L.A. Weekly's Scores

For 3,750 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 8.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 A Bread Factory Part Two: Walk With Me a While
Lowest review score: 0 Deuces Wild
Score distribution:
3750 movie reviews
  1. Shadow Magic is rich with detail.
  2. The movie is crudely jokey and, finally, a wimpy betrayal of its source.
  3. There's something overly studied, almost clinical, in how it all pulls together.
  4. It's whiz-bang, techno fun, with a touch of Latino flavor.
  5. Grotesque and ugly.
  6. In supporting roles, Ellen Barkin and Marisa Tomei are marvelously light-footed.
  7. Maquiling offers us the unexpected pleasures of taking the side streets in a film about how even minor-key adventures can make a life stuck in low gear something to look back on.
  8. If it registers at all, it'll likely be more because of the fuckability of Morris Chestnut -- a star waiting for a worthy film -- than any insights or memorable moments from the movie itself.
  9. Although the film is a tad long, Mirkin ("Romy and Michele's High School Reunion") has managed to pull off a classy, gently funny movie in which no one throws up, a rare blessing these days.
  10. The humor stays on one low level throughout, and thus fades fast.
  11. Silver, manages the deft balance of making Seagal seem both genuinely courageous and charmingly blockheaded.
    • 63 Metascore
    • 60 Critic Score
    The Shapiros, whose film is intercut with hilarious clips from vintage TV interviews with Mike Douglas and Charlie Rose, ultimately reveal a frail but mentally robust old man.
  12. Despite the success of these action sequences, Annaud and his ultraserious cast are so determined (admirably) to keep war from seeming romantic that we are never quite pulled into the movie.
  13. If nothing else, Memento is a savvy comment on the queasy uncertainties of the postmodern condition, in which history goes no further back than yesterday's news, and knowledge is supplanted by "information" from a tumult of spin-controlled, unreliable narrators.
  14. Surprisingly moving -- prompting lumps in the throat over what was, after all, a historic moment of the most luminous hope.
  15. These women are smart, funny and wonderfully real, traits that one might safely attribute to Westfeldt and Juergensen, who also wrote the screenplay.
  16. Struggles to achieve a giddy eccentricity that never fully emerges.
  17. Frances Reid and Deborah Hoffman's heart-stopping, Oscar-nominated documentary about the Truth and Reconciliation Commission is narrow in focus, but broad in its reach for insight into the power of public drama.
  18. Unfortunately, it's our knowledge of what's actually to come that puts much of the chill and complexity in Hopkins' rather formulaic script.
  19. So moving and so timely.
  20. A lobotomized updating of "A Midsummer Night's Dream."
  21. Isn't just rotten -- badly acted, badly written, badly conceived -- it's dead inside.
  22. It's both surreal -- and wholly accessible.
  23. There are gruelingly unfunny gags, an unspeakable soundtrack featuring BTO and Billy Ocean, and Victoria's Secret mannequin Heidi Klum as a model who demands that her pussy hair be styled into a bushy red heart.
    • tbd Metascore
    • 40 Critic Score
    Drags through one tough-love moment after another without much energy or originality from its single-monikered star.
  24. Especially disappointing that Lemmons, who in "Eve's Bayou" gave us insightful glimpses into the emotional world of black adults, has lost her balance, elevating formula over revelation.
  25. As with "The Blair Witch Project," one must swallow one's irritation at paying yet again for big-screen video -- but even so, the spectacle of an America falling apart is acutely and hilariously embodied by Dawn.
    • 66 Metascore
    • 80 Critic Score
    Skirting overt politics, Waddington opts instead for a subtle portrait of emotions, and a story that's told through glances, languorous pacing and breathtaking landscapes.
  26. It's finally a hilarious and cuddly flashback from the dog's point of view, to his training as a pup, that marks the moment when the film finds its sweetly moronic legs.
  27. Surprisingly smart film.

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