Los Angeles Times' Scores

For 16,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16534 movie reviews
  1. At once corny and precious, its humor seems too heavily ethnic to travel well.
  2. Amusing and informative.
  3. A garishly slick piece of exploitation with surprisingly high production values but nary a moment of suspense.
  4. Sly and witty.
  5. Real enough around the edges to hold our attention even if it sacrifices accuracy for storytelling ease.
  6. Frustrating as I ultimately found it, Primer is undeniably geek heaven. For everyone else, it's a nice antidote to big-budget bogusness.
  7. Hilary Duff can't rise above an overbearing script with underdeveloped roles.
  8. A remarkable and remarkably compelling document.
  9. Full of car chases, weak jokes and scenes so meandering they make "Saturday Night Live" look like a paragon of brevity and wit.
  10. Lively, incisive and comprehensive documentary.
  11. This is the biggest surprise of all -- it's hard to watch Going Upriver without wondering, frankly, what became of the young John Kerry, who comes off so exceptionally well in this film.
  12. Although decently acted and well-crafted, Thérèse is essentially an illustrated Sunday school lecture for true believers. It comes across as more an exercise in determined piety.
  13. There's a bedrock honesty in Woman, Thou Art Loosed in its grasp of human nature and behavior. This is one faith-based film that pulls no punches.
  14. Should be required viewing for youngsters thinking about a music career. It's a great reminder to be careful what you wish for.
  15. It does not have as much invigorating freshness as audiences have come to expect in computer animation.
  16. The movie is undeniably weird, though it's hardly what you'd call "experimental." My hunch is that whether you love it or reject it as obtuse, incoherent or self-involved will be a generational thing.
  17. As a loving tribute to the courage and sacrifice of firefighters, it's first-class. As a movie, it's a TV show.
  18. Focuses on what the filmmaker contends is widespread abuse of civil liberties carried out in the wake of the USA Patriot Act and other administration policies.
  19. Fascinating.
  20. A poignant love story, laced with tenderness and gentle humor and told with the warmth of Italian movies in their seductively good-natured mode.
  21. Smart and amusing.
  22. Fjellestad exhibits a playful adoration for the man and the otherworldly sounds of his machine in an intriguing rendering of one of music technology's seminal figures.
  23. While First Daughter is nowhere near as airheaded or disingenuous as "Chasing Liberty," it's far more confused.
  24. This raucously gritty and high-spirited film could scarcely be bluer in terms of the language, but from Waters it comes as a gust of fresh air.
  25. Feels like it was written by an oddball artist-temp type with an ax to grind - which, as it happens, it was.
  26. An earnest but overly contrived and overly long tale.
  27. It's deftly done with an off-the-wall sense of humor joined to a real insider's sense of how the business operates.
  28. Such unabashed ludicrousness can be fun, in a brainless sort of way, especially when it's coupled with lots of sudden defibrillator jolts underscored by crashing cymbals. If there's one thing The Forgotten has, it's plenty of cardiac moments.
  29. It's a grisly but sweet ode to friendship, love and the George Romero zombie trilogy.
  30. What follows is graphic, but it's too cerebral and too challenging to be dismissed as pornography.

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