Los Angeles Times' Scores

For 16,533 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16533 movie reviews
  1. It thinks it's cute, but it's as charming as an old drunk going on about how he knew Eastwood back in the day.
  2. Exactly written, directed with a surgeon's precision and transcendently acted, Sideways brings emotional reality to a consistently amusing character comedy, making it something to be cherished like the delicate Santa Ynez Valley wines that are the story's vivid backdrop.
  3. Once the filmmakers have got the celebrities settled into Stella Street, they have a hard time figuring out what to do with them. Stella Street is the road best not taken.
  4. Feels like an acting exercise stretched to feature length.
  5. LaPaglia, Feeney and Stoltz soldier bravely through an uninspired, airless script.
  6. The result is a movie that doesn't add up to the sum of its parts, yet some of those parts connect deeply anyway.
  7. The less-than-persuasive result is like mediocre leftover psychedelic '60s underground cinema.
  8. One terrific concert film.
  9. Undeniably a heart-tugger, but it is also a stirring affirmation of the rewards of a job well done.
  10. Not quite stunning enough to live up to a boldly bleak and unrelenting buildup.
  11. More than anything, The Grudge suggests that it's time for Shimizu to move on.
  12. A dismally formulaic hodgepodge of crude humor and wan attempts to tug at the heart.
  13. Like Moore's film, Celsius hits too many topics with too broad a brush, resulting in yet another contribution to this campaign season's spin cycle of rhetoric.
  14. Breillat's first foray into comedy is playful, whip-smart and far breezier in both tone and look than the stylized gender polemics she's known for.
  15. A tedious, precious fantasy.
  16. Cassavetes' riveting film not only re-creates the glory days of the Z Channel through a generous offering of film clips and interviews, but also presents a clear-eyed portrait of its creative driving force, Jerry Harvey, and the tragic circumstances of his death.
  17. Once you get beyond the absurdity of the premise, it works.
  18. The movie is so glum and flat-footed there's no reason to care.
  19. The thriller with a promising premise fails to deliver.
  20. There's such a rich sense of the fullness of life in Moolaadé that it sustains those passages that are truly and necessarily harrowing.
  21. The movie is like a promising date that goes nowhere.
  22. The filmmakers have brought such breadth and depth to the material. Everyone counts in this film, not just Julia Lambert.
  23. Good-natured comedy.
  24. Inspired by actual events, Saints and Soldiers benefits by being a small-scale war movie.
  25. A sleek Hollywood crowd-pleaser, more movie than art film, but its makers have wisely stuck not only to the spirit but often even to the letter of the original.
  26. Yes, it's inventive, yes, it's out-there and audacious, but no, it's not always as funny as those good things would lead you to hope.
  27. Genteelly erotic, surprisingly emotional, exquisitely made from start to finish.
  28. As lovely and heartbreaking as Staunton is to watch, there's something about Leigh's attachment to his politics that leaches some complexity from the experience
  29. Gentlemen, it's a male chick flick - "The Dirty Secrets of the Ya-Ya Brotherhood."
  30. An appealingly wry little film that is as appetizing as its title.

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