For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Glenn Whipp
That Soul Surfer rates as a giant leap for this team speaks well about the conviction the movie's actors bring to the material as well as the respect afforded the Hamiltons and their faith.- Los Angeles Times
- Posted Apr 7, 2011
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Reviewed by
Gary Goldstein
Although it runs just a fleet 40 minutes, the film proves a rich and memorable journey.- Los Angeles Times
- Posted Apr 7, 2011
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Reviewed by
Betsy Sharkey
Meanwhile, Mirren, that grande dame of cinema, just seems tired. And who could blame her? She's in the midst of this disaster, literally and figuratively dying right in front of us. Made me want to cry, just not for Arthur.- Los Angeles Times
- Posted Apr 7, 2011
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Reviewed by
Betsy Sharkey
To fully appreciate the extreme lowness of Your Highness, it's best to accept that this sometimes witless and sometimes winning comedy has absolutely no socially redeeming value.- Los Angeles Times
- Posted Apr 7, 2011
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Reviewed by
Sheri Linden
If the scenario is unconvincing, debuting writer-director Max Winkler has a feel for the dynamics of this kind of ritualized yet informal social gathering, and his affection for his characters is clear.- Los Angeles Times
- Posted Apr 7, 2011
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Reviewed by
Kevin Thomas
This impeccably made film is chock-full of enlightening and sometimes bizarre moments.- Los Angeles Times
- Posted Apr 5, 2011
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Reviewed by
Robert Abele
Where Gunn's last feature "Slither" was an enjoyably icky, funny riff on schlocky horror tropes, the split-personality Super merely repels with half-baked ideas, Wilson's and Page's scorched-earth overacting and atonal bursts of jokey gore.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Robert Abele
If you meet the fiendishly deadpan Rubber halfway, its assured mix of cinephile artiness and grindhouse spoof will offer some oddball surprises.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Sheri Linden
Canner's deft exposé also makes clear that some of the highest-profile "experts" are shills for Big Pharma, and that genital mutilation is thriving in the West, in the form of cosmetic surgery.- Los Angeles Times
- Posted Mar 31, 2011
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- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Mark Olsen
Falls squarely into the a-family-needs-to-eat category, because there is a careless lack of attention about the whole thing, something that could be perceived as smugness if the film didn't feel so haphazard and lazy.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Kenneth Turan
It's the best kind of unforced filmmaking, able to make its points with delicacy and tact. And the best thing about it is that it is Bottaro's feature directing debut. We have a lot to look forward to.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Kenneth Turan
One of the places where In a Better World is especially successful is comparing and contrasting the moral worlds of children and adults, showing how difficult but essential it is for each group to learn from the other.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Gary Goldstein
Unfortunately, this well-acted cautionary tale is hampered by a lack of visual finesse and a script in need of a narrative rethink and a dialogue polish.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Robert Abele
Its CGI renderings are no better or worse than last month's or next month's animation family outing. Its vocal talent - led by Russell Brand and Hugh Laurie - is suitably star-powered. The only thing missing is any real wonder, imagination or comic verve.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Kenneth Turan
With a twisty, mind-bending plot that frequently changes direction and occasionally overreaches, Source Code wouldn't work at all without a cast with the determination and ability to really sell its story.- Los Angeles Times
- Posted Mar 31, 2011
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Reviewed by
Robert Abele
The clichés are what make White Irish Drinkers a drearily predictable bout, so much so that the decent last-round plot twist that momentarily dazes is immediately undercut by the sappy, life-changing-fuh-EV-uh jab telegraphed from the beginning.- Los Angeles Times
- Posted Mar 24, 2011
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Sheri Linden
By turns flat and strained, Peep World is a collection of personality disorders in search of a story.- Los Angeles Times
- Posted Mar 24, 2011
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Reviewed by
Kenneth Turan
Helping to keep this ship from keeling over is the great professionalism and light touch of Deneuve and Depardieu. Costars numerous times, they go together as comfortably as an old pair of gloves. Potiche very much counts on this, and it has not miscalculated.- Los Angeles Times
- Posted Mar 24, 2011
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Reviewed by
Kenneth Turan
Front and center in all of this, though he clearly would rather not be, is Cunningham himself, a man of enormous good cheer who gets riled only when he fears his creative prerogatives are being infringed on.- Los Angeles Times
- Posted Mar 24, 2011
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Reviewed by
Robert Abele
Director David Bowers keeps things peppy and brightly lighted, but the movie's swiftest pleasures come from moment-seizing cast members.- Los Angeles Times
- Posted Mar 24, 2011
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Reviewed by
Sheri Linden
The lack of a compelling lead figure, combined with Schnabel's tentative approach to the material, casts the film's later stretches in the balmy glow of soap opera.- Los Angeles Times
- Posted Mar 24, 2011
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Reviewed by
Betsy Sharkey
A wonderfully wild provocation - an imperfect, overlong, intemperate and utterly absorbing romp through the id that I wouldn't have missed for the world.- Los Angeles Times
- Posted Mar 24, 2011
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Reviewed by
Gary Goldstein
A lovely performance by Ethiopian supermodel-actress Liya Kebede as supermodel-activist Waris Dirie works wonders to elevate this uneven, occasionally awkward but often absorbing film.- Los Angeles Times
- Posted Mar 17, 2011
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Reviewed by
Betsy Sharkey
The intricate plotting that distinguished the book overwhelms the movie.- Los Angeles Times
- Posted Mar 17, 2011
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- Los Angeles Times
- Posted Mar 17, 2011
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Reviewed by
Robert Abele
In key spots, thanks to Simmons' brilliantly wounded gruffness and Pucci's nimble toggling act between vacancy and awakened spirit, The Music Never Stopped achieves an admirable poignancy about our emotional, healing relationship to the songs we love.- Los Angeles Times
- Posted Mar 17, 2011
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Reviewed by
Kenneth Turan
Tells a tale that is stranger than fiction several times over. Viewers of this remarkable documentary will be astonished at not only what this art looks like and why it's forbidden, but also where it is and how it got there.- Los Angeles Times
- Posted Mar 17, 2011
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Reviewed by
Robert Abele
Ultimately suffers from a late-inning collapse into thematic obviousness and multiple endings.- Los Angeles Times
- Posted Mar 17, 2011
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- Critic Score
Atmosphere is about all Cracks has going for it. Although it's nominally set between the wars, the movie feels rootless and adrift, less a fable than a story only half told.- Los Angeles Times
- Posted Mar 17, 2011
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