For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
If the final result doesn't transcend emotionally in the manner of the gold standard of Boston noir, Clint Eastwood's "Mystic River," the fault is not in the execution but the unyieldingly oppressive nature of the underlying material.- Los Angeles Times
- Posted Sep 17, 2015
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Reviewed by
Inkoo Kang
Closed Curtain is richly allegorical, but the film succeeds even more as an exiled artist's reassurance that the law can't stamp out art.- Los Angeles Times
- Posted Jul 17, 2014
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Reviewed by
Gary Goldstein
A harrowing picture of the casualties of war — and the unchecked madness that may drive those entrusted to defend us.- Los Angeles Times
- Posted Aug 7, 2014
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- Los Angeles Times
- Posted Jul 11, 2014
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Reviewed by
Kenneth Turan
Physical beauty and fearless adventure, silly comedy and sensitive emotions, filmmaker Hiroyuki Okiura brings a facility for all of them to the table.- Los Angeles Times
- Posted Aug 28, 2014
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Reviewed by
Robert Abele
NightLights achieves something admirably genuine about the queasy mixture of anguish and joy attached to caretaking for the most needy of loved ones.- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Martin Tsai
Some of the black photographers' works here are breathtaking — and may prompt you to hunt down Willis' book for the coffee table. But there's so much more to take away from Harris' documentary.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Kenneth Turan
Because of its strong dialogue and convincing acting, 99 Homes stays on point for quite some time, artfully disguising the film's increasing reliance on plot devices.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Kenneth Turan
Working from a screenplay by Edgerton, rising Australian director Matthew Saville has expertly constructed a low-key, realistic drama in which the malleability of morality in an increasingly murky situation takes center stage.- Los Angeles Times
- Posted Oct 16, 2014
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Reviewed by
Gary Goldstein
If you can adjust to the film's uneven rhythms and often illusory vibe, there's a treasure trove of off-kilter humor, affecting pathos and first-class acting to be savored.- Los Angeles Times
- Posted Dec 4, 2014
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Reviewed by
Sheri Linden
Dance purists might dismiss Streb's work as circus gymnastics, but a bracing aesthetic is inseparable from the corporal shocks, as is an insistence on challenging accepted constraints. Through Gund's film, a wider audience stands to be not just amazed but provoked.- Los Angeles Times
- Posted Sep 25, 2014
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Reviewed by
Gary Goldstein
Dubious ending aside, Constanzo's approach to structuring, shooting and pacing the tricky material proves masterful and memorable.- Los Angeles Times
- Posted Jun 11, 2015
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Reviewed by
Martin Tsai
Despite what seem like the trappings of a Lifetime movie, writer-director Claudia Myers presents us with an unflinching and complex character study of an imperfect woman.- Los Angeles Times
- Posted Sep 18, 2014
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Reviewed by
Kenneth Turan
Polsky's treatment of this material is nothing if not entertaining, including lively visuals like placing a tiny bouncing hammer and sickle over song lyrics, and his ability to apply a lively style to serious subject matter is key to Red Army's success.- Los Angeles Times
- Posted Jan 22, 2015
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Reviewed by
Betsy Sharkey
Though the issues are heavy, the execution is light, enjoyable, but it keeps Elsa & Fred closer to "Sleepless in Seattle" than Fellini's deliciously deep Roman affair.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Kenneth Turan
Unlike documentaries that tie things up in a tidy bow, Supreme Price wants viewers to understand that the status of democracy in Nigeria remains very much in flux.- Los Angeles Times
- Posted Oct 2, 2014
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Reviewed by
Sheri Linden
Waiting for August" is an impressive, if muted, debut documentary.- Los Angeles Times
- Posted Oct 2, 2014
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Reviewed by
Gary Goldstein
Walters engagingly captures Botso teaching music, sculpting, conducting, spending time with his wife and young daughters and even traveling back to his Georgian hometown of Tbilisi. The energy, dedication, kindness and optimism he displays are truly infectious.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Rebecca Keegan
