It's a collection of suitably mixed results, but Fall Out Boy should be applauded for continuing to do whatever the hell they feel like. [7 Nov 2015, p.52]

Obviously, we'd much prefer to have a new Tool album, but in the interim, Money Shot won't leave you feeling short-changed. [31 Oct 2015, p.54]

Brilliantly delirious or deliriously brilliant, International Blackjazz Society is the mark of a band that are losing their minds in the best possible way. [7 Nov 2015, p.52]

From the meandering opener, Weave, it's a record that's entirely absorbing. [31 Oct 2015, p.54]

They continue to blast out their post-punk hymns to the end of the world with a wild-eyed mania that's genuinely scary. [31 Oct 2015, p.54]

Too late to be the sound of the summer, Beach Slang will instead warm your hearts all winter--and far beyond. [31 Oct 2015, p.54]

5 Seconds To Summer are clearly at their best when drummer Ashton is let loose behind his kit and the band are powering through huge, catchy choruses. [17 Oct 2015, p.52]

Back On Top never loses sight of something very important: trying something new. [24 Oct 2015, p.52]

There's a maturity--or at least a noticeable growth--in the band's sound and abilities. [10 Oct 2015, p.50]

It's all formula though, and fresh ingredients are few and far between. [3 Oct 2015, p.52]

A surprisingly coherent batch of soured psychedelia. [3 Oct 2015, p.52]

It's a hell of a return, better than you might have expected. [17 Oct 2015, p.52]

A surprisingly concise, but still collates the quartet's strengths into a mostly satisfying whole. [10 Oct 2015, p.52]

It's nothing we've not heard before from Clutch, but it remains superbly head-crushing. [10 Oct 2015, p.52]

It is music that asks for patience n an impatient age. [10 Oct 2015, p.52]

They've managed to serve up complexity in a deceptively digestible manner. [10 Oct 2015, p.52]

Boasting darker, braver, more thrillingly complex compositions. [10 Oct 2015, p.52]

Fidlar can still party; they just know they can't do it every night now. [3 Oct 2015, p.53]

Jesse Hughes and Queens Of The Stone Age main man Josh Homme's capacity for throwing out sexy grooves has only improved with age. [3 Oct 2015, p.52]

Permanence is a brave, bold step into a new beginning. [19 Sep 2015, p.51]

"Misfits" is a bit of a bland closer musically, but it's a sentiment that fits the album--and Shinedown--perfectly. [26 Sep 2015, p.51]

This may be the year's most melodically ambitious release. [26 Sep 2015, p.52]

Like a poison ice cream, MCS are once again delicious, but deadly. [26 Sep 2015, p.52]

Not only is it moving, it's arguably one if the best records Chris has made in the last 15 years. [26 Sep 2015, p.53]

Jack White is a man you can depend on for a dirty groove and a greasy riff. Which he serves up amply here. [26 Sep 2015, p.53]

The rock'n'roll spirit is just as potent as the kind you get from a bottle in a sleazy LA watering hole. [19 Sep 2015, p.52]

By stabbing in the dark and boldly going where they've never gone before, they've made something genuinely great. [12 Sep 2015, p.48]

This is pure Slayer through and through. [12 Sep 2015, p.51]