For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
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Reviewed by
Kenneth Turan
The piercingly realistic Captain Phillips will exceed your expectations.- Los Angeles Times
- Posted Oct 11, 2013
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Reviewed by
Carlos Aguilar
A masterpiece of bromantic woes, the movie subdues toxic masculinity and makes a case for men’s often dismissed necessity for platonic companionship.- Los Angeles Times
- Posted Nov 11, 2020
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Reviewed by
Justin Chang
The ability to pull off that kind of moral reversal, to draw you into an almost Hitchcockian complicity with characters at their lowest ebb, is one of Farhadi’s signature strengths as a storyteller.- Los Angeles Times
- Posted Jan 6, 2022
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Reviewed by
Kenneth Turan
Off-and-on cynical and sentimental, Russell's darkly comic tale shows how much can be done with familiar material when you're burning to do things differently and have the gifts to pull that off.- Los Angeles Times
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Reviewed by
Justin Chang
Like his memorable period freakouts “The Witch” and “The Lighthouse,” though on a vastly more ambitious scale, The Northman is both a dazzling display of film craft and a sly retooling of genre, a movie that delights in fulfilling certain conventions while turning others on their artfully severed heads.- Los Angeles Times
- Posted Apr 20, 2022
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Kevin Thomas
Sentimentality and violence have gone hand-in-hand from the beginning of the movies, but seldom have they been carried to such extremes and played against each other with such effectiveness as in writer-director John Woo’s The Killer (Nuart), an example of the highly addictive, supercharged, go-for-broke Hong Kong cinema at its most deliberately outrageous.- Los Angeles Times
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Justin Chang
The sly genius of Întregalde is how readily its characters — who can be cruel and decent, self-serving and well-meaning, often in the same instance — encourage the viewer to take their own moral inventory.- Los Angeles Times
- Posted Mar 24, 2022
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Robert Abele
In its focused glimpse into a strange, funny-sad friendship, it’s almost mesmerizingly nonjudgmental as it treks to a very dark place.- Los Angeles Times
- Posted May 14, 2025
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Justin Chang
Although informed by the busy workings of history, politics and personal affairs, Neruda proceeds like a light-footed chase thriller filtered through an episode of “The Twilight Zone,” by the end of which the audience is lost in a crazily spiraling meta-narrative. Who exactly is the star and author of that narrative is one of the film’s more enticing mysteries.- Los Angeles Times
- Posted Dec 15, 2016
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Reviewed by
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Reviewed by
Kenneth Turan
In an attempt to be both modern and traditional, this gorgeously made film ends up betwixt and between.- Los Angeles Times
- Posted Mar 28, 2013
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Reviewed by
Robert Abele
It’s a quietly shattering place All Shall Be Well goes to, in which a time of consoling devolves into petty matters of consolation.- Los Angeles Times
- Posted Sep 27, 2024
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Reviewed by
Kenneth Turan
An idiosyncratic, metaphysical meditation on tennis, cinema, human behavior, maybe even life itself, "Perfection" at times risks being too pleased with itself for its own good, but its one-of-a-kind credentials are never in doubt.- Los Angeles Times
- Posted Aug 30, 2018
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Reviewed by
Kenneth Turan
A Walk to Beautiful will leave you speechless two times over -- first with despair, then with joy. Neither unmentionable subject matter nor nonexistent commercial prospects can keep this documentary from having a power over your heart that is unparalleled.- Los Angeles Times
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Betsy Sharkey
The filmmaker constructs a growing sense of dread with the calculated precision of a classic horror movie.- Los Angeles Times
- Posted Jan 30, 2014
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Reviewed by
Kevin Thomas
Ten Canoes is nonetheless audacious and impressive, but challenging work, requiring steadfast concentration.- Los Angeles Times
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Reviewed by
Robert Abele
Franҫois Ozon, with abiding respect for the high-wattage brilliance of his countryman’s spartan masterpiece about an apathetic killer, has given us a movie adaptation that does daylight-noir justice to its alluring mysteries, while threading in some freshly necessary political context.- Los Angeles Times
- Posted Apr 10, 2026
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Reviewed by
Robert Abele
Suffused with a painterly tenderness and cruelty, the French film Gilles' Wife - based on a 1937 Belgian novel by Madeleine Bourdouxhe - stars the extraordinary actress Emmanuelle Devos.- Los Angeles Times
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Kevin Crust
Oliver Sacks: His Own Life is a moving portrait of a man taking deep stock of his life with great satisfaction and verve. It- Los Angeles Times
- Posted Sep 25, 2020
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Reviewed by
Kenneth Turan
The Maid has that particular gift of leaving you off balance in the best possible way, and whenever something like that comes around you owe it to yourself to check it out.- Los Angeles Times
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Reviewed by
Kenneth Turan
A film as arresting and at times as frustrating as the Pistols themselves.- Los Angeles Times
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Reviewed by
Noel Murray
The multiple perspectives in Hold Your Fire add up to a fascinating look back at a still-raging debate over the true purpose of policing.- Los Angeles Times
- Posted May 20, 2022
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Reviewed by
Mark Olsen
By turns thrilling, disorienting and draining, Sicario exists in a border zone seemingly of its own devising between the art film and the action movie.- Los Angeles Times
- Posted Sep 19, 2015
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Reviewed by
Justin Chang
The resulting genre stew is rich and flavorsome, if also somewhat chunky and uneven. The characters are thinly drawn by design, but Mendonça Filho and Dornelles know how to use the magnetism of their actors to maximum advantage.- Los Angeles Times
- Posted May 17, 2019
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Reviewed by
Michael Rechtshaffen
Those accustomed to the sort of grandly executed, tightly paced escape/rescue sequences that tend to go with the territory will have to acclimate themselves to the film’s more subdued rhythms, but in time, the quietly unassuming, character-rich approach pays some affecting dividends.- Los Angeles Times
- Posted Jul 6, 2017
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- Critic Score
The film's not for everyone's tastes but is extremely well done. [04 Aug 2003, p.3]- Los Angeles Times
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Reviewed by
Kenneth Turan
An exceptional film, at once disturbing and elevating, deliberate yet powerful.- Los Angeles Times
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Reviewed by
Michael Ordoña
As the film focuses more tightly on [Ressa], it becomes a more gripping document. And it certainly is gripping, as the cloud of menace threatening her becomes firmer.- Los Angeles Times
- Posted Aug 8, 2020
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Reviewed by
Sheri Linden
With its focus on domestic interiors (and interior lives), the movie doesn't simply recall Akerman's past efforts; it reveals their roots.- Los Angeles Times
- Posted Apr 24, 2016
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Reviewed by
Kenneth Turan
It may sound commonplace, but in the hands of master filmmaker Mike Leigh, the everyday becomes extraordinary.- Los Angeles Times
- Posted Dec 29, 2010
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Reviewed by
Michael Ordoña
It’s an insightful, deeply felt film that lets us in on a personal evolution.- Los Angeles Times
- Posted Nov 10, 2020
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