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For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,092 out of 1756
  2. Mixed: 590 out of 1756
  3. Negative: 74 out of 1756
1756 movie reviews
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  1. Deadpool & Wolverine
    Deadpool & Wolverine is an outrageous, consistently funny superhero comedy that succeeds largely thanks to the contagious enthusiasm of leads Ryan Reynolds and Hugh Jackman, and a surprisingly classy perspective on superhero movie history. Wade and Logan’s profanity-laced adventure forces the MCU farther out of its comfort zone than it’s been in years, even though old and increasingly frustrating issues like forgettable villains and a barely there plot show that breaking the fourth wall isn’t always enough to solve a movie’s foundational problems.
  2. Hocus Pocus 2
    Rough greenscreen work can’t keep the Sanderson Sisters down in a fun enough follow-up to a Halloween classic.
  3. DC League of Super-Pets
    DC League of Super-Pets may have thoughtful filmmaking on its side, but what it doesn’t have is a voice cast that can lend life and personality to its characters.
  4. Drive-Away Dolls
    Ethan Coen goes solo – sort of – with Drive-Away Dolls, a raunchy, dizzy road-trip comedy that’s a little too slick for its own good.
    • 56 Metascore
    • 60 Critic Score
    Sabrina
    An entertaining, if a bit predictable, romantic comedy with a good cast. Expect anything more from it and you'll come away disappointed.
    • 56 Metascore
    • 70 Critic Score
    The Arrival
    A wonderful slice of pulp alien-invasion sci-fi with a dash of conspiracy thriller tossed in for good measure. It plays as a clever X-Files knockoff and as a funny camp classic all at the same time. Low budget sci-fi pictures like these are rarely this entertaining, or good for that matter.
    • 56 Metascore
    • 60 Critic Score
    Satanic Hispanics
    Satanic Hispanics attempts to bring authentic Latin folklore to modern horror audiences and boasts great doses of monsters and gore. Unfortunately it’s also held back by some uneven storytelling and humor that doesn’t always land.
  8. War Machine
    After a while, rather than just being funny (in a dark way), it's questionable why one should sit through the whole thing.
    • 56 Metascore
    • 90 Critic Score
    Rollerball
    One of the most forward looking science fiction tales of the 70's.
  10. The Croods: A New Age
    The Croods: A New Age is a mightily medium follow-up to the 2013 original. The voice cast is great and the jokes are the perfect type of clever, where both kids and adults can get a good laugh. The story and emotional stakes are a touch thinner this time but that's to be expected, for the most part, from this type of animated sequel.
  11. Fast X
    An underwhelming lead-up to the series finale, Fast X's only real redeeming quality is Jason Momoa's bonkers performance as the villain.
    • 56 Metascore
    • 70 Critic Score
    The Running Man
    It’s a very well put-together film, and more so than not, it’s full of charming performances, clever little details and some less-outlandish-than-I’d-like social commentary. Even though Edgar Wright’s stamp isn’t clearly on every sequence like some of his previous work, The Running Man sprints where it needs to, giving Glen Powell his first chance to be a full-fledged action hero.
  13. The Yellow Birds
    While there's a lot to love in The Yellow Birds, this war film is ultimately a missed opportunity.
    • 55 Metascore
    • 70 Critic Score
    Live and Let Die
    Live and Let Die isn't the best of the series by far, but it's not the worst either. The fun doesn't last due to the interference of the flimsy plot, centered around one of the least threatening Bond villains ever.
  15. Spaceman
    Despite thoughtful visual artistry, and a great dramatic performance from Adam Sandler, Johan Renck’s Spaceman ends up too scattered, and too literal, to make its tale of a lonely astronaut feel remotely important.
  16. Wuthering Heights
    A woeful interpretation of the Brontë classic, the star power of which dims the truly violent nature of this tragic story of love and vengeance.
  17. The Ministry of Ungentlemanly Warfare
    The Ministry of Ungentlemanly Warfare is a solid Guy Ritchie take on World War II that tells an incredible, sort-of-true story that’s plucky, punchy, and quite entertaining.
  18. The Devil All the Time
    The Devil All the Time is made purposely provocative by Antonio Campos imbuing an unrelenting gruesomeness into every frame.
  19. Clifford the Big Red Dog
    Clifford the Big Red Dog is a sweet if shallow kids offering that sometimes soars higher than expected.
  20. Old
    Old isn't M. Night Shyamalan’s best work, but it is one that shows maturity – a movie that tackles universal and intense themes over twists and puzzles.
  21. Yesterday
    Yesterday doesn’t take too many chances, but it does boast a well-told story with a cast that’s game for both its comedic and more dramatic moments.
  22. Ambulance
    Ambulance may often be nonsensical, but it’s also the biggest, boldest action movie of the past year and a spectacularly raucous return to form by director Michael Bay.
  23. The Boogeyman
    The Boogeyman is a capable creepshow built for mass appeal that gets the job done because at the end of the day, scary is as scary does.
  24. Wendy
    Though Benh Zeitlin clearly has a knack for directing children and an eye for shooting beautiful locales, Wendy ultimately falls flat. The pacing is uneven, the overt messaging spirals from hamfisted to uncomprehensible, and as good as the children at its core are, the film never offers up a story or film that is deserving of them.
    • 55 Metascore
    • 70 Critic Score
    Kids in the Hall: Brain Candy
    What's so great about Brain Candy is what's great about every classic comedy: it's thoroughly quotable, infinitely watchable and so rich with detail that you'll be laughing at something new every time you watch it.
  26. Megalopolis
    Megalopolis is so chock-full of ideas that Coppola’s melding of time periods eventually buckles under its own weight in a controlled demolition that initially confounds, but eventually shatters the screen in thrilling fashion. The film ends up not only being a cautionary tale about the end of empires, but one that likens the Hollywood system to empire as well (or a tyrannical extension of it).
  27. Aquaman
    The glee that director James Wan clearly has playing in the world of Aquaman is infectious. He’s made a movie for both types of 10-year-olds: literal kids and those who are 10 at heart. Aquaman is one hell of a popcorn movie.
  28. Violent Night
    Violent Night might take a hot minute to find its footing and keeps plucking low-hanging wordplay sugar plums, but at full strength, nobody's stopping Santa from making this year the reddest Christmas imaginable.
  29. Clown in a Cornfield
    Though it starts out as a promising slasher throwback, Clown in a Cornfield struggles with a jokey tone and a political message that lacks teeth.
  30. The Flash
    Though the visual effects aren’t always the best and the third act is a bit overwhelming, strong performances and a refreshing earnestness keep The Flash on track and running circles around many of the recent DC Universe movies. If this is the truly last stop on the Snyderverse express, then it’s a respectable way to go out.
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