For 16,524 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,698 out of 16524
-
Mixed: 5,809 out of 16524
-
Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Kenneth Turan
Entertainment like this is too hard to find to second-guess for too long.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
This handsome film is a splendid, stirring feat of the imagination.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Sheila Benson
In addition to its photography, the film's details of costuming (by "The Last Emperor's" James Acheson) and production design (by Stuart Craig of "Gandhi" and "The Mission") are ravishing. [21 Dec 1988, Calendar p.6]- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Michael Moore in Fahrenheit 9/11 has launched an unapologetic attack, both savage and savvy, on an administration he feels has betrayed the best of America and done extensive damage in the world.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
The best break of all is that Pixar's traditionally untethered imagination can't be kept under wraps forever, and "Nemo" erupts with sea creatures that showcase Stanton and company's gift for character and peerless eye for skewering contemporary culture.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Has its share of underthought or overwrought moments. The tone keeps shifting radically. It has some silly lines, plot lapses and goofball action scenes. But you can forgive the movie everything because of the sheer nasty pizazz of its central concept. [4 Nov 1988]- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Though it is a work of fiction, we have the sense every minute that we are watching something real, something with the unmistakable taste of life.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Carina Chocano
Among other things, the characters in A Love Song for Bobby Long really know how to turn a phrase, in itself a pleasure so rare it all but demands any flaws be forgiven.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
It's a deeply affecting performance, and it drives this quietly powerful, unrelenting film.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
What Radford above all accomplishes in his filming of The Merchant of Venice is to suggest that, in essence, it is that most modern of entertainments: a dark - indeed, very dark - comedy.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Commands respect and affection. [2 June 1989, Calendar, p.6-1]- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
As played by Alfred Molina with both computer-generated and puppeteer assistance, Doc Ock grabs this film with his quartet of sinisterly serpentine mechanical arms and refuses to let go.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Can be taken as a mildly risque frothy date movie, but there's serious subtext for those who choose to look beneath surface sheen.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
It unapologetically exults in its characters' glorious imperfection. It's good to know that oddballs, outcasts and people who don't look like Barbie and Ken still have a place in American movies and that not everyone in Hollywood pays lip service to the nice and polite.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
Known for an elegant visual style, Jarmusch has a great gift for playing actors against one another, for finding complementary eccentrics (Murray and RZA) and uncovering rare gems (Bill Rice and Taylor Mead in "Champagne").- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
A very small film but a sweet one, an easygoing venture of the feel-good variety. What sets it apart is something even larger pictures often lack: an excellent performance by its star.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
This sleek and sunny comedy is an all-too-rare example of smart and inventive Hollywood filmmaking.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Directed by Jon Favreau from a script by David Berenbaum, Elf returns to the hip but warm-hearted spirit of "Swingers," which Favreau both wrote and starred in. It brings sophisticated glee and a sense of innocent fun to what could have been a moribund traditional family film.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
An excellent job of retaining key elements of the original plot but have created a whole new set of characters that gives the film an entirely contemporary feel.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kenneth Turan
Funny but not a comedy, serious but never overbearing, emotional in an engaging and bittersweet way, Good Bye, Lenin! is a wonderful film unto itself about a world unto itself.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kevin Thomas
Filmmaker Jessica Yu, in In the Realms of the Unreal, outlines Darger's lonely life and interviews Lerner's elegant, sympathetic widow Kiyoko and other Darger neighbors -- highlighted by enchanting animation of some of Darger's exquisite scrolls.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jan Stuart
Warts and all, Osmosis Jones is the year's ultimate bodily functions comedy.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Takes a clever premise and Black's unflagging manic energy and comes up with a pleasing mainstream comedy that uses new people and attitudes to entertain in old-fashioned ways.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kevin Thomas
In compelling, suspenseful fashion, Taking Sides illuminates brilliantly the dilemma of a great, world-renowned artist flourishing in a totalitarian regime.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
So gleefully vulgar, so eagerly offensive, it's tough not to get down on all fours and beg for more.- Los Angeles Times
- Read full review
-
Reviewed by