A raucous and refreshing new take on the Christmas movie.- Los Angeles Times
- Posted Nov 19, 2015
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Reviewed by
Robert Abele
Private Violence makes painfully clear the emotional and legal hurdles battered women endure just to feel safe again in or outside the home.- Los Angeles Times
- Posted Oct 16, 2014
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Reviewed by
Michael Rechtshaffen
Although their work involves interviewing eyewitnesses and gathering photographic evidence to build a case for violations of international law, the procedural stuff tells just half of E-Team's compelling story.- Los Angeles Times
- Posted Oct 23, 2014
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Reviewed by
Justin Chang
The moral of Moana is that playing it safe can have its limits. It’s hard not to agree, even when this lovely, reassuring hug of a movie doesn’t entirely heed its own advice.- Los Angeles Times
- Posted Nov 22, 2016
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Reviewed by
Michael Rechtshaffen
Writer-director Barnaby weaves a surprising amount of tenderness into the fabric of violence, as well as a good measure of magic realism, to keep the gritty story engaging.- Los Angeles Times
- Posted Oct 26, 2014
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Reviewed by
Kenneth Turan
Happy Valley is especially good at revealing a mass desire to shift blame, showing how everyone the scandal touched wanted to focus on the aspect that made them the least responsible.- Los Angeles Times
- Posted Nov 20, 2014
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Reviewed by
Kenneth Turan
A seriously satisfying superhero movie, one that, rife with lines like "the stench of your fear is making my soldiers hungry," actually feels like the earnest comic books of our squandered youth.- Los Angeles Times
- Posted Nov 15, 2017
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Reviewed by
Sheri Linden
For wannabe, seasoned pro and curious observer alike, these tales from the creative front lines are, like good TV, as insightful as they are entertaining.- Los Angeles Times
- Posted Oct 30, 2014
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Reviewed by
Kenneth Turan
"Antarctica" is successful because it operates on two complementary levels, the epic visuals whose grandeur can stagger you and the small-scale personal stories of the people who live and work down there.- Los Angeles Times
- Posted Nov 28, 2014
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Reviewed by
Kenneth Turan
Satiric, surreal, unexpected and at times wildly funny, Zero Motivation is a savage black comedy that eviscerates an unexpected target: the Israeli army.- Los Angeles Times
- Posted Jan 15, 2015
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Reviewed by
Betsy Sharkey
We look to documentaries like The Invisible Front — dense with detail, straightforward in laying out the issues — to put history in perspective. And in this case to illuminate a little-known page from it.- Los Angeles Times
- Posted Nov 20, 2014
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Reviewed by
Katie Walsh
The film is anchored by two riveting performances from Castillo and Lange.- Los Angeles Times
- Posted Jan 22, 2015
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- Los Angeles Times
- Posted Dec 17, 2014
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Reviewed by
Michael Rechtshaffen
What might seem unlikely to endure beyond standard sketch length proves surprisingly resilient in the hands of directors Clement and Waititi, the team responsible for the equally droll "Flight of the Conchords."- Los Angeles Times
- Posted Feb 12, 2015
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Reviewed by
Michael Rechtshaffen
Masterfully keying the compact performances into a striking lighting scheme that often bathes the musicians and dancers in warm golden or somber indigo hues representing the cycle of life, Saura's spare, elegant staging and the fluid, intimate cinematography by the great Vittorio Storaro ("Apocalypse Now") create an intoxicating effect.- Los Angeles Times
- Posted Nov 28, 2014
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Reviewed by
Kenneth Turan
Intimate and unusual behind-the-scenes look at the creation of a ballet, it may sound rarefied but has enough moments of truth and beauty to engage general audiences.- Los Angeles Times
- Posted Feb 12, 2015
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Reviewed by
Martin Tsai
Brown spent nearly four years so that we would witness Brawner's transformation firsthand. Rather than the after-school special that this film easily could have been, we get so much more out of it.- Los Angeles Times
- Posted Nov 28, 2014
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Reviewed by
