For 3,750 reviews, this publication has graded:
-
46% higher than the average critic
-
3% same as the average critic
-
51% lower than the average critic
On average, this publication grades 8.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 56
| Highest review score: | A Bread Factory Part Two: Walk With Me a While | |
|---|---|---|
| Lowest review score: | Deuces Wild |
Score distribution:
-
Positive: 1,540 out of 3750
-
Mixed: 1,542 out of 3750
-
Negative: 668 out of 3750
3750
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Ella Taylor
Speaks so eloquently for itself, there's not much more for me to do than urge you to get over to the Nuart for the one week it's playing in Los Angeles.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
Crowe has made a hugely entertaining, nearly pitch-perfect film about rock & roll.- L.A. Weekly
- Read full review
-
Reviewed by
-
- Critic Score
Isn't a bad film, but as we watch it we're constantly rewriting it in our minds to make it a better one.- L.A. Weekly
- Read full review
-
-
Reviewed by
Manohla Dargis
The film is at once breathtaking and ridiculous, and it's the tension between these two extremes, as well as Carax's own intoxicating style, that makes it essential viewing.- L.A. Weekly
- Read full review
-
Reviewed by
-
- L.A. Weekly
- Read full review
-
- Critic Score
An entertaining trip, one for which fandom in the genre isn't necessarily a prerequisite, though it doubtlessly helps.- L.A. Weekly
- Read full review
-
-
Reviewed by
Ella Taylor
This delightful and compassionate romp achieves precisely that rare quality -- grace -- that sets Betty apart from the pack.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ella Taylor
As a tactfully quiet story of mother-daughter estrangement and psychic rescue, Solas can hardly fail to excite the longing so many of us have to right domestic wrongs.- L.A. Weekly
- Read full review
-
Reviewed by
-
- L.A. Weekly
-
- L.A. Weekly
- Read full review
-
-
Reviewed by
Chuck Wilson
As repellent as their characters are, one feels a degree of pity for the three male leads, who give fresh evidence that hungry actors can't say no to a studio feature, no matter how humiliating the script.- L.A. Weekly
- Read full review
-
Reviewed by
-
- Critic Score
A rare treat -- a mix of politics that avoids reductive simplicity and a story that's entirely engaging.- L.A. Weekly
- Read full review
-
-
Reviewed by
Paul Malcolm
While the film is well-paced, visually it is deathly dull.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
The biggest problem is that the character of Sabine is such a lame male fantasy of the enigmatic woman-child.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ella Taylor
Designed neither to warm your heart nor shelter you in the comfort of liberal guilt, the movie does what so many style-conscious, "subjective" documentaries have long forgotten how to do. It shows you a world, and stays the hell out of it.- L.A. Weekly
- Read full review
-
Reviewed by
-
- L.A. Weekly
- Read full review
-
- L.A. Weekly
- Read full review
-
-
Reviewed by
F. X. Feeney
First-time writer-director Paul Morrison has a gift for evoking a time and place.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ella Taylor
The best I can say for Smiling Fish is that it's capable and pleasant, which ought to sound a warning note louder than if I'd said it was awful.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Hazel-Dawn Dumpert
Never really gets across the essence of who the band members are and why they inspire such fidelity.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ron Stringer
Unfortunately, the innovations that attend this updating dilute the iconic weight of the original.- L.A. Weekly
- Read full review
-
Reviewed by
-
- L.A. Weekly
- Read full review
-
- L.A. Weekly
- Read full review
-
-
Reviewed by
Paul Malcolm
Consistently undermined by a script that swings between the duller side of quirky and facile sentiment.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ron Stringer
A fine cast of unknowns in a story of faith -- lost, found and continually challenged -- that neither romanticizes nor condescends to its milieu.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
It's all about having your intelligence -- emotional, spiritual, cerebral -- respected. Garcia does that; Place Vendôme does that.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Hazel-Dawn Dumpert
A kind of folktale, rooted in poignant personal experience.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Paul Malcolm
Both funny and furious -- on why black people are different from white people.- L.A. Weekly
- Read full review
-
Reviewed by
-
- Critic Score
Throws in a lot of detail but withholds the real secrets of Abbie Hoffman. His life was no fairy tale. Why should it be filmed to end like one?- L.A. Weekly
- Read full review
-
-
Reviewed by
Manohla Dargis
Jennifer Lopez's butt? Alas, the moment is over all too soon; the movie, sadly, is not.- L.A. Weekly
- Read full review
-
Reviewed by