Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Artfully, even elegantly constructed, Secret Lives skillfully probes issues of conflicting emotions and allegiances in a dark time, yet emerges as a loving affirmation of humanity's remarkable potential for goodness in the face of pervasive evil.
  2. It wants you to feel that nightmare scenario of being stuck, but it also wants to be meditative. It’s not always successful at merging those experiences — as experimentation it falls short, and the horror label is also a stretch — but it ultimately earns a liminal fascination as it fuses your perspective to the protagonist’s.
  3. Tyrel is a lab experiment with no insight into feelings of otherness beyond the blinding light directed at its wigged-out subject.
  4. A roguish and delightful comedy of duplicity that's as entertaining as it is sly.
  5. F/X
    A love of the world of movies permeates the first-class, crackling excitement of F/X, giving a rare dimension to this thriller.
  6. Romero easily commands an enormous cast, a plethora of action sequences and a cornucopia of special effects -- some of them very gory -- and creates one darkly dazzling image after another that allows Land of the Dead to emerge without any nudging whatsoever as a bleakly humorous, hard-charging allegory.
  7. Most of what makes Brooklyn 45 so entertaining doesn’t cost a lot of money. It just takes talent, and diligence.
  8. We’ve seen many versions of this kind of story before, but there’s something so spot-on and involving about the film, written and directed by Daniel Schechter — and performed with such a lived-in rhythm by its talented cast — that it proves surprisingly refreshing.
  9. Recently deceased master filmmaker Claude Chabrol's 50th and final feature, Inspector Bellamy, proves a sadly bland footnote to an illustrious and influential career.
  10. Neo Ned is exactly the kind of production -- scrappy, flawed and a little odd -- that should exemplify the very notion of "independent film."
  11. No one is likely to rank "Boss" on the same level as his more somber and ambitious efforts, but Von Trier admirers will be pleased to discover that, even while working in a far less consequential mode than usual, the ever-uninhibited filmmaker's distinctive flair is in full force.
  12. As the satire retains its acridness to the very end, Sick of Myself proves itself well-aware that narcissists don’t learn lessons — they learn how to adapt.
  13. Though not all its gyrating parts and magical realist flourishes congeal, this feverish visual parlance rouses.
  14. Neither flashy nor dishonest, a wizard with restraint, Pearce has a gift for discovering the excitement in honest human behavior, and working from an acute script by Billy Bob Thornton and Tom Epperson, he's able to dramatize the story's essence without forcing the issue.
  15. A documentary as gentle as its subject: the story of a boy who realized his dream and, on the film's evidence, received a lot of encouragement and support along the way.
  16. There’s not much in the way of bruising insight into the makeup of a deteriorating personality, but for a compact spin through well-trod fields of lustful, sad-mad blindness, “Thirst Street” has its share of disreputably perverse pleasures.
  17. Mike Armstrong's relentlessly downbeat script allows Demme to develop an ensnaring camaraderie coupled with a dark destructiveness that recalls Eugene O'Neill.
  18. The disturbing, involving, always-complex story of British mathematician Alan Turing is a tale crafted to resonate for our time, and the smartly entertaining The Imitation Game gives it the kind of crackerjack cinematic presentation that's pure pleasure to experience.
  19. Gregg Araki's delirious Smiley Face is an unabashed valentine to Anna Faris, an opportunity for the actress to show that she can carry a movie composed of often hilarious nonstop misadventures.
  20. An engrossing, muckraking documentary about the retail giant that's been called "the world's largest, richest and probably meanest corporation." But if you're expecting an angry diatribe, you're going to be disappointed.
  21. This enchantingly strange movie couldn’t possibly be called naturalistic, but at times, it feels somewhat disappointingly normalized.
  22. Their personality types match up splendidly with the characters they play as well as each other, and Mrs. Brown's greatest pleasure is seeing and hearing them spar. Even with the gloves on, this is a battle well worth observing.
  23. Might be too much for some audiences, but it is a potent and surprising work.
  24. A little movie with big truths, a work of such fierce intelligence and emotional honesty that it blows away the competition when it comes to contemporary romantic comedy.
  25. Strangely enough, Married to the Mob, which may prove to be Demme's long-overdue passport to mass audience adulation, may tickle everyone but die-hard Demme fans. [19 Aug 1988]
    • Los Angeles Times
  26. An enchanting tale of friendship and evolvingrelationships, The Water Horse: Legend of the Deep" engagingly grafts coming-of-age movie chestnuts onto Scottish folklore.
  27. Although the title might suggest cheesy sensationalism, A Monster With a Thousand Heads serves as a sobering, all-too-relatable indictment of the bureaucratic Hydra that is the medical insurance industry.
  28. You might start to seriously wonder if there's a way to get this woman to run for office here in America.
  29. While Maria By Callas is short on facts and biographical detail, it expertly presents an emotional essence of this performer, leaving you both shaken and stirred by the extent of her gifts and the way they connected to both audiences and her tumultuous life.

Top Trailers