IGN's Scores

For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
1756 movie reviews
  1. It may not always succeed, but it arrives with an energy worthy of the TV comedy legends.
  2. It walks a tightrope with its topics, but Williams is delicate and confident with every step — his performers following close behind, dominating the screen.
    • 73 Metascore
    • 60 Critic Score
    The chase scenes are top notch. Unfortunately, the movie has a lot of slow parts as well. Another bizarre aspect of Mad Max is that the voices were re-dubbed. Director George Miller, decided that the American public wouldn't be able to understand the Australian accents. It's not as bad as it sounds, but it's definitely a noticeable annoyance.
    • 73 Metascore
    • 80 Critic Score
    Funny Pages may be the most cringeworthy movie you'll see all year — and that's a good thing.
  3. Spider-Man: Homecoming is sweet, witty, and fast-moving fun.
  4. Puss in Boots: The Last Wish mixes stunning animation with a poignant, surprisingly mature story to deliver the Shrek franchise's answer to Logan we didn't know we needed.
  5. Marrying a tight and effective script from Andrew Kevin Walker, smart performances from Michael Fassbender and Tilda Swinton, and sharp editing, this assassin odyssey is one you’ll want to watch again and again.
  6. Leaning away from blood-pumping thrills and towards family drama, Ferrari benefits from another great turn by Adam Driver and a handful of masterfully choreographed race scenes but is ultimately too risk-averse.
  7. Paul Greengrass and Tom Hanks have given us something truly special with their latest collaboration: a film that is engaging and challenging but also just makes you feel good.
  8. You’ll believe a dog can star in a horror movie with Good Boy, which makes the most of its high-concept approach of centering a haunted house story not on a man but on man’s best friend.
    • 73 Metascore
    • 80 Critic Score
    Lee Marvin and Charles Bronson in the same picture. How much more bad-assedness do you need?
  9. A great first feature from Cathy Yan, Dead Pigs paints a vivid backdrop of globalization, wealth inequality, and the anxieties of a dual Eastern and Western existence. With these complexities in mind, it forces its idiosyncratic characters into personal and financial battles which often feel unwinnable.
  10. This is a relentlessly grim film with an unsettling view of human nature; its audience will be small and self-selecting, but those who like having their guts ripped out by a movie will leave the theater satisfied.
  11. The look of the sequel builds off the vibrant world of the original, and while thematically the movie may bite off more than it can chew, Zootopia 2, like its bunny-cop hero, shares a contagious hope that things can always change.
    • 73 Metascore
    • 40 Critic Score
    That's Entertainment won't enrich your mind, won't move you emotionally (except for maybe Kelly's classic rain sequence, but who hasn't seen that one already?) and unless you're already a fan of the musicals, probably won't entertain you much. And if you are a fan of those classics, you're better off getting them individually.
  12. It’s a downright magnificent film that puts most modern studio comedies to shame. There isn’t a single joke that doesn’t land with gut-busting precision (even the most ludicrous, over-the-top gags are deeply character-centric), and when the filmmakers want to slow things down and make you take stock of key relationships, Ahn and de Ray know precisely how to paint with light in order to make moments feel like memories.
  13. At its best, All the Money in the World is a rich and exciting story about a woman trapped in a universe of apathetic and powerful men, fighting her way out any which way she can. At its worst it’s a well-shot but ultimately middling thriller.
  14. Anna Diop gives a captivating performance as a Senegalese immigrant working to be reunited with her son in an uneven but haunting meditation on motherhood.
  15. Tim Robinson’s first movie-star role is like an extended I Think You Should Leave sketch with fancier camera work and a guest appearance by Paul Rudd.
    • 72 Metascore
    • 60 Critic Score
    Layered with great performances and an interesting story, The Lady in Red is a good, if somewhat dull exploitative play-by-play of the events that lead to Dillinger's death.
  16. The Sheep Detectives is a very sweet, and often quite moving, family comedy about grief and death. I know that sounds weird, but director Kyle Balda and screenwriter Craig Mazin are mostly successful at threading that needle, with the broad humor of some of the human characters being the film’s weakest aspect. The sheep characters Lily and Sebastian have compelling arcs that highlight the movie’s themes of acceptance and growth. As dark as the story can sometimes get, there’s still enough warmth and wit to make The Sheep Detectives appropriate for younger audiences.
  17. Fennell's film is a reflection of its antiheroine, a live-wire, exciting, dazzling, and dangerous. Fennell coats this heady blend of humor and horror in candy-colored palette of pinks dusted with pop music perfection and enriched by performances from a crackling ensemble cast.
  18. M3GAN capably proves herself more than a horror villain meme, although the film does sometimes struggle to balance the horror and comedy.
  19. A deeply depressing comedic experience (thanks at least in part to accidental political timing), Bong’s remix of Edward Ashton’s novel presents a Trump-like villain and no worthy heroes, resulting in a farcical sci-fi adventure whose symbolism makes up for its misshapen character drama.
  20. Tightly wound on almost every front, His House packs an enormous emotional punch even once its scares grow stale.
  21. Ufotable’s jaw-dropping visuals alone make Demon Slayer the Movie: Mugen Train well worth a watch, even if the film stumbles a bit at the climax.
    • 72 Metascore
    • 80 Critic Score
    Weathering With You still marks Makoto Shinkai as one of Japan’s finest directors when it comes to artistic vision and capturing the essence of turbulent, romantic youth. But it’s also safe to say that Shinkai’s formula, while tried and true to success, may also seem like an all too familiar territory for folks looking for something a little different.
  22. Before Infinity Pool loses its way toward the end, it proves to be an enticing work of depravity that explores money and privilege through horrifying, violent excess.
  23. It’s a straightforward celebration of these heroes’ lives, with a few meaningful revelations along the way, but nothing that will completely blow your mind. These are interesting, likable people who led interesting, exciting lives.
  24. The Outwaters is found-footage fearlessness that needs to be seen to be believed, but will be met by only the most divisive of reactions.

Top Trailers