For 16,535 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,705 out of 16535
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Mixed: 5,813 out of 16535
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Negative: 2,017 out of 16535
16535
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
What “black lives matter” means in essence, one of this film’s voices says, “is that all lives matter,” a point “13th” makes with undeniable eloquence as well as persuasive force.- Los Angeles Times
- Posted Oct 6, 2016
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Justin Chang
The empathy that Taylor summoned so effortlessly in his previous films feels strained and unpersuasive here, and moments that should be lacerating...are overplayed to ghastly effect.- Los Angeles Times
- Posted Oct 6, 2016
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Reviewed by
Robert Abele
A scrappy war flick with a fair amount of combat suspense but a whole lot of clichéd dialogue.- Los Angeles Times
- Posted Oct 6, 2016
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Sheri Linden
A drama that plays out as an overdetermined thesis, with Genovese herself (Christina Brucato) a footnote to the darkly stylized plunge into lives of quiet desperation.- Los Angeles Times
- Posted Oct 6, 2016
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Reviewed by
Kenneth Turan
The Birth of a Nation certainly has the power of conviction, but the grace of art escapes it.- Los Angeles Times
- Posted Oct 6, 2016
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Sheri Linden
Baya Medhaffar inhabits the role of Farah with a blazing exuberance that’s matched by a dynamic sense of place. Director Leyla Bouzid may struggle to shape her narrative in the final reels, but through most of its running time her first feature pulses with in-the-moment vitality.- Los Angeles Times
- Posted Oct 5, 2016
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Robert Abele
The fantasy of a punk icon for a friend is one thing, but the filmmakers undercut the modest liveliness of their enterprise with a save-the-day storyline that seems far removed from the roiling, anti-authoritative ethos of punk.- Los Angeles Times
- Posted Oct 5, 2016
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Reviewed by
Gary Goldstein
Despite the film’s brief running time, it packs in vital social context, gay history and nostalgic imagery along with some sad truths.- Los Angeles Times
- Posted Sep 29, 2016
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Robert Abele
A thoroughly amateurish un-comedy about show business.- Los Angeles Times
- Posted Sep 29, 2016
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Kimber Myers
Loserville is somehow two different movies — a traditional teen comedy mixed with a message-driven drama about the dangers of bullying — without enough connective tissue linking characters or scenes to lend it cohesion.- Los Angeles Times
- Posted Sep 29, 2016
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Noel Murray
Though it’s mildly enjoyable throughout, the movie is ultimately just a loose collection of nice little scenes, held together by a few palliative clichés.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Gary Goldstein
Although there are contrivances, and Joe’s blurry “catfishing” tale meanders, these folks’ emotional growth feels authentic and touchingly earned.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Michael Rechtshaffen
In its present form, Ramsey’s story leaves you wanting more — and less.- Los Angeles Times
- Posted Sep 29, 2016
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Noel Murray
Though more sensationalistic than serious, this film has a scale and an energy that rivals any Hollywood blockbuster.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Gary Goldstein
Equine fans: Gallop, don’t trot to Ron Davis’ winning documentary Harry & Snowman, which recounts the inspiring story of an underdog show horse, his tenacious trainer and their rise to fame in the late 1950s.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Michael Rechtshaffen
Even for something preaching spiritual tranquility, Milton’s Secret exhibits the barest trace of a pulse.- Los Angeles Times
- Posted Sep 29, 2016
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Katie Walsh
The obvious exposition, tortured dialogue and shoddy special effects just make you wish you were watching something else.- Los Angeles Times
- Posted Sep 29, 2016
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Katie Walsh
It’s a warm, uplifting portrait of the potentials to be found in startup culture, but feels blinkered by its specific focus.- Los Angeles Times
- Posted Sep 29, 2016
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Kimber Myers
Many viewers will find it challenging to see the substance hidden in the documentary’s over-the-top style that makes Michael Moore’s directorial stamp look subtle.- Los Angeles Times
- Posted Sep 29, 2016
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Kimber Myers
This is a gorgeously made film, put together with as much care as its subjects devote to saving the remaining varieties of seeds.- Los Angeles Times
- Posted Sep 29, 2016
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Robert Abele
Though its chronological organization and issue management is rough around the edges, Esquenazi’s passionately argued film...easily convinces that the charges are impossible to believe.- Los Angeles Times
- Posted Sep 29, 2016
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Noel Murray
What emerges is a rich portrait of one of 20th century pop culture’s great facilitators, whose keen observations, quirky personality and natural affinity for the outré helped greatness happen.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Noel Murray
It tests the theory that a creepy clown lurking in the dark is always terrifying. It turns out that with repetition, some nightmares become boring.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Katie Walsh
The cast is stocked with some of comedy’s best actors, which elevates the rather pedestrian material.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Michael Rechtshaffen
An initially compelling but uneven drama elevated by two centered performances.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Sheri Linden
With its old-fashioned gloss, the incident-packed story proves only mildly engaging and finally has little to say.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Gary Goldstein
For a drama that’s as quiet and circumspect as Chronic, it’s a decidedly bold film, one that pulls few punches as it slowly peels away the emotional layers of its complex protagonist. t also features an ending that’s as devastating as it is shocking.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Kenneth Turan
Without doubt this strong documentary sheds a powerful light on this particular case while emphasizing the ultimate unknowability of absolute truth.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Justin Chang
The sense of film craft here is so delicate and assured that, even at its most razzle dazzle-prone moments, the movie never seems to be straining for effect.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Justin Chang
It’s been a while since a film so powerfully evoked the thrilling possibilities and wasted pleasures of the open road.- Los Angeles Times
- Posted Sep 29, 2016
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