Martin Tsai
Drenched in nostalgia, this loving tribute to the unsung heroes of cinema has immense appeal.- Los Angeles Times
- Posted Dec 4, 2014
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Reviewed by
Michael Rechtshaffen
The film offers a valuable life lesson in the powers of determination and timing, but most of all it's darned entertaining.- Los Angeles Times
- Posted Apr 16, 2015
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Reviewed by
Sheri Linden
The film flirts with upper-class stereotypes, but in the nuanced writing and the work of the strong cast, led by a terrific Valeria Bruni Tedeschi, it goes far deeper.- Los Angeles Times
- Posted Jan 17, 2015
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Reviewed by
Gary Goldstein
The film is as much a provocative exposé of Franklin, who awaits trial on murder charges and has proclaimed his innocence, as it is a vivid portrait of a community long plagued by drugs, crime, poverty and desperation.- Los Angeles Times
- Posted Dec 11, 2014
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Reviewed by
Kenneth Turan
The combined exceptional work of star Leonardo DiCaprio and nonpareil cinematographer Emmanuel Lubezki create so much verisimilitude and beauty that it compels us to pay more attention to this glimpse of a dark, unsettling kill-or-be-killed world.- Los Angeles Times
- Posted Dec 24, 2015
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Reviewed by
Martin Tsai
A biting, whip-smart satire on the thorny subject of organized religion, the Bollywood musical "PK" enlightens and provokes through outrageous slapstick.- Los Angeles Times
- Posted Dec 29, 2014
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Reviewed by
Martin Tsai
Impressively, Gangs of Wasseypur manages its sprawling story lines deftly and maintains a brisk pace throughout its daunting length. The performances are uniformly excellent, even if no character in Part 1 is at all likable.- Los Angeles Times
- Posted Jan 17, 2015
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Reviewed by
Kenneth Turan
It deals with friendship, loneliness, abandonment and forgiveness, and though its curious narrative arc means you're never sure exactly where it's going, the film works up a considerable emotional charge by the end.- Los Angeles Times
- Posted May 21, 2015
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Reviewed by
Sheri Linden
Grossman doesn't step back for a broader, contextualizing view of the Middle East; the film contains a single comment on the 1948 war's ramifications for displaced Palestinians. But as an oral history of the pilots' experiences, it's indispensable.- Los Angeles Times
- Posted Feb 5, 2015
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Reviewed by
Katie Walsh
The story of Captain Underpants is funny, fresh and frantic, playing with format and genre, adding meta, self-reflective winks. The film is propelled by its hyperactive energy and quirky style...and the combustible chemistry between the two leads.- Los Angeles Times
- Posted Jun 1, 2017
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Reviewed by
Robert Abele
In a way, the movie is a tug of war between the fruits of exhaustive research into old-world madness — which plays out most prominently in the richly possessed performances (particularly Taylor-Joy and young Scrimshaw) and the evocative frontier trappings — and an entertainer's pulpier instincts.- Los Angeles Times
- Posted Feb 18, 2016
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Reviewed by
Robert Abele
Kelly, who is credited with Stacey Miller for the screenplay, is shrewd enough to keep the movie from being a dramatized op-ed piece about betrayal, instead making roiling uncertainty, loneliness and melancholy the marquee emotions.- Los Angeles Times
- Posted Jan 26, 2017
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Reviewed by
Michael Rechtshaffen
Australian Mendelsohn (sporting a pitch-perfect American accent) and Reynolds are terrific, each wrapping himself up in the material like a well-worn favorite sweater.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Kenneth Turan
Directors Bryan Carberry and Clay Tweel stick with this story long enough to emotionally deepen the proceedings and show us how the struggle changes lives in profound ways no one could have anticipated.- Los Angeles Times
- Posted Sep 24, 2015
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Reviewed by
Kenneth Turan
Fear of retaliation often keeps faculty and administration from speaking up for students or talking at all, and six university presidents declined to be interviewed here. If it does nothing else, The Hunting Ground should make that kind of evasion more difficult in the future.- Los Angeles Times
- Posted Feb 26, 2015
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Reviewed by
Kenneth Turan
