There is a lot of suspense (this isn't an action film like Ronin), and I was on the edge of my seat for most of the movie.

While it doesn’t hit the dizzying heights of The Witch, Robert Eggers' new film is a powerful psychological thriller.

Leigh Whannell's bleak and brutal reimagining of the classic Invisible Man is chillingly effective.

Weathering With You still marks Makoto Shinkai as one of Japan’s finest directors when it comes to artistic vision and capturing the essence of turbulent, romantic youth. But it’s also safe to say that Shinkai’s formula, while tried and true to success, may also seem like an all too familiar territory for folks looking for something a little different.

André and company give a familiar premise fresh verve with an onslaught of outrageous pranks that would do Jackass proud. André and Howrey share crackling chemistry that weaves together the friendship at the film’s core, while heralded scene-stealer Haddish embodies a badass who can make us cackle. Remarkably, the unwitting witnesses to their mayhem are not regarded just as marks, but as co-stars, who pop with one-liners, memorable reactions, and shining humanity.

Promare's fun characters, stylish animation, and constant escalation make for a great first film from Studio Trigger.

Frighteningly funny and fresh, this hilarious animated treat will introduce a whole new generation to the loving and strange family whilst also pleasing those who grew up with the iconic '90s movies. With a sweet story, tight runtime, and impressive animation, this is the perfect Halloween treat for film fans young and old!

Director Zobel and writers Lindelof and Cuse, peering through the lens of social media hijinks and polarized politics, paint a ridiculous picture of how we’re all eating ourselves alive. That they do so in such a fun and absurdly bloody way makes The Hunt worth a retweet at the very least.

Shang-Chi and the Legend of the Ten Rings is a confident introduction to Marvel’s first Asian superhero, delivering the MCU’s best fight choreography and one of its most emotionally complex villains.

Powerful performances and solid direction elevate the conventional but impassioned fact-based drama Just Mercy.

Adam Driver and Scarlett Johansson give their all to Marriage Story, a smart exploration of the emotional intricacies of divorce and how they can rip love to shreds. As characters, they’re a little too extraordinary in their careers to be as relatable as the film wants them to be, but that doesn’t get in the way of the sheer power of the writing and acting on grand display.

The Last Duel’s staggering trial by combat allows for some brilliant performances, brutal fights, and impactful social commentary.

Zombieland: Double Tap is a riot, and a lot of that is due to Zoey Deutch and her character, Madison. While it doesn’t quite achieve classic status in its own right, when it comes to sequels that do the original film justice, it is up there. It’s worth the wait, your time and your money.

Despite all the cinematic thievery and homage, The Funhouse manages to stand on its own as an eerie, slow-brewing slasher that builds quite a bit of effective tension and dread leading into the more generic final act.

The Way Back is a somber sports drama more interested in exploring the plight of its hero than in just the big games.

Color Out of Space is a delightful surprise. The film’s success is best viewed through the lens of Nicolas Cage’s increasingly deranged performance, which always entertains as it heightens, but never at the expense of servicing the story and elucidating just how dangerous the Color is.

This is a movie for anyone who has ever loved baseball and for anyone who enjoys the American Graffiti/Stand by Me style of narrative. Highly recommended.

While One Piece: Stampede doesn’t leave an impact, story-wise -- there are no great upheavals or shifting of the status quo -- that’s not really the point here. This movie is a celebration of the legacy of One Piece.

Frank LaLoggia's 1988 film scared the living hell out of yours truly with its singular combination of hometown horrors and operatic tragedy.

Tenet is not Christopher Nolan’s masterpiece, but it is another thrilling entry into his canon. In a world where blockbuster cinema is dominated by franchises and sequels, it serves as an accomplished demonstration of the pleasures of unconnected and non-serialised original storytelling. But while it does tread new ground, Tenet is the ‘safest’ film from Christopher Nolan in some years. Following two recent ambitious movies from the filmmaker, Tenet feels a little conservative, as if Nolan’s style is a franchise rather than a framework. Despite this, it remains more interesting than most other tentpole movies and acts as a beacon for the director’s strengths.

Michael Showalter and company aren't reinventing the wheel here, but it's a solidly made wheel. Following in the footsteps of similar comedies, The Lovebirds offers a wild ride with outlandish action, plenty of popping punch lines, and a romance you can really root for.

Director Liesl Tommy and co-writer Tracy Scott Wilson provide a shocking backdrop for Franklin’s life, and Hudson balances all this with a skill that’s worthy of a second Oscar nomination. It feels more like a Broadway-ready musical than a biopic, but that doesn’t take away from the impact of the performances.

Dick Tracy succeeded in translating a classic comic almost perfectly to the screen. Some people may be turned off with Madonna being in the film, but if you can look past that, you'd find one of the best comic-to-film adaptations ever.

Raya and the Last Dragon is a beautifully animated, action-packed hero’s journey, and a great next evolution of Disney’s modern-day princess films.

It plays into the dystopian fantasy of being able to reinvent yourself in a lawless world, delivering a clever tale about what it takes for someone who's not a part of existence to want to reengage with life.

More than just a retrospective of himself (and his relationship with his sprightly grandmother), Minari feels like Chung gazing into the past to recognize and empathize with the kind of hardships and sacrifices his immigrant parents had to endure. In the process, he creates a riveting drama about hope, family, and the difficulties of change.

Tightly wound on almost every front, His House packs an enormous emotional punch even once its scares grow stale.

The Courier is a tense, well-executed spy drama that wisely focuses on character and performance more than thrills, knowing that if we actually care about these men it will drastically heighten every narrowed glance, near miss, and frightful chase. It's not always the freshest adventure, but that's when the acting carries the piece and breathes life into these unlikely heroes.