Los Angeles Times' Scores

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For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,699 out of 16526
  2. Mixed: 5,810 out of 16526
  3. Negative: 2,017 out of 16526
16526 movie reviews
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  1. Sisters
    There is so much about its package – the stars, the premise, the talented supporting cast – that would make for a film of warmth, humor and insight on the struggles of leaving the past behind and getting out of your own way on the path to fulfilment. Instead, the movie settles for being a party comedy and little else.
  2. Star Wars: Episode VII - The Force Awakens
    Though a definite improvement on the last three abortive Star Wars prequels directed by series creator George Lucas, The Force Awakens is only at its best in fits and starts, its success dependent on who of its mix of franchise veterans and first-timers is on the screen.
  3. The Ridiculous 6
    The jokes are often juvenile and gross, unsophisticated and insensitive, but one does not wish to strike juvenility or grossness or even insensitivity outright from the comic tool kit; these just aren't all that good.
    • tbd Metascore
    • 50 Critic Score
    Snervous Tyler Oakley
    It's as though everyone involved with this doc is afraid to push too hard, lest they knock everything down.
  5. We Are Many
    Since the rally ultimately proved ineffectual, the film could at the least serve as a sobering postmortem on where it fell short. But filmmaker Amir Amirani instead gives protesters a figurative pat on the back by insinuating that they helped inspire the Egyptian revolution some eight years later.
  6. Carl(a)
    Director Eli Hershko and co-writer Christopher Theokas do a nice job with the relationship between Carla and Grandpa, but the other roles go underdeveloped. The filmmakers are even less successful with plotting, telegraphing every major turn.
  7. Dementia
    Testin and Berg's work here is definitely promising, suggesting something better from both of them down the road.
  8. Ingrid Bergman in Her Own Words
    A surprisingly intimate film, a completely involving look inside the life of a gifted and complex woman.
  9. Almost There
    The film is as lacking in polish and structure as its subject's canvases, which makes it an appropriate tribute to a marginal figure whose dreams of art world and/or Hollywood stardom stubbornly remain "almost there."
  10. American Hero
    Love does a fine job evoking the social and cultural vibe of the Big Easy and its environs. He also enjoyably uses documentary-style testimonials from Melvin's devoted friends and supporters, inspired editing and a slew of nifty visual effects.
  11. Boruto: Naruto the Movie
    No "Naruto" fan will want to miss "Boruto," which suggests a new direction the franchise may take, now that the long-running TV series has finally concluded.
  12. Christmas, Again
    A low-key, near-total charmer, writer-director Charles Poekel's Christmas, Again captures something ineffably moving about the holiday grind.
  13. Close Range
    There's no characterization to the cartel members beyond freeze-frame title cards; they are interchangeable and expendable.
  14. Orion: The Man Who Would Be King
    Finlay unearths a fascinating biography filled with reversals, comebacks and false starts.
  15. dream/killer
    Tonally, the film is a mess, unable to decide if it's a damning downer or...the inspiring story of conquering injustice.
  16. The House That Jack Built
    The personality flaws of the characters and the dysfunctions of the household are instantly recognizable from this very capable cast, yet they never come off as cliché.
  17. The Messenger
    The slow-motion close-ups alone should convince you these magnificent creatures are well worth the effort.
  18. The Girl in the Book
    The film itself often feels stilted and repetitive.
  19. Don Verdean
    While the corrupt Indiana Jones conceit certainly held promise, the Hesses fail to move it much further beyond that "what if" premise, taking weak, obvious potshots at its fundamentalist target.
  20. Dixieland
    Compelling as Zylka and Keough may be — and we're definitely rooting for their well-etched characters — Bedford too often plies a kind of woeful wooziness here when a more propulsive approach is in order.
  21. Bleeding Heart
    Writer-director Diane Bell suggests that these women are so steeped in low self-esteem and codependency that they would not be able to leave their men if they didn't have each other.
  22. Boy and the World
    Boy & the World is a brightly colored, often charming film that juxtaposes simple, hand-drawn animation with kaleidoscopic computer-generated patterns.
  23. In the Heart of the Sea
    The whale is wondrous but the drama not so much in In the Heart of the Sea.
  24. The Big Short
    The film packs in so much information and comedy, it would be fun to see it twice: not just to take in what it has to tell us, but also to laugh all over again.
  25. Capture the Flag
    Rarely has outer space seemed so unexciting.
  26. Christmas Eve
    Who knew a movie seemingly meant to spread holiday cheer could be so off-putting in an almost sadistic way?
  27. Uncle Nick
    Demski and director Chris Kasick wrap up the story neatly — in both senses of that word — by suggesting that we can all feel better at somebody else's expense.
  28. MI-5
    The cast and crew work like a well-oiled machine, delivering the quality drama we've come to expect from British TV imports.
  29. Krampus
    Dougherty's effects team is top-notch, and the movie takes unexpected chances with the style and the storytelling — including a beautiful stop-motion interlude.
  30. Stink!
    While Whelan repeats his points too much, it remains gripping and maddening throughout to watch him run into stone walls.
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