Though the Meru climbing and outdoor footage is spectacular, it is the personal struggle of each of the climbers, and the candid way they talk about them on camera, that give this film its considerable impact.- Los Angeles Times
- Posted Aug 13, 2015
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Reviewed by
Kenneth Turan
Small, smart and inescapably independent, People Places Things has its own offbeat and charmingly low-key way of seeing the world.- Los Angeles Times
- Posted Aug 13, 2015
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Reviewed by
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- Los Angeles Times
- Posted Jun 29, 2015
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Reviewed by
Kenneth Turan
Don't mistake a lack of flash for an absence of substance. The story told here couldn't be more significant or more timely.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Kenneth Turan
Maneuvering shrewdly within the boundaries of the traditional canon and aided by the impeccable performance of Ian McKellen, Bill Condon directs an elegant puzzler that presents the sage of Baker Street dealing with the one thing he's never had to contend with before: his own emotions.- Los Angeles Times
- Posted Jul 16, 2015
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Reviewed by
Gary Goldstein
Whaley nicely calibrates this wistful dramedy's emotional quotient, never allowing sentiment to turn into sap.- Los Angeles Times
- Posted Mar 20, 2015
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Reviewed by
Robert Abele
Like any good purveyor of noir, Boyle, who wrote the film with Joel Clark and Michael Lerman, understands that identifying someone is only one endgame while the mystery of identity is naggingly, tragically endless.- Los Angeles Times
- Posted Mar 26, 2015
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Reviewed by
Katie Walsh
She's Lost Control is a quiet triumph, a true herald of a distinctive and necessary voice in cinema.- Los Angeles Times
- Posted Apr 2, 2015
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Reviewed by
Robert Abele
As a first film, it is incredibly accomplished, its influences (French New Wave, Wong Kar-Wai) apparent but integrated.- Los Angeles Times
- Posted Jun 11, 2015
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Reviewed by
Sheri Linden
An Honest Liar isn't simply a career recap or a fond portrait; the movie takes exhilarating turns as directors Justin Weinstein and Tyler Measom follow present-day developments in Randi's personal life.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Rebecca Keegan
A delicately written, boisterously performed movie about the difficult people who dare us to care about them.- Los Angeles Times
- Posted Dec 3, 2015
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Reviewed by
Kenneth Turan
Maysles' portrait of Iris Apfel, a 93-year-old self-described "geriatric starlet," is surprisingly memorable, graced with an unforced but unmistakable charm.- Los Angeles Times
- Posted Apr 30, 2015
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Reviewed by
Michael Rechtshaffen
While this buoyant account of his brief but eventful life might feel like a rock climber's "Man on a Wire," the Oscar-winning 2008 documentary about tightrope walker Philippe Petit, director Marah Strauch gives the film an exhilarating uplift of its own.- Los Angeles Times
- Posted May 21, 2015
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Reviewed by
Michael Rechtshaffen
Frequently laugh-out-loud funny and tangibly tender where it ought to be, the immensely satisfying screwball romp feels freshly contemporary even as it largely conforms to genre conventions.- Los Angeles Times
- Posted Nov 12, 2015
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Reviewed by
Justin Chang
[Hancock] turns the unlikely subject of a fast-food chain into a quasi-religious satire, a parable of American striving and, ultimately, a study of artisanal integrity gradually caving in to commercial compromise.- Los Angeles Times
- Posted Dec 7, 2016
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Reviewed by
Michael Rechtshaffen
Under their all-encompassing tutelage the band originally billed as the High Numbers would go on to international renown as the Who, and the extent to which Lambert & Stamp can take credit for that transformation is thoughtfully weighed in this revealing film.- Los Angeles Times
- Posted Apr 2, 2015
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Katie Walsh
Co-writer and director Maxime Giroux's Felix and Meira is an unusual love story that, though shrouded in chill and shadow, has moments of true loveliness.- Los Angeles Times
- Posted Apr 23, 2015
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Michael Rechtshaffen
A strikingly poetic documentary that illustrates the push and pull of life's opposing forces.- Los Angeles Times
