IGN's Scores

For 1,735 reviews, this publication has graded:
  • 69% higher than the average critic
  • 4% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
1735 movie reviews
    • 69 Metascore
    • 80 Critic Score
    Tenet is not Christopher Nolan’s masterpiece, but it is another thrilling entry into his canon. In a world where blockbuster cinema is dominated by franchises and sequels, it serves as an accomplished demonstration of the pleasures of unconnected and non-serialised original storytelling. But while it does tread new ground, Tenet is the ‘safest’ film from Christopher Nolan in some years. Following two recent ambitious movies from the filmmaker, Tenet feels a little conservative, as if Nolan’s style is a franchise rather than a framework. Despite this, it remains more interesting than most other tentpole movies and acts as a beacon for the director’s strengths.
  1. With any other actor as the menacing lead, Unhinged would have been a TV movie or straight-to-streaming release, but Crowe and a few well-executed scenes of action still manage to hold the viewer’s interest throughout what’s essentially 90 minutes of genre filler material.
  2. Peninsula feels fairly derivative when compared to the tighter and more terrifying Train to Busan, but on its own, as an expansion of this universe, it's a rollicking ride through a hollowed-out hellscape. It's almost a complete genre shift, but not an unrewarding one.
    • tbd Metascore
    • 80 Critic Score
    Pretending I'm a Superman will inspire you to get back on your board whether in real life or in the game.
  3. The pacing drags through action set-pieces left obscured by messy compositions and limp, over-stylized visual choices. New Orleans, as the film’s setting, is wasted while the film’s gritty concept fails to deliver the desired intensity.
  4. Bolstered by a diverse and interesting cast of a kind we don’t see nearly enough, it paints a vivid portrait of the seedier side of the Los Angeles underworld.
  5. All in all, An American Pickle is a solidly entertaining comedy. Its oddball conceit dares audiences to take the plunge, and Seth Rogen rewards them with Herschel, who is bold, thrilling, and a little bit bonkers.
  6. The Rental boats a strong cast, an intriguing set up, and a compelling mystery. It's a fun and feisty web of lies and deception with the added bonus of having a shadowy, stalking presence surrounding everything and everyone like a God-hand. It's a small film, but it's tense, dense, and delivers a harrowing final act.
  7. It plays into the dystopian fantasy of being able to reinvent yourself in a lawless world, delivering a clever tale about what it takes for someone who's not a part of existence to want to reengage with life.
  8. Greyhound has occasional bursts of violent excitement but it's overall lack of engaging characters, the unappetizing CG, and the lackluster story make for a very color-by-numbers outing from a headlining star capable of a whole lot more.
  9. The story opens the door to a fascinating mythology of ancient warriors and immortality, although things get a little clunky when it comes time to explain how it all works. Still, The Old Guard is well worth watching if you’ve got an itch for something new.
  10. Hamilton the stage musical may be a 10/10. But this filmed version falls short by repeatedly reminding the audience of what we missed by not being there.
  11. The jokes in the sweet and silly Eurovision Song Contest: The Story of Fire Saga don't always pop as well as its songs.
  12. Stewart’s goals are muddied by his approach, leaving us with a work that has a few pieces of wisdom to offer and a few laughs scattered throughout, but ultimately feels as inconsequential as the TV talking heads it’s trying to critique.
  13. There's a throbbing theme at You Should Have Left's core about what it means to be a man. But if subtext isn't your jam, you can kick back, switch off, and enjoy the eerie thrills and jolting scares of this satisfying horror-thriller.
  14. Benefitting from a strong story held together by a solid ensemble, Da 5 Bloods works as a caper, it works as a drama, and it works as a searing commentary on our current cultural moment.
  15. Disney's Artemis Fowl is an empty science fantasy tale with forgettable characters and an uninspired story.
  16. Even without the content of 2020 making the film feel even more unpalatable, Netflix's The Last Days of American Crime is a distractingly dull dystopian thriller with drab (and/or extraneous) characters and a squandered premise.
  17. The King of Staten Island lumbers from one thread to another, seemingly uncertain over what it's about.
  18. The Vast of Night is a minimal marvel, drawing out fear and anticipation with not much more than a cunning script, stirring performances from its young stars, and the starkness of the dark skies above them. Within it you'll find a Spielbergian love for sci-fi peppered with a twisted appreciation for negative space and the unknown.
  19. Simon Pegg and Lily Collins act the hell out of a script with a fun set-up and a lazy payoff.
  20. Michael Showalter and company aren't reinventing the wheel here, but it's a solidly made wheel. Following in the footsteps of similar comedies, The Lovebirds offers a wild ride with outlandish action, plenty of popping punch lines, and a romance you can really root for.
  21. The earnest and entertaining Scoob! is a perfectly fine distraction for kids and parents stuck at home, with enough cute and amusing elements throughout to keep viewers engaged.
  22. Josh Trank’s somber, small-scale drama is not the guns-blazing Al Capone biopic some gangster movie fans might be expecting, but it’s a curiosity that nevertheless demands a look-see for a fresh take on a crime legend whose most notorious exploits have been retold many times already.
  23. The Wretched's endeavor to meld a junior mystery with some pretty extreme horror works more than it doesn't, but ultimately neither side of this narrative coin gets explored as much as it should. Despite this, as a well shot and admirably executed thriller, it's a good entry into the catalogue of on-the-cheap scares.
  24. Extraction works because its simple, yet sufficient, story allows the film's action to take center stage. If the stunt work were mediocre, the entire thing would be an utter waste of time. Thankfully though, Extraction boasts an exhaustingly awesome showcase of expertly choreographed fists, knives, guns, and explosions.
    • 34 Metascore
    • 30 Critic Score
    The Iron Mask is a mess of cultural ideas that not even Jackie Chan or Arnold Schwarzenegger can make work.
  25. The story's lifted a bit by some of the solid comedic actors, and the WWE Superstars who make a run-in, but when the story isn't sloppy, it's paint-by-numbers.
  26. It's for kids and it's cute. It's also an absolute eyesore, crassly overstuffed with retina-scorching color combinations and explosions of glitter. Frankly, it's disappointing that an animated movie with so much talent attached didn’t strive to be more than just "cute for kids." But hey, at least you can dance to it.
    • 64 Metascore
    • 50 Critic Score
    Vivarium rates as an ambitious near-miss.

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