For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Noel Murray
Although a talented cast and crew keep this party lively, the lack of a point becomes a problem.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Kenneth Turan
Because of its strong dialogue and convincing acting, 99 Homes stays on point for quite some time, artfully disguising the film's increasing reliance on plot devices.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Michael Rechtshaffen
The term "inspirational" gets bandied about a lot, but Becoming Bulletproof is thoroughly deserving of that tag.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Gary Goldstein
As horror movies go, this one's not especially tense or scary. Instead, it's eerie, provocative and at times ridiculously violent. The ending feels like a cop-out after so much creative mayhem.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Robert Abele
No matter how reflectively mellow the gray-haired, reminiscing interviewees are, the blizzard of featured illustrations from the magazine's '70s heyday offer scads of they-couldn't-get-away-with-that-today laughter.- Los Angeles Times
- Posted Oct 1, 2015
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Katie Walsh
The electrifying Northern Soul captures the 1970s British club scene of the same name with ethnographic detail and ebullient style.- Los Angeles Times
- Posted Oct 1, 2015
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Katie Walsh
The film can feel like an infomercial for the foundation, but that doesn't stop the power of the stories from coming through.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Robert Abele
Under Mikael Håfström's visually clunky, rhythmless direction, it's a snooze of epic sameness: choppy action scenes, a blankly stern Cusack, and too many allegiance shifts to count or care for.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Rebecca Keegan
While the subject is deeply moving — and bringing tissues is recommended — Guggenheim's treatment is restrained, as he deploys inventive storytelling techniques that invite viewers inside Malala's world, to feel her joy, trauma and ultimately forgiveness.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Kenneth Turan
Having its heart and mind in the right place is not enough to make this a better movie than it is.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Michael Rechtshaffen
Australian Mendelsohn (sporting a pitch-perfect American accent) and Reynolds are terrific, each wrapping himself up in the material like a well-worn favorite sweater.- Los Angeles Times
- Posted Oct 1, 2015
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Sheri Linden
A documentary whose visual magnificence is more than matched by unforgettable characters and political urgency.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Gary Goldstein
Beyond a few nice closing emotional beats, the whole enterprise plays too desperate and slapdash to whip up the goodwill required to sell such thin, far-fetched material.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Kenneth Turan
The Martian is a film that respects the geekiest among us, and that pays off all around.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Robert Abele
Labyrinth of Lies too often feels like machine-stamped issue cinema from a moldy Hollywood playbook.- Los Angeles Times
- Posted Sep 30, 2015
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Reviewed by
Kenneth Turan
It would be swell if all of The Walk came together as beautifully as the computer effects do, but it would also be churlish not to appreciate what we do have. This film may not talk the talk, but it definitely walks the walk, and for that we are grateful.- Los Angeles Times
- Posted Sep 29, 2015
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Reviewed by
Michael Rechtshaffen
A dull, meandering romantic comedy with serious believability issues.- Los Angeles Times
- Posted Sep 28, 2015
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Reviewed by
Sheri Linden
It's a film with a cause, but it's also brimming with drama in the midst of jaw-dropping landscapes.- Los Angeles Times
- Posted Sep 25, 2015
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Reviewed by
Michael Rechtshaffen
Like an uncle making a long-winded, embarrassing toast to the bride, Smith may have a lot of defining childhood memories at his disposal, but that doesn't mean they all need to be shared.- Los Angeles Times
- Posted Sep 25, 2015
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Reviewed by
Michael Rechtshaffen
There's infinitely more than one anomaly to be found in The Anomaly, a thoroughly nonsensical futuristic sci-fi thriller that makes a case for the perils of vanity projects.- Los Angeles Times
- Posted Sep 25, 2015
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Michael Sragow
The writer-director, Babak Shokrian, has made an erratic autobiographical film about juggling artistic ambitions and family expectations in L.A.'s close-knit Iranian Jewish community.- Los Angeles Times
- Posted Sep 25, 2015
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Reviewed by
Michael Rechtshaffen
The film slowly, painfully declines from merely oddball to awful, with vapid dialogue and muddy character motivations, particularly where Woll's unsympathetic Alice is concerned.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Kevin Crust
The otherwise congenial film plays itself to a draw because of flat characters and a script that overdoes the melodrama in the service of checking off a series of genre tropes borrowed from sports movies.- Los Angeles Times
- Posted Sep 24, 2015
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Robert Abele
Whether you agree with his system-damning rhetoric or see him as no better than anyone else in our clogged punditocracy, Brand: A Second Coming is, if not a careful portrait, at least an orgy of personality.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Robert Abele
Prophet's Prey is a sobering reminder that tyrannical monsters who hide behind religion can be homegrown too.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Gary Goldstein
This is a tonally and visually inconsistent piece whose cracks at "Lethal Weapon"-style humor are needlessly silly or simply flat.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Martin Tsai
The film is a disingenuous, thoroughly dramatized reenactment at best and a reality show at worst.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Kenneth Turan
An organization that stubbornly resists being pigeonholed, the Black Panther Party emerges from this documentary with its significance enhanced but some of its tactics questioned.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Robert Abele
Rourke and Wolff certainly have chemistry, and Sarah Silverman (as Ed's concerned single mom) and Emma Roberts (as Ed's potential girlfriend) provide solid support on the edges. But the humor never feels aimed in any particular direction.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Sheri Linden
Though the movie is not without thoughtful observations on gender roles and the effects of war, Hart's characters tend to speak in poetic truths that call attention to their authorial polish. The cast breathes what life it can into the proceedings, with Otaru particularly impressive.- Los Angeles Times
- Posted Sep 24, 2015
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