L.A. Weekly's Scores

For 3,750 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 8.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 A Bread Factory Part Two: Walk With Me a While
Lowest review score: 0 Deuces Wild
Score distribution:
3750 movie reviews
  1. May lack any transcendent point that would make it exceptional, but it is certainly a worthy start, and worth catching.
  2. Despite some grace- ful performances, especially from Ruehl and Kazan, the result is a tepid repast at best.
  3. Airless, joyless, worse than you could even imagine.
  4. A central work in the new, boldly politicized Iranian cinema.
    • 36 Metascore
    • 40 Critic Score
    With Woody Allen's "Celebrity," Altman's "Prêt-à-Porter" and MTV's "House of Style" predating it by half a decade, this is kind of like clubbing harp seals in a meat locker.
  5. Slight and goofy, this cut-rate attempt to mine "Harry Potterville" is undermined by its ostensible draw: the lead casting of Jonathan Lipnicki.
  6. What's meant to be a colorblind story, plays up age-old stereotypes.
  7. A schizoid monster slapped together by uneasy bedfellows.
    • 85 Metascore
    • 90 Critic Score
    Perfectly situated in the maelstrom of the personal and the political, Sound and Fury creates a space for serious, obstinate contention.
  8. It's nowhere near as funny, largely because of an exhaustingly hyperactive performance by Elizabeth Hurley.
  9. Trueba reveals his subject organically, letting the music speak for itself.
  10. A half-baked classic.
  11. There's so much that's right in it that its blunders are all the more frustrating.
  12. Audiences will probably be miles ahead of the plot, but may not mind, since the cast bring a committed, lived-in quality to their performances.
    • 43 Metascore
    • 40 Critic Score
    Has its moments.
  13. (Leder's) camera won't sit still long enough to complete a scene and tell a coherent story, skittering all over the map until you're dizzy from all the degrees of separation and spurious connection.
  14. About the only good thing to say about this mess is that it's rotten enough that even Altman cultists may be forced to reconsider their devotion.
  15. The story sinks, along with any deeper laughs, under boringly formulaic motivations and plot twists.
  16. Reiss guides the film with a firm hand, ratcheting up the tension and ably guiding his actors. It's his protagonists that undo the film, making it a chore to sit through.
  17. What enrich the film are its layers of detail -- moronic racial protocols, turf wars, pecking orders, men as livestock -- the authenticity of the dialogue and the rich range of characters.
  18. Good, colorful fun, and by virtue of its emphasis on escape through individual initiative rather than class solidarity, more likely to succeed with American audience.s
  19. This sort of nostalgia-drenched, sexual-coming-of-age saga has been done to death.
  20. While Kaminski understands that movie terror comes in at the eyes, he has little skill for connecting sensation to hearts and minds.
  21. Ramsay has made a movie in which a universe of hopelessness and decay is penetrated by shafts of light that remake these bleak surroundings in strange and beautiful ways.
  22. One
    Barbieri is a natural filmmaker, with an eye for film space and a gift for pacing. Both of his leads are wonderful, but it's Picoy who will break your heart.
  23. What Lurie has made is "The West Wing" without the constraining niceties of prime time.
  24. If you've never seen the original, you may have no idea what's going on.
  25. Tenderhearted Staten Island Christmas comedy.
  26. Until the IMAX 3-D format is used to produce effects that are not trivial, it will never be anything more than what it is right now: a grandiose amusement park attraction.
  27. Generous, soulful film.

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