For 3,750 reviews, this publication has graded:
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46% higher than the average critic
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3% same as the average critic
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51% lower than the average critic
On average, this publication grades 8.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 56
| Highest review score: | A Bread Factory Part Two: Walk With Me a While | |
|---|---|---|
| Lowest review score: | Deuces Wild |
Score distribution:
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Positive: 1,540 out of 3750
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Mixed: 1,542 out of 3750
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Negative: 668 out of 3750
3750
movie
reviews
- By Date
- By Critic Score
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- L.A. Weekly
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Reviewed by
Ella Taylor
The movie is crudely jokey and, finally, a wimpy betrayal of its source.- L.A. Weekly
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Reviewed by
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Reviewed by
Manohla Dargis
There's something overly studied, almost clinical, in how it all pulls together.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Chuck Wilson
In supporting roles, Ellen Barkin and Marisa Tomei are marvelously light-footed.- L.A. Weekly
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Reviewed by
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Reviewed by
Paul Malcolm
Maquiling offers us the unexpected pleasures of taking the side streets in a film about how even minor-key adventures can make a life stuck in low gear something to look back on.- L.A. Weekly
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Reviewed by
Ernest Hardy
If it registers at all, it'll likely be more because of the fuckability of Morris Chestnut -- a star waiting for a worthy film -- than any insights or memorable moments from the movie itself.- L.A. Weekly
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Reviewed by
Chuck Wilson
Although the film is a tad long, Mirkin ("Romy and Michele's High School Reunion") has managed to pull off a classy, gently funny movie in which no one throws up, a rare blessing these days.- L.A. Weekly
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Reviewed by
F. X. Feeney
The humor stays on one low level throughout, and thus fades fast.- L.A. Weekly
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Reviewed by
F. X. Feeney
Silver, manages the deft balance of making Seagal seem both genuinely courageous and charmingly blockheaded.- L.A. Weekly
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Reviewed by
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- Critic Score
The Shapiros, whose film is intercut with hilarious clips from vintage TV interviews with Mike Douglas and Charlie Rose, ultimately reveal a frail but mentally robust old man.- L.A. Weekly
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Reviewed by
Chuck Wilson
Despite the success of these action sequences, Annaud and his ultraserious cast are so determined (admirably) to keep war from seeming romantic that we are never quite pulled into the movie.- L.A. Weekly
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Reviewed by
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Reviewed by
Ella Taylor
If nothing else, Memento is a savvy comment on the queasy uncertainties of the postmodern condition, in which history goes no further back than yesterday's news, and knowledge is supplanted by "information" from a tumult of spin-controlled, unreliable narrators.- L.A. Weekly
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Reviewed by
F. X. Feeney
Surprisingly moving -- prompting lumps in the throat over what was, after all, a historic moment of the most luminous hope.- L.A. Weekly
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Reviewed by
Chuck Wilson
These women are smart, funny and wonderfully real, traits that one might safely attribute to Westfeldt and Juergensen, who also wrote the screenplay.- L.A. Weekly
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Reviewed by
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Reviewed by
Paul Malcolm
Struggles to achieve a giddy eccentricity that never fully emerges.- L.A. Weekly
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Reviewed by
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Reviewed by
Ella Taylor
Frances Reid and Deborah Hoffman's heart-stopping, Oscar-nominated documentary about the Truth and Reconciliation Commission is narrow in focus, but broad in its reach for insight into the power of public drama.- L.A. Weekly
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Reviewed by
Paul Malcolm
Unfortunately, it's our knowledge of what's actually to come that puts much of the chill and complexity in Hopkins' rather formulaic script.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Manohla Dargis
Isn't just rotten -- badly acted, badly written, badly conceived -- it's dead inside.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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Reviewed by
Hazel-Dawn Dumpert
There are gruelingly unfunny gags, an unspeakable soundtrack featuring BTO and Billy Ocean, and Victoria's Secret mannequin Heidi Klum as a model who demands that her pussy hair be styled into a bushy red heart.- L.A. Weekly
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Reviewed by
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- Critic Score
Drags through one tough-love moment after another without much energy or originality from its single-monikered star.- L.A. Weekly
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Reviewed by
Ernest Hardy
Especially disappointing that Lemmons, who in "Eve's Bayou" gave us insightful glimpses into the emotional world of black adults, has lost her balance, elevating formula over revelation.- L.A. Weekly
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Reviewed by
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Reviewed by
F. X. Feeney
As with "The Blair Witch Project," one must swallow one's irritation at paying yet again for big-screen video -- but even so, the spectacle of an America falling apart is acutely and hilariously embodied by Dawn.- L.A. Weekly
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Reviewed by
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- Critic Score
Skirting overt politics, Waddington opts instead for a subtle portrait of emotions, and a story that's told through glances, languorous pacing and breathtaking landscapes.- L.A. Weekly
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Reviewed by
Paul Malcolm
It's finally a hilarious and cuddly flashback from the dog's point of view, to his training as a pup, that marks the moment when the film finds its sweetly moronic legs.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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