Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. Klasfeld has for his feature film debut churned out a lifeless series of sketch-comedy ideas that presumably would make even the Wayans brothers blanch at their broadness.
  2. Even with satisfying performances from the principal actors, Poster Boy is longer on energy than focus.
  3. As original as it is lovely.
  4. The problem is not so much that World Trade Center is an attempt to make a feel-good movie about a ghastly situation, it's that the result feels forced, manufactured and largely -- but not entirely -- unconvincing.
  5. For all its visual surprises and visceral shocks, Lunacy is still the kind of film that is easier to admire than it is to actually like.
  6. It's always dispiriting to see children's movies succumb to desperate pandering to the coolness imperative, especially since, given the marketing muscle they tend to have behind them, the bigger trick seems to be in getting people not to see them.
  7. A bit of a mess, but it is a genial mess, and one that will make you laugh. Which is the whole idea.
  8. Claude Chabrol makes his particular kind of unnerving, deliciously amoral thrillers look easy. Once you've made as many of them as he has, they probably are.
  9. What My Country, My Country does best is show us that while both the Americans and the Iraqis care about the country's future, their cultural backgrounds and world views inevitably make them seem alien to each other.
  10. As sweet and gentle as it is, Quinceañera is quite clear-eyed about human cruelty and indifference. In structure, however, there is a circularity to the film that allows it to end on a well-earned upbeat note.
  11. As a niche entertainment catering to an overlooked audience, Boynton Beach Club is remarkable mostly for its optimism and solid performances.
  12. So grimly determined to be even-handed that it never generates tension.
  13. Intermittently fun and occasionally witty, with just the right touch of self-awareness.
  14. Without the ability to move off the mythic, without the emotional texture that "Heat" created, it is a film easier to admire than to get passionately involved with.
  15. The rapport between Allen and Johansson (pretending to be father and daughter) is lively, and the variations on the same old jokes are plentiful.
  16. Although it's likely too stark for everyone, 13 Tzameti offers a mind-blowing experience for anyone willing to go along for the ride.
  17. The film raises more questions than it could possibly hope to answer fully, devolving from an intriguing look at an enticingly obscure issue into a more broadly based mess.
  18. Writer-director Todd Stephens set out to make the raunchiest gay teen movie ever, which this picture most certainly is, but the result is far more frenetic than funny.
  19. Thought-provoking as it is, Brothers of the Head keeps its distance, choosing to tell a story about telling stories. But the story itself remains an unexploited gold mine.
    • tbd Metascore
    • 50 Critic Score
    The analogy feels forced, arbitrary, as do the movie's periodic spasms of impressionistic imagery.
  20. As ambitious, honest and subversive as any American movie since "Election."
  21. While Amma's teachings of love, inner peace and Karma, or action, resonate in the film -- obviously, Amma is a woman called to God -- her background remains pretty much a mystery. Less National Geographic and more personal history would have added a dimension to "Darshan."
    • 67 Metascore
    • 70 Critic Score
    MacDonald seems less interested in the Silver Belles' past than their inspirational present. Eventually, the inevitable broken hips and dizzy spells take their toll, but those who remain seem determined to shuffle-step their way into the sunset.
  22. There is something bizarrely compelling about the movie. It's slower than watching a train wreck but invokes that same level of disbelief.
  23. Has a return-to-innocence sweetness that recalls some of the work of another of its executive producers - Steven Spielberg. Kids may grow up too fast today to embrace the film's familiar message of the virtues of an unhurried adolescence, but it's nice to be reminded of the possibility.
  24. The movie doesn't purport to have her stand for all women, just the crazy ones, and as such, G-Girl is pure, soul-cleansing id catharsis.
  25. An uneven effort overall that when it is working has a strange, engaging energy that is often overturned by an uncertain staidness.
  26. With Philipe apparently doing a lot of his own stunts, Fanfan is replete with heroic leaps, speedy horse rides, occasional explosions and clashing sabers. If this all sounds like a 1950s version of "Pirates of the Caribbean," that may not be such a bad comparison.
  27. Devoid of verbal wit, instead relying on a relentless stream of Looney Tunes-inspired violence.
  28. Doesn't aspire to be much more than a serviceable summer comedy, and the script displays the engineered precision of a theme park ride.

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