- Posted Apr 16, 2015
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Reviewed by
Gary Goldstein
Field amazes with her gameness, range and commitment.- Los Angeles Times
- Posted Mar 10, 2016
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Reviewed by
Kenneth Turan
While the filmmaker's trademark mixture of talking heads, archival footage and investigative ethos is familiar, Gibney is certainly good at what he does, and "Steve Jobs" is at its best in providing a brisk summation of the man's life. Or, more accurately, lives, for Jobs seemed to have been more people than one would have thought possible.- Los Angeles Times
- Posted Sep 3, 2015
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Reviewed by
Michael Rechtshaffen
Learning to Drive is a richly observed, crosscultural character study that coasts along pleasurably on the strengths of its virtuoso leads.- Los Angeles Times
- Posted Aug 20, 2015
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Robert Abele
With an unassuming directness, Moretti...toggles between work and life pressures in a way that finds the curious feelings and epiphanies that bind the two, and somehow give meaning to the whole dance.- Los Angeles Times
- Posted Aug 25, 2016
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Reviewed by
Justin Chang
In its best moments, this gag-a-minute Bat-roast serves as a reminder that, in the right hands, a sharp comic scalpel can be an instrument of revelation as well as ridicule.- Los Angeles Times
- Posted Feb 9, 2017
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Sheri Linden
The film is an exploration of art as a way through immense and complex emotions. It is unexpectedly a breathtaking reminder of life's joys — in nature, in friendship and, in a particularly buoyant scene, in the bark of a deceased friend's poodle.- Los Angeles Times
- Posted Jun 11, 2015
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Reviewed by
Gary Goldstein
The Adderall Diaries is a complex, absorbing, at times profound look at how we choose to remember our past. Wh- Los Angeles Times
- Posted Apr 14, 2016
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Reviewed by
Gary Goldstein
A compelling documentary that's short on running time but long on emotion.- Los Angeles Times
- Posted Apr 30, 2015
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Reviewed by
Gary Goldstein
What a pleasure to see a simple, finely tuned dramedy about real adults with real emotions in a real-life situation.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Gary Goldstein
It's gritty and grim, but Animals is also a gripping portrait of young junkies in love.- Los Angeles Times
- Posted May 14, 2015
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Mark Olsen
Irrational Man never does make sense of the inscrutable Abe, just as most people, Allen included, remain mysteries to themselves and others. This finally reveals the film to be neither comedy nor drama, but an all too human horror story where the monster is within.- Los Angeles Times
- Posted Jul 16, 2015
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Reviewed by
Justin Chang
For a movie that all but demands that you swoon into its arms, La La Land doesn’t always seem to know exactly how to surrender to itself.- Los Angeles Times
- Posted Dec 8, 2016
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Reviewed by
Rebecca Keegan
While the subject is deeply moving — and bringing tissues is recommended — Guggenheim's treatment is restrained, as he deploys inventive storytelling techniques that invite viewers inside Malala's world, to feel her joy, trauma and ultimately forgiveness.- Los Angeles Times
- Posted Oct 1, 2015
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Reviewed by
Katie Walsh
Like a haute couture garment, Chic! is a finely crafted piece of work, a comedic romantic drama set within a frothy and sublimely funny caricature of the Parisian fashion world.- Los Angeles Times
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Justin Chang
It’s a wondrously silly premise, and one that Lanthimos, not unlike those great cine-surrealists Luis Buñuel and Charlie Kaufman before him, executes with rigorous illogic and immaculate formal control.- Los Angeles Times
- Posted May 12, 2016
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Sheri Linden
Beneath the well-worn dysfunctional-family setup are bracing observations of the human coping mechanism. Startling expressions of longing and denial go off like detonations within the quietest of exchanges.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Kenneth Turan
The Accountant is a nifty piece of genre entertainment, its wacky edge and genial tone despite that body count coming as something of a pleasant surprise in a year rife with lumbering, over-amped blockbusters.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Robert Abele
