For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mark Olsen
One Direction: This Is Us is not the raw confessional that title might imply but rather both a primer and new product presentation.- Los Angeles Times
- Posted Aug 29, 2013
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Reviewed by
Kenneth Turan
Trim and effective though Closed Circuit mostly is, it does fall prey to excessive contrivance from time to time, as most thrillers do. But the fact that its fictional premise dovetails nicely with what we've come to know is true is enough to hold us in our seats.- Los Angeles Times
- Posted Aug 27, 2013
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Reviewed by
Kenneth Turan
An exercise in pure cinematic style filled with the most ravishing images, The Grandmaster finds director Wong Kar-wai applying his impeccable visual style to the mass-market martial arts genre with potent results.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Kenneth Turan
Short Term 12 is a small wonder, a film of exceptional naturalness and empathy that takes material about troubled teenagers and young adults that could have been generic and turns it into something moving and intimate.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Annlee Ellingson
Focused on the task at hand and exhausted from the effort, Stephen is often authentically moving, but on the ground, a manufactured awareness that this is all being filmed — along with a treacly score — mars the feel-good atmosphere.- Los Angeles Times
- Posted Aug 22, 2013
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Inkoo Kang
Tian-Hao Hua's documentary distinguishes itself not with false suspense but tremendous poignancy and humor, much of which come from the riders' varied histories and motivations for revving up their bikes.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Annlee Ellingson
Dark Tourist gets bogged down in insufferably slow-moving scenes — interestingly, when Jim is interacting with others, despite consummate performances from Cudlitz and Griffith.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Robert Abele
A structural, chronological mess of information and emotion, so chaotically shot and edited to move from stat to image to sound bite that it suffers from its own concentration issues.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Gary Goldstein
Unfortunately, there's a lack of structure, context and point of view to the largely gray, grim, hardscrabble world presented here.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Sheri Linden
Director Anais Barbeau-Lavalette builds a persuasive sensory immediacy in Inch'Allah, even as her story grows increasingly contrived.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Robert Abele
With little room to feel for or even understand Anna Maria, Paradise: Faith rarely seems more than high art with low intentions.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Gary Goldstein
Although writer-director Scott Walker seems committed to not overly exploiting his lurid subject matter, the movie is just too dreary, disjointed and generically creepy to be persuasive.- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Sheri Linden
Even given the character's extreme introspection and withdrawal, Tautou's performance is too often opaque.- Los Angeles Times
- Posted Aug 22, 2013
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- Los Angeles Times
- Posted Aug 22, 2013
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Reviewed by
Gary Goldstein
The world's most successful ring of diamond thieves is inventively and insightfully explored in the documentary Smash and Grab: The Story of the Pink Panthers.- Los Angeles Times
- Posted Aug 21, 2013
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Reviewed by
Inkoo Kang
While the narrative spins in place, Kyle Killen's script throws out one uninspired gambit after another to extend the film to feature length, eventually climaxing with dual endings, both contrived.- Los Angeles Times
- Posted Aug 21, 2013
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Reviewed by
Robert Abele
The surprisingly adept mixture of tones — naturalism, dysfunctional family satire, winking slasher nostalgia, twisty vengeance thriller — is offbeat enough to keep even hardened connoisseurs of body-count entertainment on their toes.- Los Angeles Times
- Posted Aug 21, 2013
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Reviewed by
Mark Olsen
The Mortal Instruments: City of Bones is just a sloppy rag bag of ideas cobbled from other stories.- Los Angeles Times
- Posted Aug 20, 2013
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Reviewed by
Robert Abele
For such a hippie-ish wingding originally designed to discourage the buying and selling of anything, "Spark" has decidedly bought into its subject and has no qualms hawking it to moviegoers.- Los Angeles Times
- Posted Aug 16, 2013
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Reviewed by
Robert Abele
Abandoned Mine is all that its title promises: something generic and empty, with the sense that much has been left behind.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Betsy Sharkey
I'm not going to get into the acting, because there's not much of it, frankly. No one is embarrassingly bad; no one is exceptionally good.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Betsy Sharkey
For all of the eccentricities that come in any telling of an artist's life, Cutie and the Boxer's real magic is in so beautifully telling a familiar story of husbands and wives.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Kenneth Turan
For a disorganized film that has trouble deciding what it's about, When Comedy Went to School can be a lot of fun.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Kenneth Turan
It's a film whose pleasures are much more visual than dramatic, but that doesn't mean there aren't serious things on its mind.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Betsy Sharkey
Mara is the captivating center of the film, all the emotions of the men and the child hinge on her moods. She continues to be one of those actresses able to shape-shift into different places, times and characters.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Kenneth Turan
Daniels' pulp instincts do lead to vivid sequences...but this is one significant film where less would have been a whole lot more.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Sheri Linden
Concerned mainly with the mechanics of the undertaking, the movie is less an incisive chronicle than a galvanizing tool for parents who are, understandably, frustrated with the system.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Annlee Ellingson
It's unclear who this blandly titled drama is aimed at — devoid as it is of humor or any real hazard and lacking the provocative undertones of its source material.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Gary Goldstein
Although it favors breadth over depth, the documentary The United States of Autism offers a tender look at an eclectic array of children, their parents and other individuals affected by this ever-increasing developmental disability.- Los Angeles Times
- Posted Aug 15, 2013
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Reviewed by
Glenn Whipp
Block's work, so often ahead of the curve (Woodward and Bernstein marvel at how he understood Watergate before them), always comes shining through, revealing an artist who made it his mission to champion the "little guy" and speak truth to power.- Los Angeles Times
- Posted Aug 15, 2013
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