L.A. Weekly's Scores

For 3,750 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 8.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 A Bread Factory Part Two: Walk With Me a While
Lowest review score: 0 Deuces Wild
Score distribution:
3750 movie reviews
  1. Speaks so eloquently for itself, there's not much more for me to do than urge you to get over to the Nuart for the one week it's playing in Los Angeles.
  2. Crowe has made a hugely entertaining, nearly pitch-perfect film about rock & roll.
    • 49 Metascore
    • 40 Critic Score
    Isn't a bad film, but as we watch it we're constantly rewriting it in our minds to make it a better one.
  3. The film is at once breathtaking and ridiculous, and it's the tension between these two extremes, as well as Carax's own intoxicating style, that makes it essential viewing.
  4. The deliriously deficient new excuse for a comedy.
    • 29 Metascore
    • 50 Critic Score
    An entertaining trip, one for which fandom in the genre isn't necessarily a prerequisite, though it doubtlessly helps.
  5. This delightful and compassionate romp achieves precisely that rare quality -- grace -- that sets Betty apart from the pack.
  6. As a tactfully quiet story of mother-daughter estrangement and psychic rescue, Solas can hardly fail to excite the longing so many of us have to right domestic wrongs.
  7. Fails to fulfill.
    • L.A. Weekly
  8. Gormless, gutless little home movie.
  9. As repellent as their characters are, one feels a degree of pity for the three male leads, who give fresh evidence that hungry actors can't say no to a studio feature, no matter how humiliating the script.
    • 73 Metascore
    • 90 Critic Score
    A rare treat -- a mix of politics that avoids reductive simplicity and a story that's entirely engaging.
  10. While the film is well-paced, visually it is deathly dull.
  11. The biggest problem is that the character of Sabine is such a lame male fantasy of the enigmatic woman-child.
  12. Designed neither to warm your heart nor shelter you in the comfort of liberal guilt, the movie does what so many style-conscious, "subjective" documentaries have long forgotten how to do. It shows you a world, and stays the hell out of it.
  13. Slick, noisy thriller.
    • 52 Metascore
    • 40 Critic Score
    Starts strong, but then falters.
  14. First-time writer-director Paul Morrison has a gift for evoking a time and place.
  15. The best I can say for Smiling Fish is that it's capable and pleasant, which ought to sound a warning note louder than if I'd said it was awful.
  16. Never really gets across the essence of who the band members are and why they inspire such fidelity.
  17. Unfortunately, the innovations that attend this updating dilute the iconic weight of the original.
  18. Janssen proves herself an actress of delightful range.
  19. There are moments that suggest the comedy that could have been.
  20. Consistently undermined by a script that swings between the duller side of quirky and facile sentiment.
  21. A fine cast of unknowns in a story of faith -- lost, found and continually challenged -- that neither romanticizes nor condescends to its milieu.
  22. It's all about having your intelligence -- emotional, spiritual, cerebral -- respected. Garcia does that; Place Vendôme does that.
  23. A kind of folktale, rooted in poignant personal experience.
  24. Both funny and furious -- on why black people are different from white people.
    • 36 Metascore
    • 50 Critic Score
    Throws in a lot of detail but withholds the real secrets of Abbie Hoffman. His life was no fairy tale. Why should it be filmed to end like one?
  25. Jennifer Lopez's butt? Alas, the moment is over all too soon; the movie, sadly, is not.

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