gorgeously made film ends up betwixt and between.
  11. It’s a quietly shattering place All Shall Be Well goes to, in which a time of consoling devolves into petty matters of consolation.
  12. An idiosyncratic, metaphysical meditation on tennis, cinema, human behavior, maybe even life itself, "Perfection" at times risks being too pleased with itself for its own good, but its one-of-a-kind credentials are never in doubt.
  13. A Walk to Beautiful will leave you speechless two times over -- first with despair, then with joy. Neither unmentionable subject matter nor nonexistent commercial prospects can keep this documentary from having a power over your heart that is unparalleled.
  14. The filmmaker constructs a growing sense of dread with the calculated precision of a classic horror movie.
  15. Ten Canoes is nonetheless audacious and impressive, but challenging work, requiring steadfast concentration.
  16. Franҫois Ozon, with abiding respect for the high-wattage brilliance of his countryman’s spartan masterpiece about an apathetic killer, has given us a movie adaptation that does daylight-noir justice to its alluring mysteries, while threading in some freshly necessary political context.
  17. Suffused with a painterly tenderness and cruelty, the French film Gilles' Wife - based on a 1937 Belgian novel by Madeleine Bourdouxhe - stars the extraordinary actress Emmanuelle Devos.
  18. Oliver Sacks: His Own Life is a moving portrait of a man taking deep stock of his life with great satisfaction and verve. It
  19. The Maid has that particular gift of leaving you off balance in the best possible way, and whenever something like that comes around you owe it to yourself to check it out.
  20. A film as arresting and at times as frustrating as the Pistols themselves.
  21. The multiple perspectives in Hold Your Fire add up to a fascinating look back at a still-raging debate over the true purpose of policing.
  22. By turns thrilling, disorienting and draining, Sicario exists in a border zone seemingly of its own devising between the art film and the action movie.
  23. The resulting genre stew is rich and flavorsome, if also somewhat chunky and uneven. The characters are thinly drawn by design, but Mendonça Filho and Dornelles know how to use the magnetism of their actors to maximum advantage.
  24. Those accustomed to the sort of grandly executed, tightly paced escape/rescue sequences that tend to go with the territory will have to acclimate themselves to the film’s more subdued rhythms, but in time, the quietly unassuming, character-rich approach pays some affecting dividends.
    • 82 Metascore
    • 80 Critic Score
    The film's not for everyone's tastes but is extremely well done. [04 Aug 2003, p.3]
    • Los Angeles Times
  25. An exceptional film, at once disturbing and elevating, deliberate yet powerful.
  26. As the film focuses more tightly on [Ressa], it becomes a more gripping document. And it certainly is gripping, as the cloud of menace threatening her becomes firmer.
  27. With its focus on domestic interiors (and interior lives), the movie doesn't simply recall Akerman's past efforts; it reveals their roots.
  28. It may sound commonplace, but in the hands of master filmmaker Mike Leigh, the everyday becomes extraordinary.
  29. It’s an insightful, deeply felt film that lets us in on a personal evolution.

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