For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
Intensely specific in story yet wide-ranging in themes, with a tone that turns on a dime from comic absurdity to close to tragedy, this is brainy, bravura filmmaking of the highest level, a motion picture that is as difficult to pigeonhole as it is a pleasure to enjoy.- Los Angeles Times
- Posted Mar 15, 2012
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Reviewed by
Betsy Sharkey
The writing-directing brothers are usually interested in the small stuff of everyday, but perhaps they've gone a little too small here.- Los Angeles Times
- Posted Mar 15, 2012
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Reviewed by
Kenneth Turan
Rueful, funny and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn't be more delicious.- Los Angeles Times
- Posted Mar 8, 2012
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Mark Olsen
The film is at its best as a fast-paced enigma. When Kentis and Lau start explaining what's actually going on, Silent House takes a turn not just for the worse but the ludicrous.- Los Angeles Times
- Posted Mar 8, 2012
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Sheri Linden
Despite its wobbly tone and stumbles into implausible melodrama, the film succeeds as a study of realignments among friends and family, a gently cracked mirror held up to the insanity that would soon devastate the region.- Los Angeles Times
- Posted Mar 8, 2012
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Reviewed by
Sheri Linden
Without pounding home its avant-garde cred, this fresh ode to found sound and the music of silence casts an amused gaze at careerism, classical-music reverence and notions of artistic purity and ends with a pitch-perfect change of tune.- Los Angeles Times
- Posted Mar 8, 2012
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Reviewed by
Gary Goldstein
Writer-director and co-star Taika Waititi ("Eagle vs Shark") never builds much momentum for his largely uneventful if sometimes inventive story.- Los Angeles Times
- Posted Mar 8, 2012
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Betsy Sharkey
This is definitely animation for grown-ups - its look is voluptuous, sexy and sultry; its Latin-inflected Dizzy Gillespie sound is seductive; and its story of young lovers whose passions are tested is timeless.- Los Angeles Times
- Posted Mar 8, 2012
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Sheri Linden
The mildly engaging, often exasperating feature poses a few good questions and offers some well-observed moments. Yet even as it zeros in on radical shifts in the mechanics and mores of parenthood, it sits quite comfortably in a well-worn romantic-comedy groove.- Los Angeles Times
- Posted Mar 8, 2012
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Betsy Sharkey
That John Carter is so hit and miss, and miss, and miss is unfortunate on any number of levels.- Los Angeles Times
- Posted Mar 8, 2012
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Betsy Sharkey
The film has a grand cast, with Emily Blunt, Ewan McGregor, Kristin Scott Thomas and Amr Waked at the center of this very clever tale of modern eco-issues intertwined with old-style political intrigues and New Age romance.- Los Angeles Times
- Posted Mar 4, 2012
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Robert Abele
The only way to describe this movie's trio of party-throwing protagonists is numbingly predictable, as if writers Michael Bacall and Matt Drake had "Superbad" on a loop in the background.- Los Angeles Times
- Posted Mar 2, 2012
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Reviewed by
Robert Abele
Even with three charismatic leads, the talky, convoluted nature of the cat-and-mouse between Zhang and Huang and their respective gangs is impossible to follow or care about, and the mix of identity comedy, cartoonish violence, philosophizing and grief over killed loved ones is hardly smooth.- Los Angeles Times
- Posted Mar 1, 2012
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Sheri Linden
A 38-year-old man's coming-of-age story, the earnest Ranchero reaches for thematic resonance and ends up only cliché-deep.- Los Angeles Times
- Posted Mar 1, 2012
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Betsy Sharkey
Starkly beautiful and exceedingly demanding, The Turin Horse, which Hungarian master Béla Tarr has said will be his last film, is both easy and impossible to define.- Los Angeles Times
- Posted Mar 1, 2012
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Reviewed by
Kenneth Turan
Fascinating for what it signifies as much as what it shows, This Is Not a Film illustrates how Panahi is struggling to stay alive creatively and, paradoxically, can't help but demonstrate how much of a natural filmmaker he is.- Los Angeles Times
- Posted Mar 1, 2012
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Betsy Sharkey
Paul Weitz has dialed things down considerably for Being Flynn, writing and directing with an earnest sensitivity that at times suits, at times undermines, the complexities of the story at hand.- Los Angeles Times
- Posted Mar 1, 2012
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Reviewed by
Glenn Whipp
Cult comedy team Tim Heidecker and Eric Wareheim take the mechanics of the Funny or Die website and stretch it past the breaking point with their movie.- Los Angeles Times
- Posted Mar 1, 2012
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Reviewed by
Kenneth Turan
This movie version adds a whole lot of other stuff, most of it not very good and not in keeping with the spirit of the Seuss original.- Los Angeles Times
- Posted Mar 1, 2012
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Glenn Whipp
Gone is also your hard-earned money if you buy a ticket to this slack piece of work, a movie that makes "Murder on the Orient Express" feel like "The Silence of the Lambs" by comparison.- Los Angeles Times
- Posted Feb 27, 2012
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Betsy Sharkey
If anything, the manic energy and aggressive sarcasm of Wain's "Role Models" (2008), which also starred Rudd, has become much more refined in Wanderlust, (well, as refined as something this raw can be).- Los Angeles Times
- Posted Feb 23, 2012
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Kenneth Turan
This intriguing hybrid is dramatically involving only when the shooting - with real bullets, naturally - gets underway.- Los Angeles Times
- Posted Feb 23, 2012
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Mark Olsen
The spirited young cast includes the luminous Oksana Akinshina, best known for her title role in Lukas Moodysson's devastating "Lilya 4-Ever," who still lights up the screen like few actresses in the world.- Los Angeles Times
- Posted Feb 21, 2012
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Mark Olsen
The first "Ghost Rider" film, directed by Mark Steven Johnson, was sort of a fizzy goof, the kind of movie where you don't expect much and then think, "Hey, that was actually kind of fun." Spirit of Vengeance, though, is undone by increased expectations, as promising more only makes it feel they are somehow delivering less.- Los Angeles Times
- Posted Feb 17, 2012
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Gary Goldstein
The film is an architecture lover's dream.- Los Angeles Times
- Posted Feb 16, 2012
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Mark Olsen
A strange and troubling little film, a hermetically sealed creep-fest that seems to have no desire to be anything more than just that.- Los Angeles Times
- Posted Feb 16, 2012
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Betsy Sharkey
If you can get past the rough patches - a slightly sluggish start and a coda that feels like one punch line too many - there is some sinister fun to be had in watching Kinnear skating toward disaster on ice that is very thin indeed.- Los Angeles Times
- Posted Feb 16, 2012
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Reviewed by
Kenneth Turan
An intense, shattering film, a confident and accomplished, punch-in-the-gut debut by Belgian writer-director Michael R. Roskam that starts out like a thriller and turns into a disturbing tragedy in an unlikely and unexpected key.- Los Angeles Times
- Posted Feb 16, 2012
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Reviewed by
Kenneth Turan
Like all memorable sports documentaries - Undefeated is really an examination not of how games are won and lost but how lives are lived, how young people faced with daunting challenges come to see, often in the most dramatic fashion, what is important going forward and what is not.- Los Angeles Times
- Posted Feb 16, 2012
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Reviewed by
Kenneth Turan
Set in an enchanting locale where the potential for magic is everywhere, this impeccable animated film puts its complete trust in the spirit of make-believe.- Los Angeles Times
- Posted Feb 16, 2012
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