IndieWire's Scores

For 5,192 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
5192 movie reviews
  1. This is a movie that would probably be really funny if you were high. The laughs are mostly dry and deadpan, depending on your closeness to and fondness for the material — in other words, very much in line with the mockumentary world of producer Christopher Guest.
  2. You’ve seen this story a thousand times before, but Joris-Peyrafitte’s expressive direction and Margot Robbie’s sheer force of will are enough to endow the movie’s best moments with the same hope-and-a-prayer immediacy that its heroes take with them as they speed towards the southern border.
  3. Whatever compromises were required of Smith, she holds fast to the soul of a movie that ultimately cares less about how high Kate and Marine can fly than it does the exotic truths they might only be able to learn as they fall.
    • 57 Metascore
    • 50 Critic Score
    As they bond and converse, their conversations take on a closed aspect, never inviting us in to their increasingly close relationship. We remain watchers, appreciative of but never truly understanding the magic of Jane Birkin.
  4. It’s a story that has its share of unnerving sequences, but like its pivotal character, it feels stuck between two worlds.
  5. When enthusiasm alone can no longer keep the ship afloat, sheer audacity rides to the rescue, as “Dicks” ends with an inevitable but satisfying eruption of bad behavior that feels so good — one that leaves you wondering just how much funnier and more transgressive this movie could have been had it allowed itself to go that hard from the start.
  6. A surprisingly enjoyable tongue-in-cheek New York comedy from "Clueless" director Amy Heckerling, Vamps teeters on the brink of not quite working and yet still routinely lands its laughs.
  7. The humble visual language is a vessel for a rich human drama. Bear with what sometimes resembles a television movie for the slowburn panorama of life it captures.
  8. Perhaps no other movie has better illustrated the golden rule of CGI: Just because you can, doesn’t mean you should.
  9. Roommates has a real chance at being a formative experience for someone, which is more than a lot of movies can say. But those of us who have already been sufficiently formed? We can find better things to stream this weekend.
  10. As a spare and sexy thriller, Michael Winterbottom’s “The Wedding Guest” is far too undercooked; there’s little flavor, and even less to chew on. As an audition for its star to be the next James Bond, however, this aimless Dev Patel vehicle is virtually perfect.
  11. At his best, Cooper is someone who can wring tension and understanding from what’s come before, not necessarily in anticipation of what’s about to happen. Antlers ends up getting caught between the two.
  12. All in all, this Road House is a fitting update to its predecessor’s legacy. Not because it’s better, or even because it’s all that similar, but because it moves with the same unselfconscious stupidity that fueled so many of the ’80s blockbusters we remember so fondly.
  13. Outrageously snappy and unapologetically fun, I Don’t Understand You is a must-see for anyone who likes queer romance, horror-comedy, and/or hot Italians.
  14. The conventional road trip dramedy mines that father-son dynamic for all its worth, but Sudeikis and Harris are very much up to the task, and their chemistry helps the film rise above its tropes.
  15. Once Encounter reveals its destination, there aren’t many places for the script to go, though there’s a savage little side trip to a rural militia during which it becomes clearer that this Ahmed acting showcase is also interested in touring the American psyche
  16. Even when the storytelling falls short, Pedro Páramo never fails to offer up ideas worth pondering.
  17. Assuaging teenage growing pains like a shot of novocaine administered by a shaky hand, this tender and subdued look around the limbo between adolescence and adulthood might start with a sullen kid trying to save his crush from her darkest secrets, but it never gets swept up in the idea that he actually can.
  18. The Broken Hearts Gallery will fit snugly on the shelf for tweens and teens as a source of comfort and maybe even empowerment, an ode to rebuilding, when the dissolution of a relationship leaves you feeling like a husk of yourself.
  19. It’s a blockbuster that funnels the appeal of big-budget action and horror with an almost sacred reverence for the material. That’s absurd, but Snyder’s a true believer in go-for-broke escapism and at its best, the mayhem in Army of the Dead is an infectious zombie bite of its own.
  20. Macdonald's movie is a kind of fairy tale. While in the Marvel franchises, the good guys always win, The House I Live In explores the far more tangible process of simply remaining alive at all costs -- and finding, against impossible odds, justification for living through another day.
  21. Any bona fide sushi fan stands to benefit from the general wake up call that "The Global Catch" provides in ample doses.
  22. An elegant little film about the things in life that are worth taking risks for, Arcadian is a reminder of how much Cage has to offer us when he’s not contorting himself into something indescribable.
  23. It's less of a showcase for Bateman's ability to direct comedic storytelling than simply to make people laugh, which makes Bad Words a sufficiently vulgar playground.
  24. Uncle Drew is such a well-acted, warm-hearted basketball comedy that you’re liable to forget about its corporate origins.
  25. Still, with a distinct POV, strong visual design, and the ability to see his strange slow-burn vision of semi-realistic domestic torture all the way through, Skotchdopole serves up a strong enough debut that he should someday get a shot at making another.
  26. It's no less of an accomplished performance than Hilary Swank's similar turn in "Boys Don't Cry" or newcomer Zoé Herán's delicate achievement as the lead in "Tomboy." Unfortunately, Albert Nobbs traps Close's sizable talent in a simplistic drama--not unlike Nobbs herself who winds up trapped in a restrictive period.
  27. The music and locations are specific so that the characters don’t have to be — viewers can take the movie on its own terms, while also projecting themselves onto it.
  28. Gyllenhaal's alarmingly effective presence is enough to act circles around the soapy narrative of a fallen athlete's comeback so tightly that it crumbles in the very first act.
  29. Never as hackneyed as it is heartfelt, Instant Family takes the stuff of real life and turns it into a touching reminder of what love can do for the people who need it.

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