Houston Chronicle's Scores

  • TV
For 160 reviews, this publication has graded:
  • 68% higher than the average critic
  • 3% same as the average critic
  • 29% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 71
Highest review score: 100 Wishbone: Season 1
Lowest review score: 0 Woops!: Season 1
Score distribution:
  1. Mixed: 0 out of 113
  2. Negative: 0 out of 113
113 tv reviews
  1. A six-hour haunted house tale that tugs out every tired trick in the Boo! book, trying to scare you silly. Don't say we didn't warn you, if you're silly enough to watch all that. [27 Jan 2002]
    • Houston Chronicle
  2. They've already shot 13 episodes in New York City (long before Sept. 11), and the title's name recognition could draw a crowd...Without better scripts and acting to back it up, though, this Law & Order spin-off could wind up eating some of those first 13. [29 Sept 2001, p.9]
    • Houston Chronicle
  3. That '70s Show does have its amusing moments -- without marijuana. And it does have nostalgia on its side. [23 Aug 1998, p.3]
    • Houston Chronicle
  4. It's an intriguing premise, and executive producer Glenn Gordon Caron (Moonlighting) promises liberal helpings of comedy mixed in the weekly doses of action/suspense. Success rides on where it goes from here. [12 Sep 1999]
    • Houston Chronicle
  5. Fantasy and cute shtick are on overkill here; Scrubs would be better without those elements. [2 Oct 2001, p.8]
    • Houston Chronicle
  6. In my opinion, her performance registers as expressionless, which is not terribly impressive for one who's reportedly been acting since age 4. [27 Sept 1996, p.1]
    • Houston Chronicle
  7. The territory's familiar and the jokes too tame and infrequent to give Daddio the heigh-o. But it doesn't deserve the heave-ho, either - especially if the laughs increase. Chiklis' warm-hearted character is hard to dislike, the kids are cute, and, bottom line, we like this show more than the show that's usually on at this time, Jesse. [23 March 2000]
    • Houston Chronicle
  8. Wolf Lake, CBS' brooding series about humans in wolves' clothing (or maybe that should be vice versa) premieres after a total makeover that leaves it more of a furry X-Files meets Twin Peaks than a confusing call of the wild.
  9. For now, we have a prologue to set the scene and a large cast to get to know, amid unspectacular special effects, a few punch-and-shoots, and no alien beings at all. [20 Sept 2002, p.1]
    • Houston Chronicle
  10. A bubbling stew of raging hormones, buff bodies and the culture shock of rich meets poor. [12 Jul 2000]
    • Houston Chronicle
  11. A crude comedy filled with frat-boy humor.
  12. That stupid daddy thing has got to go before it ruins a good college try. [25 Sept 2001, p.6]
    • Houston Chronicle
  13. what was left was such a confusing big-city western, it was hard to tell the good guys from the bad. [21 April 1993, p.8]
    • Houston Chronicle
  14. Having now seen it, I don't think I want to go there. [8 Oct 1999, p.H1]
    • Houston Chronicle
  15. From the creator of "L.A.Law," Picket Fences has all the oddball characters and eccentric behavior that made "L.A. Law" the hit it has been. But in this setting, they ring a false note that's more grating than ingratiating. [18 Sept 1992, p.1]
    • Houston Chronicle
  16. Ron Glass' Ronald Felcher, history teacher, should have the star billing. He's the only light, and right, in a faculty lounge of stereotypical teacher put-downs. [23 Sep 1996, p.1]
    • Houston Chronicle
  17. Aside from Kurtz, everything else in this makeover is about the same. That's not good.[9 Sept 1996, p.1]
    • Houston Chronicle
  18. Don't waste time trying to follow it. This convoluted camcorder e-mess is already freaked out to reboot mode behind the scenes, and the grade drops accordingly. [6 Oct 2000, p.10]
    • Houston Chronicle
  19. Once is quite enough to send C.S.I. back to the lab. [6 Oct 2000, p.10]
    • Houston Chronicle
  20. Kudrow says she isn't a reality-TV fan and the humiliation of its participants, yet she plays her part as victim. So when she gets sucker-punched, we get sucker-punched. What's so funny about that? [4 June 2005, p.10]
    • Houston Chronicle
  21. If NBC hopes to ride the wave generated by the movie The Sixth Sense, it has a way to go to catch it. The Others is a too-predictable curiosity adrift in a sea of aiming-to-scare-you special effects. [4 Feb 2000]
    • Houston Chronicle
  22. Unfortunately, Battery Park is a precinct I don't care enough about to come back for more. [23 March 2000]
    • Houston Chronicle
  23. Luis is a four-car pileup on the interstate - metal-on-metal loud and abrasive, and just about as funny. [19 Sept 2003, p.12]
    • Houston Chronicle
  24. In this disappointing opener, though, the pace is more frantic than fun, and the plot about the token gay is neither clever nor funny...The one cinch about Spin City is that Fox wants a hit just as much as ABC wants one. They'll just have to try harder; you can bet they will. [17 Sept 1996, p.1]
    • Houston Chronicle
  25. It's somehow not as funny or as clever as it's meant to be. It tries very hard to be sophisticated, provocative and kinky. But underneath the big city smugg-and-smirk of these junior would-be movers and shakers are some very lonely people. [6 June 1998, p.11]
    • Houston Chronicle
  26. Friends is the new "Seinfeld" wannabe, but it will never be as funny as "Seinfeld." Even as "Seinfeld" is now, which isn't as funny as it used to be.[22 Sept 1994, p.10]
    • Houston Chronicle
  27. Louis-Dreyfus, the performer, is not the problem here, and neither is the format. The problem is the material. [15 Apr 2003]
    • Houston Chronicle
  28. Bathroom is an apt description of the humor level and the language. [21 Sept 1998, p.1]
    • Houston Chronicle
  29. Its makers must be blind to do a hype-the-hip-young-crowd sitcom about instant sex in this age of AIDS. [11 Sep 1992]
    • Houston Chronicle
  30. Don't give us talk about "temporal displacement," "sublimaters" and "space-time continuum," then expect us to buy as lame a story as Timecop throws at us. [22 Sept 1997, p.4]
    • Houston Chronicle

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