Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. With real soul and gravitas, Marks and Power craft romantic drama that demonstrates that life’s hardest challenges can come at any age.
  2. How can one dislike this movie? It has wit, romance, gentle rebellion, idyllic landscapes and fine actors savoring luscious lines. Only the undercurrent may bother a few: the hints of feminist revolt, beneath the sparkly surface. Enchanted April--based on a 1923 novel by Elizabeth Von Arnim--is a pure wish-fulfillment story, but there's an acid edge to it.
  3. The movie balances electrifying archival footage with useful contextual cultural analysis.
  4. Hal
    Hal deals with each of the director's films in a smart, engaging manner. As befits a former editor, director Scott has an ear for the great quote and the skill to make it all flow beautifully, to both entertain and help us understand who Ashby was and what he wanted to do.
  5. Larger Than Life: The Kevyn Aucoin Story is a rich, deeply dimensional documentary looking back at the legendary makeup artist who died in 2002 at 40.
  6. Surprising and deeply satisfying.
  7. The Last Race is a high art film about a blue-collar subject, and that unlooked-for ability to see beauty in the everyday is what makes it both a surprise and a success.
  8. Writer-director Bertrand Mandico’s The Wild Boys is a heady, sexually charged take on “Lord of the Flies” — an exciting sail on the waters of gender fluidity that energetically skewers any notion of the binary.
  9. Graced with good-humored comic energy, they overcome sizable script problems and turn Ron Shelton's White Men Can't Jump into a sassy and profane urban fairy tale that finds laughs in some very clever places.
  10. Though made by different directors, there’s a visual language of urban detail, intimate gesture and expressively animated lighting that connects all three — they’re like sweet, sad pop songs from a supergroup with many lead performers.
  11. Swelling with humanity and romance like the crescendo of an aria, “Bel Canto” is a moving meditation on the power of love, music and proximity.
  12. While Stewart didn’t live to see the enactment of a new California law last fall that will see the phasing out of the practice already banned elsewhere in the world, his passionate documentary, boasting stirring underwater photography and an equally poignant Jonathan Goldsmith score, speaks urgently on his behalf.
  13. Green Book is a savvy and super effective piece of popular entertainment.
  14. Bleak as it is, it’s remarkably devoid of bitterness or rancor, and even its most despairing passages are flecked with humor and hope. This is personal filmmaking with a diarist’s sense of detail and an artist’s generosity.
  15. All in all, Jane Fonda in Five Acts proves a captivating, extremely well-told and crafted, decidedly fitting tribute to a Hollywood legend, fighter and survivor who just might surprise us one day with a “sixth act.”
  16. Young Guns II generates more sheer visual excitement than any Western since Peckinpah and Leone were in their last '70s prime.
  17. Mostly, Lenz is committed to showing as much of Kusama’s considerable output as possible, often lovingly panned over with an admiring camera. Think an exhibition program at 24 frames a second. But Kusama – Infinity is also a genuinely felt portrait of the artist as a dedicated survivor, ever in service to her vision of the world and fighting for her place in it.
  18. It's not that Waters set out to make a social statement here. It's just that the landscape and his mindscape turn out to be a perfect fit.
  19. Israeli journalist Amos Elon once wrote that the demands for justice presented by the Israeli-Palestinian impasse exceed the human capacity to administer it. The dramatic, involving The Oslo Diaries details the closest these adversaries have come to proving Elon wrong, a story that is heartening and heartbreaking by turn.
  20. Gently adjusting the tension throughout, Mosley knows exactly when to turn up the flame and make a point in the process.
  21. It’s a film that begins as a raucous rural comedy and deftly evolves into a poignant and reflective, yet still wryly amusing, story of what becomes of a family.
  22. Focusing on the last 15 years in the life of mercurial actor-director Orson Welles, the bulk of which was spent trying to complete his passion project, “The Other Side of the Wind,” the impeccably assembled production employs Neville’s virtuoso touch to provocative effect.
  23. Using their great ability with comic dialogue (the film won the best screenplay award at Venice), the Coens exaggerate and subvert familiar western tropes to gleeful comic effect.
  24. It’s not just that Pike changed the timbre of her voice, the way she walks and even her posture to accurately reflect Colvin physically (though she has). It’s that this fierce, lived-in performance, complete down to the drawn face and go-for-it personality, is so convincing that people who knew Colvin were shaken at the resemblance.
  25. The ending is both shocking and inevitable. Drummond and Matthews honor the western traditions, classic, spaghetti and revisionist, while creating something stylishly original steeped in the seldom-seen rural and tribal cultures of South Africa.
  26. While the film seeks to put Antonio’s name on the same level as the boldfaced names he rubbed elbows with, it is a stark, sorrowful reminder of the many artistic geniuses cut down in their prime by AIDS.
  27. A heartbreaking nightmare for the couple, a life-changing event for Keith, yet together their stories make Lee’s amazing film deserving of a broad audience. Letter From Masanjia is a bracing reminder of our sometimes blindered approach to globalization and the effects of simple actions.
  28. Despite the potential for rancorous finger-pointing, one of the remarkable things about “The Front Runner” is its determination to be even-handed, to encourage viewers to make up their own minds (at least up to a point) about what happened 30 years ago and what it means for today.
  29. Even when the epidemic of violence touches a beloved character, Ness’ careful quilting of compassion and action across her years of filming suggests a fight that won’t diminish for these citizens.
  30. Both a fine introduction for those who don’t know the work and a thoughtful examination of the issues surrounding him for those who do.

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