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For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,092 out of 1756
  2. Mixed: 590 out of 1756
  3. Negative: 74 out of 1756
1756 movie reviews
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  1. Scary Movie
    Do you like Scary Movie!?… Well, there’s a new one and it’s got some funny stuff in it, but just not enough in terms of how many jokes land and how many are duds.
  2. The Addams Family 2
    It's a bizarre and overly rambunctious ride that forsakes cleverness for Billboard acts and dizzying set pieces.
  3. Point Blank
    Point Blank's production bones are solid and the action itself is clear and capable, but the story is woefully past its expiration date and the attempt to tether it back to the types of "action movies we grew up with" falls flat.
  4. Baywatch
    Baywatch wastes its attractive cast on tired jokes and nothing.
    • 37 Metascore
    • 70 Critic Score
    The Delta Force
    The movie is not Oscar caliber by any means. The acting is spare and without much passion.. Sure the movie is worth one or two stars at best. But it's a hell of a ride nonetheless.
  6. The Devil Conspiracy
    The Devil Conspiracy is a high-concept religious action flick with horror influences that sells its ambitions short but still entertains despite itself.
  7. Atlas
    Brad Peyton oversees a futuristic action thriller that frequently plays like a clone of other cautionary tales about AI – but those movies, shows, games, and books don’t have Peyton’s secret weapon: Jennifer Lopez. She’s able to command the screen, bicker with software programs, and sell a convincing heroine’s arc from behind a mech-suit’s windshield.
  8. Star Trek: Section 31
    The Michelle Yeoh fronted spin-off movie Section 31 is 100 minutes of generic schlock containing only trace elements of Star Trek.
  9. Outcome
    There are some funny lines peppered throughout, but more often than not, it feels like the easiest and most simplistic version of this story rather than going for something either truly darkly subversive or hitting the emotional heights it’s going for.
  10. In the Blink of an Eye
    In the Blink of an Eye is a disaster of its own making, living in the shadow of far better sci-fi films of old, and never doing anything interesting with any of the ideas it throws out.
  11. Red Notice
    Three A-listers globetrot and double-cross each other in Red Notice, a derivative action film that should be much smarter and sexier than it ends up being.
    • 37 Metascore
    • 59 Critic Score
    The Cloverfield Paradox
    The Cloverfield Paradox is a paradox in itself. Split between trying to be a standalone sci-fi space horror and a key linking point in the Cloverfield mythos, the film never truly succeeds at either.
  13. The Super Mario Galaxy Movie
    The Super Mario Galaxy Movie ditches an engaging story in favor of a pipe-bursting amount of Easter eggs, but that’s not an all-together bad thing.
  14. Demonic
    Demonic promises a fun and fascinating premise, but its scattered pieces barely coalesce.
  15. He's All That
    Addison Rae and Tanner Buchanan are magnetic leads in this reboot that pays homage to the first film, but fully stands on its own. It manages to cut through modern high school b.s. while transforming two posers into presentable, likable people.
  16. My Spy: The Eternal City
    My Spy: The Eternal City is tailor-made for an awkward family movie night: too violent and suggestive for elementary schoolers, too dumb for teenagers, and too confusingly joke-free for adults expecting a comedy.
  17. Sherlock Gnomes
    Not as annoying as it looks, but hardly a stirring or imaginative entertainment, Sherlock Gnomes has a comfortable home right in the middle of the road.
  18. The Unholy
    There are moments in The Unholy that strive for shocking, even sacrilegious. But Spiliotopoulos lacks either the imagination or the guts to create something truly soul-rattling.
  19. Space Jam: A New Legacy
    Space Jam: A New Legacy enters the 21st century with LeBron James, impressive visuals, more personal stakes, and a fantastic villain in Don Cheadle. Unfortunately, the movie is too concerned with showcasing Warner Bros.’ biggest franchises that Bugs Bunny and Friends get sidelined in their own movie.
  20. The Nut Job 2: Nutty by Nature
    The Nut Job 2 is one of those rare examples in which the sequel is technically better than the original, but it’s still not a compliment.
  21. Lucy in the Sky
    Natalie Portman excels in Lucy in the Sky, an interesting character study that suffers when mixing fact and fiction.
  22. Action Point
    Action Point contains some crazy stunts and some funny-ish gross-out humor, but is ultimately a pale echo of the dark destruction Johnny Knoxville became famous for.
    • 36 Metascore
    • 60 Critic Score
    Striking Distance
    Willis and Parker are fine in their respective roles, but neither character is given much spark. Willis sulks for most of the picture, grimacing at his enemies and drinking his way through scenes.
  24. Naked Singularity
    Not even John Boyega’s solid performance can salvage Naked Singularity, a thinly sketched, disappointingly generic crime thriller.
  25. Tarot
    Tarot seems perpetually uncertain about whether it should play its thinly conceived premise for laughs, or actually pursue real scares. It winds up with neither, stumbling around in the dark and turning its small ensemble into a crude means of timekeeping for its surprisingly sluggish 90-minute runtime.
    • 36 Metascore
    • 60 Critic Score
    The Fly II
    Unlike The Fly, You probably won't remember much of this after seeing it, and when a movie boasts as being no better but equal to the original, you can be pretty sure it isn't.
  27. Kin
    All the genre elements play like an afterthought, and that's frustrating because the rest of the movie isn't quite spry enough to stay interesting without action, adventure, or at least little more weirdness.
    • 35 Metascore
    • 30 Critic Score
    The Guardian
    Probably the only terrifying thing about this ludicrous excuse for a horror film – besides the fact that it's from the director of The Exorcist – is that Friedkin doesn't seem to realize it's a dreadful picture.
  29. Blumhouse's Truth or Dare
    Blumhouse’s Truth or Dare is what happens when high concepts crash. The audience is here to watch people play a deadly game of Truth or Dare, and yet the film’s truths and dares are unremarkable, and the players are mostly boring.
  30. Coffee & Kareem
    Coffee & Kareem keeps it simple, short, and to the (ultra) violent point as a raunchy cop comedy with clever jokes, zany action, and fun chemistry between leads Ed Helms and young Terrence Little Gardenhigh. It's a small cast but everyone in it is pretty funny, and the director easily knows how to craft a compelling mismatched partner scenario.
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