Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. Enthusiasm isn't exactly a replacement for good sense or basic skills, and the film's truest mystery is why no one pulled Metcalf aside and suggested he keep all this to himself.
  2. A deeply affecting account of the very real effect of political corruption, but also of resilience and grace.
  3. Salomé and co-writer Natalie Carter offer some explanatory psychology, but the complexities remain underdeveloped. Still, you won't be bored.
  4. Though the hambone acting quotient is high (and not necessarily unenjoyable), the loud, closely photographed limb-hacking becomes as monotonous as the movie's unrelentingly gray palette.
  5. Despite a capable cast and attractive Baton Rouge, La., locales photographed by Bobby Bukowski, The Ledge suffers from a seriously flawed script that's just too implausible to be taken seriously.
  6. The Ward is bland shock therapy from the guy who reinvented bloody peek-a-boo with the classic "Halloween."
  7. It is at its most vibrant when re-creating the energy of Tribe's original moment in the late '80s and early '90s, when the musicians brought a spirited, playful artfulness to the sometimes drearily self-serious world of hip-hop.
  8. It's potent stuff, laced with smart, sensitive humor, and extremely well handled by Wysocki and the excellent ensemble of young actors that become Terri's intimates.
  9. Zookeeper has the territory-marking scent of a franchise product from the Sandler-produced stable: pratfalls, caricature and aggression, which the likeable-enough James isn't as effective at getting laughs with as he is the more recessive, aw-shucks moments.
  10. It's an eye-popping wake-up call revealing how the USDA and FDA have increasingly waged war on America's small farmers even when they can prove they are contributing healthful products to our food supply.
  11. The whole effort is undermined by an abundance of mob-movie cliches.
  12. What's missing is any of the real-life messiness that might have lifted this material from its creatively tic-ridden confines.
  13. Akshat Verma's script is imaginative and funny, the film's stars are engaging and Delhi Belly adds up to pleasing escapist fare.
  14. What aims for Hitchcockian slyness ends up an inconsequential jumble in the comedy thriller The Perfect Host.
  15. Might be too much for some audiences, but it is a potent and surprising work.
  16. Larry Crowne is an inside-out movie, acceptable around the edges but hollow and shockingly unconvincing at its core. When that core is two of the biggest movie stars around - Tom Hanks and Julia Roberts - it's an especially dispiriting situation.
  17. The franchise remains as much an endurance test as a movie, but at least a better Bay has delivered a leaner, meaner, cleaner 3-D rage against the machines.
  18. The film is amiably silly, gaudy and even pleasantly diverting for the non-Hindi-speaking viewer who realizes that the verbal gags that elicited laughter in the original language tend to elude translation via English subtitles. The comedy, however, is also heavy on slapstick, pratfalls and crazy disguises.
  19. A frustrating mix of smart flash and smirking impudence.
  20. The film, like the tour, will satisfy the Conan cravings of hardcore fans the most, and prove an enjoyable enough diversion for the rest.
  21. Though the title hints at a tale of infatuation, Levy sheds little light on interpersonal conflict or why we're such an addictively self-documenting modern society.
  22. Unfortunately, writer-director Josh Shelov's sendup of the Manhattan private school culture flies off its comic rails after an engaging start, never to land back on solid ground.
  23. These creations have become like family to Lasseter as well as to each other, and they never fail to make us smile.
  24. Though it's blessed with a strong subject and some memorable characters and situations, the drawback of this fitfully engaging documentary is that it can't settle on anything even close to a single theme or line of inquiry.
  25. Rejoice provides both a melodic education and a once-in-a-lifetime concert in one soul-stirring package.
  26. Yet another dispiriting depiction of corporate clout, The Last Mountain offers hope, too, in the form of wind-power success stories and the passion of frontline activists.
  27. Though there's no shortage of mustache-quivering energy and wide-collared strutting, Angel of Evil can't separate itself enough from the pack as a character piece to be memorable as anything other than a blood-spattered timeline.
  28. In her vibrant !Women Art Revolution Hershman focuses on a number of the many women who created what has been called the most significant art movement of the late 20th century.
  29. In its masterful use of evocative imagery and music, Road to Nowhere is flawless.
  30. It's not all doom and gloom. This crisply shot picture also offers stirring views of these industrious little creatures, their complex habitats and the rich amber goodness they create. Some jaunty animation enlivens things as well.

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