Los Angeles Times' Scores

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For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,699 out of 16526
  2. Mixed: 5,810 out of 16526
  3. Negative: 2,017 out of 16526
16526 movie reviews
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  1. Paint It Black
    An intriguing audio-visual sense, deft editing and Shawkat’s committed performance elevate this strangely watchable film.
  2. Alien: Covenant
    This movie may be a convulsively entertaining throwback to Scott’s glory days, but to look upon Fassbender, with his icy and seductive post-human gaze, is to behold this franchise’s future.
  3. Wrestling Jerusalem
    Rather than pulling the viewer in, all the inter-cutting between the barren stage and the barren desert ultimately has a distancing, artificial effect that waters down much of the dramatic potency generated by the shared experience of a live performance.
  4. Dead Awake
    Despite Donahue’s best efforts in a grand finale sleep session with life-or-death stakes, the premise never lives up to its promise.
  5. Harold and Lillian: A Hollywood Love Story
    Their personal story is no less fascinating than their experiences working on hundreds of movies, together and separately.
  6. Paris Can Wait
    The refreshing element is that the story resists normative fantasies of sex or romance — in Paris Can Wait, Coppola focuses on the relationship to the self.
  7. A Woman's Life
    Riveting in its slow and steady accretion of details, its penetrating and richly textured gaze, A Woman’s Life is a bracing reminder that our experiences are often shaped less by what we achieve than by what we endure.
  8. Urban Hymn
    Urban Hymn is so carefully and lovingly made by director Michael Caton-Jones and his leads that it’s hard to begrudge the British drama its familiar premise, especially as you squint at the screen through tears.
  9. Hounds of Love
    Young’s vision of quiet middle-class mayhem, drawn from the three-handed struggle between young Vicki and her tormentors, is bold and unflinching.
  10. Snatched
    Snatched may represent a failure of sensitivity, but it’s an even greater failure of nerve.
  11. Folk Hero & Funny Guy
    With Grace’s sure hand and the strong work of lead actors Wyatt Russell and Alex Karpovsky, Folk Hero & Funny Guy is the kind of road trip movie where it’s a pleasure to ride shotgun.
  12. Get Me Roger Stone
    [An] endlessly fascinating, bracingly up-to-the-minute Netflix documentary.
  13. Angkor Awakens: A Portrait of Cambodia
    Angkor Awakens won’t wow you with artfulness, but as an analytical narrative of tragedy, testimony and a way ahead, it has an undeniable power.
  14. Burden
    Whether as a constructor of large-scale enchantments or a notorious conceptualist, he emerges in this portrait as sincerely searching.
  15. The Wall
    The kind of tension you would expect is never completely present.
  16. King Arthur: Legend of the Sword
    Somehow hectic and lumbering, diverting and dispiriting all at once, this mud-toned medieval pulp largely cleaves to the spirit of Ritchie’s “Sherlock Holmes” series, reducing a fabled figure of British lore to two hours of tough-guy swagger and head-pounding digital thwackery.
  17. Two Women
    A handsomely mounted if largely melodramatic affair that gains steam as it gives way to truer emotions and bits of veiled humor.
  18. Like Crazy
    Director Paolo Virzì, who co-wrote with Francesca Archibugi, keeps the jam-packed film moving apace with a whirlwind of high-wire emotionality, memorable set pieces and vivid location work.
  19. Tracktown
    [Pappas] and co-director and co-writer Jeremy Teicher have created a funny, sweet movie that explores the struggles of a serious athlete without alienating those whose sneakers are gathering dust in the closet.
  20. Violet
    Violet never progresses. It’s just one long, slow wallow. That said, Devos and cinematographer Nicolas Karakatsanis devise so many striking images that the movie is always a pleasure to watch.
  21. Whisky Galore!
    Granted, there’s not much reason to watch this Whisky Galore! so long as the 1949 version still exists. But it’s clear that everyone involved with this production had genuine affection for the material and for the very idea of old Scotland as a genteel utopia populated by kindly tippler
  22. Lowriders
    It’s dispiriting to watch Lowriders make every predictable move. It clutters an otherwise well-meaning snapshot of a vibrant community underserved by mainstream filmmaking.
  23. Enter The Warriors Gate
    This movie ultimately lacks the characters and imagination to make it anything more than a passable entertainment.
  24. Take Me
    Healy is never able to find an absorbing middle ground in Mike Makowsky’s script, vacillating gratingly between shrill farce and murky thriller that flails its way toward an intended twist-ending that really shouldn’t surprise anyone.
  25. The Lovers
    Its emotional reserves are deeper and more capacious, its sense of mystery more profound, than in just about any American movie of any scale I’ve seen in recent memory.
  26. Lady Bloodfight
    Lady Bloodfight would be knocked out immediately if matched against classics in the genre.
  27. Obit
    A fun and informative documentary.
  28. Bang! The Bert Berns Story
    What matters most is that “Bang!” is filled with lively anecdotes about the days when hucksters and racketeers ran the music business, jostling for control — an art in and of itself.
  29. Buster's Mal Heart
    It’s a confident weirdness that Buster’s Mal Heart boasts as it dissects a damaged soul for signs of what’s eternal and what’s triggered when a man breaks in two.
  30. This Is Not What I Expected
    Flights of fancy are peppered in throughout but can’t make up for this concoction’s missing ingredient: romantic chemistry.
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