It's been a hell of a ride, one where the journey is just as much fun as reaching the journey. [12 Mar 2016, p.51]

Limitless is often thwarted by its execution rather than its ambition. [27 Feb 2016, p.50]

It's an interesting trip, if one that occasionally sees ATW stray too far into self-indulgence. [27 Feb 2016, p.52]

Throughout, Anthrax have much to recommend them. [13 Feb 2016, p.52]

Lyrically, [frontman Pierre Bouvier] and his bandmates have barely matured from the whimpering youngsters they were when they made it big 14 years ago.... However, if you accept Taking One For The Team for what it is, which is just another Simple Plan album, then there's lots to enjoy. [20 Feb 2016, p.50]

An album that's easily good enough to keep Wolfmother in orbit. [13 Feb 2016, p.53]

Like Patton's day job, Nevermen succeed in making the world a much weirder and interesting place. [13 Feb 2016, p.54]

Their 11th album, is a heaving smorgasbord of all those [quality meaty metal] sounds. [30 Jan 2016, p.52]

Across its 10 tracks, Promise everything is immediate, yet charged with subtleties that offer an increasing number of things to fall in love with each passing listen. [30 Jan 2016, p.52]

It's this complete departure from the norm, this clean break from Greg Puciato's day job, that's the key to Fever Daydream's success. [30 Jan 2016, p.50]

The fiery swagger and coursing vitriol of these, Jonathan's final recordings, now stand as monuments. [23 Jan 2016, p.52]

This is a decent redneck honk that could earn them some new friends while they're away. [23 Jan 2016, p.53]

By channeling everyone from Sonic Youth to Alice In Chains, Milk Teeth's debut hits with the power of a dozen brilliant bands at once. [23 Jan 2016, p.51]

Like its two predecessors, this is solid Skunk that doesn't quite have the songs to match their ground-breaking first two albums. [9 Jan 2016, p.51]

An epic adventure that is, in every single way, truly astonishing indeed. [16 Jan 2016, p.51]

That first album wasn't a one-off, and here The Temperance Movement have once again proved themselves masters of their craft. [2 Jan 2016, p.52]

For the most part, this is an awkward journey that sounds like no-one else. Try it but don't expect an easy ride. [9 Jan 2016, p.52]

Dystopia does see Megadeth come within hailing distance of their dazzling best. [16 Jan 2016, p.50]

The album is one long ambient jam and precisely as exciting as that sounds. [16 Jan 2016, p.53]

You can hear where he's heading with ideas, but, for the most part, these are more sketches than fully-formed songs. [16 Jan 2016, p.52]

Like the soundtrack to a wedding reception, DOAB is Panic! At The Disco turnt up, both musically and lyrically. [9 Jan 2016, p.50]

Occasionally songs hand around a little too long, but all the bruises Black Breath leave linger in the best kind of way. [10 Oct 2015, p.41]

A positive and uplifting album, and one that marks the most hard-fought comeback of the year. [12 Dec 2015, p.50]

Like Sabbath on an especially mellow day. [14 Nov 2015, p.52]

You get exactly the sort of greasy grooves you'd expect, but with a whole lot of Cuban cool thrown in as well. [14 Nov 2015, p.52]

It's an epic journey, and one that both requires and repays immersion and patience. [14 Nov 2015, p.53]

The slo-mo mantras of this three-part suite successfully blast the divisions between high and low culture to smithereens. [5 Dec 2015, p.52]

With a demo-like production, it's not as good as the Ramones' similarly sourced Acid Eaters, but hearing him Danzig-up these tunes is still highly entertaining. [5 Dec 2015, p.52]