Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
  1. With warm humor and perceptive writing, director Kenneth Lonergan displays a gift for creating realistic characters and a compelling story.
  2. Never before has a fiction film so clearly and to such devastating effect laid out the calculation of the Nazi machinery of death and its irrationality.
  3. In its graceful intertwining of meditation and obscenity, Afternoons of Solitude gives an ancient, controversial tradition the chance to shock and awe without hype or favor. It’s inhumane, it’s human and it’s a hell of a film.
  4. Dahomey is at its most blazingly confrontational when Diop includes footage of a panel session in which students discuss the issues at hand.
  5. This is surely the nerviest, most confrontational treatment of race in America to emerge from a major studio in years, and it brilliantly fulfills the duty of both its chosen genres — the horror-thriller and the social satire — to meaningfully reflect a culture’s latent fears and anxieties.
  6. Harrowing and unflinching, a savage nightmare so consuming and claustrophobic you will want to leave but fear to go, City of Life and Death is a cinematic experience unlike any you've had before. It's a film strong enough to change your life, if you can bear to watch it at all.
  7. Spielberg’s movie may be rougher, grittier, more lived-in and, in terms of cultural representation, more truthful than its 1961 cinematic incarnation. But it is also more unabashedly classical, more radiantly stylized, than just about anything a major American studio has released in years.
  8. Song of the Sea is a wonder to behold. This visually stunning animation masterwork, steeped in Irish myth, folklore and legend, so adroitly mixes the magical and the everyday that to watch it is to be wholly immersed in an enchanted world.
  9. Amy
    It is the achievement of Amy, Asif Kapadia's accomplished, quietly devastating documentary, that it makes the story of this troubled and troubling individual surprisingly one of a kind by allowing us to, in a sense, live her life along with her.
  10. A story about generational expectations and cultural shifts, The Edge of Heaven raises questions it can't answer, which makes it only more powerful.
  11. A brutal encounter with mortality told with uncommon humanity, wit and humor.
  12. Birds of Passage tells a story of a traditional culture fighting for its life against incursions from the outside world, of how insidiously clan ways and spiritual values can be compromised, and it certainly has familiar elements. But the electric filmmaking, sense of tragedy and cultural specificity are far from usual.
  13. Ilo Ilo is writer-director Anthony Chen's first film, but breathtaking intimacy in storytelling is already second nature to him.
  14. This is a performance, and a film, to cherish for this year and always.
  15. Lebanon is not just the name of an excellent new Israeli film, it signifies a continuing national obsession that shows no signs of going away.
  16. Despite or perhaps because of its lightly sketched premise, To the Ends of the Earth emerges as the director’s most gracefully assured work in a while, though his natural gift for building tension is still made subtly manifest.
  17. Exquisite and ferocious.
  18. Deadpan, determinedly low key and deeply absurd, the films of Corneliu Porumboiu are very much a particular taste, and The Treasure is no different.
  19. Butler used several elements to make this story come alive, starting with that vintage Frank Hurley footage, whose rescue from icy waters is in itself something of a miracle.
  20. Despite the pain, sadness and vast emotional upheaval depicted here, Bridegroom is also a movie filled with hope and passion, dignity and pride, and many stirring pockets of joy.
  21. Night Will Fall proves a riveting, devastating, heartbreaking and deeply important film, one that you will likely never forget.
  22. I Am Another You is a remarkably sensitive and lovely portrait of an individual, a family, and a life that shines an uncommonly humane light on the issues of mental illness and homelessness.
  23. With its gorgeous frontier lyricism and its wrenchingly intimate story of a young man striving to fulfill what he considers his God-given purpose, The Rider comes as close to a spiritual experience as anything I've encountered in a movie theater this year.
  24. Music documentaries are thick on the land, and political ones are numerous as well, but Mali Blues is different in that it artfully combines hypnotic music with definite societal concerns.
  25. Even when the epidemic of violence touches a beloved character, Ness’ careful quilting of compassion and action across her years of filming suggests a fight that won’t diminish for these citizens.
  26. Varda’s playful tour of her life’s work in the movies is nothing less than an opportunity to get to know one of cinema’s greatest treasures.
  27. Juxtaposing nature’s comforting placidity and an urban mélange in which freedom is always in flux, “Wood and Water” breathes with unforced majesty about what’s sad and beautiful in moments of great change — story, mood and near-documentary-like observation are in a wonderful harmony here.
    • 85 Metascore
    • 70 Critic Score
    The players acquit themselves histrionically if not morally. Mitchum, [Kirk] Douglas and the Misses [Jane] Greer and [Rhonda] Fleming are all commendable.
  28. From unsettled beginning to wondrously open-hearted finale, The Delinquents is wise enough not to offer clear or easy answers, beyond its certainty that getting lost is the only way to be found.
  29. Using a style of elegant lyricism, which enshrines tiny moments into glisteningly miraculous turning points, Erice lets the exchanges between the people he’s conceived play out without the need to advance the plot.

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