For 16,535 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,705 out of 16535
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Mixed: 5,813 out of 16535
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Negative: 2,017 out of 16535
16535
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Katie Walsh
The story is an intriguing twist on the western genre, but in piling on other subgenres and story elements, including a dangerous and charismatic cult, it dilutes the essential nature of what could have been a potent revenge tale.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Katie Walsh
In following this couple, Jin’s film celebrates the wonder and magic of every single life; finding the extraordinary in the ordinary.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Katie Walsh
Despite the overwrought stylization, the heart of Seoul Searching does ultimately emerge: a tender story that’s more about the high stakes of youthful connection than culture, proving that this universal tale transcends borders.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Robert Abele
The trouble is, director Wayne Blair’s perfunctorily handled adaptation of Dalia Sofer’s 2008 novel is long on cardboard characterizations and short on genuine tension.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Noel Murray
Even during the gunfight, this always remains a character piece: a thoughtful, imaginative movie about stubbornly authoritarian professionals, protecting their territories.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Robert Abele
Even with all the design-rich invention and admirably committed weirdness on display in “Swiss Army Man,” we’re still in the land of immature males, poor-me feelings and superpowers. While the movie focuses on one end of the body, you might be left sighing from the other.- Los Angeles Times
- Posted Jun 23, 2016
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Gary Goldstein
The Fundamentals of Caring is a strained, overly familiar tale of catharsis and redemption. Stars Paul Rudd and Craig Roberts work hard but are torpedoed by writer-director Rob Burnett’s wanting script (adapted from the novel by Jonathan Evison), thudding stabs at buoyancy and sluggish pacing.- Los Angeles Times
- Posted Jun 23, 2016
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Kenneth Turan
Every once in a while, a small, unheralded film comes along, so smart and funny, such a pleasure to experience, you can't believe your luck. Hunt for the Wilderpeople is such a film.- Los Angeles Times
- Posted Jun 23, 2016
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Noel Murray
The Phenom may be choppy, but it’s saying something sincere about how the pressure to be thought of as a winner can be an athlete’s most formidable opponent.- Los Angeles Times
- Posted Jun 23, 2016
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Kenneth Turan
If this labor-of-love portrait is any indication, forgetting Frank Zappa is not going to happen any time soon.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Justin Chang
The juxtaposition of formal beauty and surpassing human ugliness is hardly the least of “Wiener-Dog’s” numerous internal contradictions, some of which are more resolvable than others.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Justin Chang
No filmmaker better understands the revelatory properties of small talk and soju, and few could make the art of repetition seem so rife with possibilities.- Los Angeles Times
- Posted Jun 23, 2016
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Justin Chang
Languorously paced and literally dressed to kill, the movie is a corrosive attack on beauty — or at least our soulless, corporatized definition of the term — but it is also, above all else, a hypnotically beautiful object.- Los Angeles Times
- Posted Jun 23, 2016
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Justin Chang
On its own unpretentious, unapologetically pleasure-seeking terms, “The Shallows” has enough to recommend it — not least the fact that you could watch it twice in roughly the same amount of time it would take to watch “The Revenant,” and with little appreciable loss in adrenaline or poetry.- Los Angeles Times
- Posted Jun 23, 2016
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Reviewed by
Justin Chang
Its strength lies in the way it continually collapses the distance between people and cultures, forcing its characters to reckon with what they perceive as strange and unfamiliar.- Los Angeles Times
- Posted Jun 23, 2016
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Justin Chang
The strength of The Witness lies in its recognition that the truth is often not just elusive but unattainable.- Los Angeles Times
- Posted Jun 16, 2016
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Robert Abele
Though Art Bastard is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it’s not terribly cohesive.- Los Angeles Times
- Posted Jun 16, 2016
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Gary Goldstein
There’s much to admire about this alternately tough and tender film, including a fine turn by Caton, some striking outback scenery, and many resonant thoughts about living — and dying.- Los Angeles Times
- Posted Jun 16, 2016
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Noel Murray
Refreshingly dark and sick, this is a movie for those who like cinematic monsters that hit so hard they leave a mark.- Los Angeles Times
- Posted Jun 16, 2016
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Robert Abele
Bourek is well-meaning but woefully lacking in dimension or urgency, the movie equivalent of a scenic tourist trap.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Noel Murray
While it has a sharp hook — and is reasonably diverting — it never rises above the routine.- Los Angeles Times
- Posted Jun 16, 2016
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Gary Goldstein
Thanks to Ifans, though, this remains a watchable film, one that, perhaps like Len himself, falls short of its potential.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Michael Rechtshaffen
Few will likely embrace the insufferably chirpy, high-concept rom-com that struggles to stretch a mighty shallow premise into a feature-length proposition.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Michael Rechtshaffen
Though indulgently overlong, “Raiders!” manages to unearth the inner geek in all of us.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Katie Walsh
Leena Yadav’s Parched is a bright jewel of a film, surprisingly funny, fresh and upbeat in the way it takes on the complicated and often dark topic of sexual politics in rural India. T- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Justin Chang
By the end you may feel moderately relieved and more than a little creeped out, but you may also wish that this undeniably compelling documentary had done more than lightly brush the surface.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Katie Walsh
Husson’s film details the consequences of such free love, but it celebrates sex too — the kind based on intimacy and love. Teens and sex: it’s a tale as old as time but this take is surprising, invigorating and sharply frank.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Kenneth Turan
They both saw themselves, "Dying to Know" posits, as adventurers exploring alternate realities, and hearing where they ended up is a trip all by itself.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Kenneth Turan
A trapeze enthusiast himself, Moore is not shy about displaying his passion. His shambling, amiable film has a tendency to wander and digress, sometimes effectively, sometimes not. But its core of balletic trapeze footage is always gripping.- Los Angeles Times
- Posted Jun 16, 2016
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Reviewed by
Justin Chang
A tightly coiled, beautifully acted relationship study that occasionally swerves in the direction of a gangland thriller.- Los Angeles Times
- Posted Jun 16, 2016
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