Sensitively handled yet unafraid to elicit squirming, and boasting a seriously affecting turn by Lindon — who won last year’s Cannes award for Best Actor — it’s a miniature portrait of quotidian desperation that nevertheless speaks to the collective psychic moan of job-seekers and those barely holding on everywhere.- Los Angeles Times
- Posted May 19, 2016
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Sequences in which Tao helps an ill friend and deals with the death of a parent are as finely staged and acted, as sorrowful and transcendent, as anything ever to grace the screen.- Los Angeles Times
- Posted Mar 24, 2016
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Reviewed by
Kenneth Turan
Actors gravitate toward passion projects, films they care deeply, even obsessively about, but the end result is hardly ever as convincing as A Tale of Love and Darkness a film of beautiful melancholy.- Los Angeles Times
- Posted Aug 18, 2016
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Gary Goldstein
For a drama that’s as quiet and circumspect as Chronic, it’s a decidedly bold film, one that pulls few punches as it slowly peels away the emotional layers of its complex protagonist. t also features an ending that’s as devastating as it is shocking.- Los Angeles Times
- Posted Sep 29, 2016
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Reviewed by
Kenneth Turan
Rams is so much its own film that figuring out where its unusual, unpredictable plot will end up is difficult if not impossible.- Los Angeles Times
- Posted Feb 4, 2016
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Reviewed by
Michael Rechtshaffen
Peddle has more in mind than creating a stylized mood. His first narrative feature makes some astute observations about adolescence and identity, including that of the culturally shifting American South, in a way that is at once immediate and timeless.- Los Angeles Times
- Posted May 28, 2015
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Reviewed by
Robert Abele
Whatever your feelings on capital punishment, A Murder in the Park has a gripping story to tell about, oddly enough, the corrosive effects of storytelling on the justice system when it gets the best of reasoned minds.- Los Angeles Times
- Posted Jul 2, 2015
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Robert Abele
A documentary that shouldn't have to be made, about a law that needn't exist, explored via a crime that could have been avoided: 3 1/2 Minutes, Ten Bullets is a thought-provoking, mournful experience, perhaps more so in the wake of the killings in Charleston, S.C.- Los Angeles Times
- Posted Jun 25, 2015
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Reviewed by
Michael Rechtshaffen
The rise-and-fall trajectory of Knievel's career is colorfully captured in Daniel Junge's Being Evel, a savvy documentary that gives the granddaddy of extreme sports his due while gauging the national climate that welcomed his shrewdly timed arrival.- Los Angeles Times
- Posted Aug 20, 2015
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Gary Goldstein
Director Ozon... infuses the picture with a provocative array of themes, imagery and moods. But it's French film heartthrob Duris' fluid, finely measured, physically deft portrayal of the blossoming David that sets the movie apart.- Los Angeles Times
- Posted Sep 17, 2015
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Gary Goldstein
With admirable economy, writer-director Billy Senese has crafted an eerie piece that's as much an effective cautionary tale as it is a stirring film of ideas — and ideals.- Los Angeles Times
- Posted Jul 2, 2015
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Robert Abele
Its oddball colors and willful wanderings betray a sweet, savory, uncompromising air that showcases Russell's uniquely fused brand of American harmony with rascally ebullience.- Los Angeles Times
- Posted Jul 9, 2015
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Tap World, also takes viewers around the world, and that, plus some flat out terrific performances, make this a surprisingly lovely little film.- Los Angeles Times
- Posted Aug 6, 2015
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Reviewed by
Michael Rechtshaffen
What begins as a quirky portrait of the artist as a gringo mariachi troubadour proves to be a telling study of a lost soul whose palpable passion for his music acts as a surrogate for more meaningful human contact.- Los Angeles Times
- Posted Aug 20, 2015
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Reviewed by
Kenneth Turan
Meet The Patels is more than just a hoot. Its candor and empathy allow it to make keen points about love, marriage, family and the unexpected complications that American freedoms can bring to immigrant lives.- Los Angeles Times
- Posted Sep 10, 2015
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