Los Angeles Times' Scores

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For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,699 out of 16526
  2. Mixed: 5,810 out of 16526
  3. Negative: 2,017 out of 16526
16526 movie reviews
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  1. Cuban Fury
    Don't let the cheesy title deter you. Cuban Fury is a thoroughly engaging crowd-pleaser — sweet, quite amusing and even a tad inspiring.
  2. Jinn
    Magical swords, evil doppelgangers, a sexy black muscle car, an unremarkable final showdown and lots of first-draft dialogue factor into this thankfully brief (about 80 minutes plus end credits) frightfest.
  3. Nymphomaniac: Volume II
    Volume II builds on emotional foundations from Volume I, even recasting the first film's ironic humor with a darker pall.
  4. Breathe In
    The exquisitely calibrated Breathe In explores such a fraught mutual passion with honesty, intimacy and complete emotional involvement.
  5. Alan Partridge
    In taking Partridge to the movies, the writers go broader and deeper than they typically do with the story.
  6. Under the Skin
    Watching this film feels like a genesis moment — of sci-fi fable, of filmmaking, of performance — with all the ambiguity and excitement that implies.
  7. Hot Guys with Guns
    If the material isn't always smooth or funny or well-thought-out, the tone and spirit are agreeably light, with a visual sophistication for a meager budget that's admirable.
  8. A Farewell to Fools
    Call it a dark farce, human comedy or wartime satire. But however you slice it, the ill-conceived morality tale A Farewell to Fools is a bust.
  9. Frankie & Alice
    Berry's florid physicality has a certain silent-melodrama pull. The film around her, however, is lamentably by-the-numbers.
  10. 10 Rules for Sleeping Around
    10 Rules for Sleeping Around is a dreadful sex farce with barely an authentic emotion, credible character or plausible plot point in its midst.
  11. Alien Abduction
    Suffers from the tired POV gimmickry, the weak characterizations, the numbing sameness of stuck-in-the-woods-with-dolts narratives.
  12. Goodbye World
    An unconvincing, poorly conceived hybrid of end-of-the-world thriller and relationship drama.
  13. Mistaken for Strangers
    A documentary that's insightful, sweet and often hilarious.
  14. Refuge
    Whatever emotional depths filmmaker Jessica Goldberg hopes to suggest, there's nothing stirring beneath the movie's static surface.
  15. Island of Lemurs: Madagascar
    Even at a meager 40 minutes, the film feels padded... But so long as the jubilance brought about by lemurs can compel more protection for the near-extinct species, the film will have served its purpose.
  16. In the Blood
    Like a typical Hollywood action-thriller, though, the screenplay jeopardizes the film. The twists concocted by writers James Robert Johnston and Bennett Yellin are mostly predictable; and the ones you don't see coming are outlandish.
  17. Captain America: The Winter Soldier
    It's a product of the highest quality, but at the end of the day that's what it is: a machine-made, assembly-line product whose strengths tend to feel like items checked off a master list rather than being the result of any kind of individual creative touch.
  18. The Unknown Known
    It's hard to believe a story this serious can be told in such an involving way, but that is one of this expert documentarian's greatest gifts.
  19. Dom Hemingway
    Between Law's performance and Shepard's script, which brims with explicit and expressive dialogue, the movie is remarkable for its ability to exhaust, irritate and also entertain.
  20. The Raid 2
    As inventive as the action sequences are, there are too many of them and they tend to go on far too long — the movie is just shy of two-and-a-half hours. Still, Evans' filmmaking has undergone some impressive fine-tuning for The Raid 2. It is something to see — if you have the stomach for it.
  21. Cesar Chavez
    The man was not, by most accounts, pedestrian. In trying to follow so closely in his footsteps, the film, however, is.
  22. Finding Vivian Maier
    What we find out about Maier, revealed in self-portraits as a striking woman with a singular sense of self, is fascinating.
  23. Noah
    Noah manages to blend the expected with the unexpected and does it with so much gusto and cinematic energy you won't want to divert your eyes from the screen.
  24. It Felt Like Love
    Hittman's debut isn't just a brilliantly tactile study of the mounting sexual curiosity and frustration of 14-year-old Lila (Gina Piersanti); it's also an important landmark in the oft-ignored subgenre of realistic movies about female adolescence.
  25. Rob the Mob
    Throughout Rob the Mob, De Felitta maintains an unfailingly sympathetic stance toward the lovers and the mafiosi alike, while keeping enough distance from all to disapprove of their dirty deeds and deter any viewer identification with them.
  26. Just a Sigh
    The film is a bracingly romantic drama that's alive with a mature sense of passion and mystery.
  27. Sabotage
    Artificially jacked up to feel like mean but serious fun, Sabotage mostly flings blood, vengeance, testosterone and clichés to the wall to see what sticks.
  28. Locker 13
    An alternately creaky and intriguing ride, one of earnest ambition and dashed potential.
  29. Awakened
    If the ostensible thriller contained a single believable moment, let alone an ounce of suspense, its nonsensical final twist might be grounds for concern.
  30. Boys of Abu Ghraib
    The film hardly scratches Abu Ghraib's surface.
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