For all the team’s expertise on the weird, the fact that this visual identity is far from the intended appeal should give you an idea at just how well the mechanics and overall reaction to such interlocking systems plays out. Most of which left to the player’s own imagination with how best to utilize said tools and similarly-spoken scenarios. But not for a second do ACE Team view an otherwise absence of comprehension as an automatic fail-state. Yet at the same time, managing to burrow enough of a temptation that failure in that regard will almost always be by the player’s own curious, sometimes greedy, hand. That level of confidence but more so lenience in its concept — an understanding on when and how survival mechanics can be implemented without feeling tedious or invasive — in the end is what makes The Eternal Cylinder as fascinating an adventure to decipher as it is to watch unfold with bated breath.

Despite a mind-boggling choice to switch things up drastically midway, Quadrilateral Cowboy is an innovative puzzler that plays with both the angles of hacking and heist films in a terrific way, making for something that those who enjoy brain-teasers with a bit of spice will enjoy.

The Little Acre is worth every minute; I only wish I could have stayed a little longer in its wonderfully handcrafted world. The tale is a good one, but cut short, and I was ready for more.

Endling may be lacking on the difficulty side, but it more than makes up for it when it comes to delivering a breathtaking story about loss, survival and the environment, topped with a gorgeous art style and an impressive evolving world to explore. It may be a brief journey (clocking in at around four hours), but it’s one that’s worth playing through, an emotional roller coaster that’s still fun to play and gets you invested in the struggles of our furry friends, so don’t sleep on it.

Treading the path well-traveled, Like A Dragon Gaiden: The Man Who Erased His Name — far from the most radical of entries in the series — remains a delightful example of Ryu Ga Goktoku’s knack for high drama, wild antics and all-round time thoroughly well spent. A tad harsh it would be to so quickly denote this a “more of the same”-type of release, even with its status as an interlude between more pivotal, mainline outings, that the reliance on what has worked wonders — as much what has been so integral to the series’ structure, for better or worse — is so apparent does limit how far Gaiden will reach in the series’ hierarchy. Even so, that what this game professes is nothing short of lovably eccentric and a touch more on the unashamedly-indulgent side is far from a bad thing. The kind of writing, presentation, content and all-round execution that, even at its seemingly “least-brilliant,” still stands leagues above a vast majority of games. Put it this way, that Like A Dragon Gaiden: The Man Who Erased His Name can take the concept of self-indulgence and make it one you happily grin at, applaud and ask for more of is an accomplishment in of itself.

There really isn’t anything bad about the game, although the audio may not be to everyone’s liking, and the very nature of this being full of logic puzzles means it’s not going to be for everyone. If you’re prone to rage-quitting, this may not be the game for you, although perhaps its relaxed feel will put your mind at ease a bit and help you enjoy the experience.

Necrobarista may have changed since it was first seen, but the end result is still an engrossing visual novel that succeeds thanks to a cast of memorable and fun characters, a stylish and cool presentation, and a well-crafted story that hits all the right notes, providing a terrific tale of having to move on that has room for bits of both laughter and tears in your coffee. Despite a few hiccups along the way, it’s an adventure that was both worth the wait and visiting the Terminal for.

As ridiculous and as unruly as it’s ever been, the five year wait for Bayonetta’s third outing ends on a predominantly satisfying high. Finding enough new ways to make its decade-plus old combat formula feel fresh and exciting all over again, Bayonetta 3 is at its loveably over-the-top best when everything is focused squarely on the combat, the combos and the pursuit of the best ranking to add to one’s collection. Even new faces like Viola provide interesting enough divergence, even if the narrative material — much like the main story throughout — isn’t as strong by comparison. It doesn’t always get the balance of spectacle and execution spot-on, but Bayonetta 3 doubles-down on the familiar parts that matter and succeeds with just how creative combat can get. Bayonetta 3 is the quintessential PlatinumGames outing that despite its brief issues is just too engaging to ignore.

In all its tricks, turns and trials to overcome, A Little to the Left succeeds on the basis of its charming and relatable premise on the obsessive nature of order and sequence. Messes to tidy up, objects to arrange and patterns to recognize, or perhaps be led astray in assuming there’s one to even recognize. Max Inferno already establish a quaint and attractive presentation here, but it’s thanks to the execution of its main puzzles — with a few added mechanics and incentives to replay puzzles on top — where A Little to the Left finds that added lift to help bolster its appeal. The game’s key means of communication doesn’t always work in its favor and that cozy, laid-back approach can be an occasional annoyance just as it can be a helpful support. Even so, a game that in many ways strikes right at the heart of puzzle game mentality and that desire to find order amid the chaos. Proof that A Little to the Left with all its color and upbeat vibrancy, more importantly, has the wit and the know-how to make its challenge something you’ll take great pride in completing.

Players are instead transported to a world where a unique, riveting story awaits them, with twists lurking around different corners and insightful commentary on a whole variety of topics. While the developer is able to achieve so much success with its story, it does fall short on the introduction of a core mechanic that stops the gameplay from becoming repetitive. But that’s not enough to stop players from reaching State of Mind’s climactic ending, though.

Atelier Ryza 3: Alchemist of the End & the Secret Key is a fantastic blend of turn-based and action RPG combat with an engrossing storyline. The chemistry between the cast works nicely and is reminiscent of something like Lupin III or Cowboy Bebop, where the ensemble cast allows everyone to shine. The brisk battle system keeps combat engaging, while alchemy makes weapon and item forging satisfying to accomplish. The game is held back by iffy visuals in the form of small text and muddy textures, but has gorgeous-looking character models and animation alongside a killer soundtrack.

Some occasional frustration with mechanics and personal expectations not met aren’t enough to prevent Viewfinder from winding up an all-round terrific debut from Sad Owl Studios. Crafting a game that is confident not only in the ideas it wants to explore, but in the execution that underpins it all. An optional undercurrent of a narrative too that only elevates the appeal, but at the same time takes nothing away for those simply here to solve puzzles. Wherever your preferences lie, Viewfinder‘s knack for building out, subtracting from and even mixing up entirely the formula at just the right moments is a trait few puzzle games can lay claim to. Cleverly orchestrated from start to finish, Viewfinder‘s consistent originality and unmistakable confidence on top marks itself down as an easy recommendation.

In essence, Rotolla is the Tetris of this generation. It’s accessible, easy to understand and heinously challenging — all the ingredients a game needs to thrive in the mobile space.

Cuisineer is a must-play for anyone in the mood for a top-tier dungeon-crawler. The core combat has a lot of variety thanks to its weapon selection and upgrade paths while the dungeons themselves make every repeat playthrough feel different. The only caveat to the combat is the lack of baked-in turbo, but that’s far from a deal-breaker when the game has so much variety with the restaurant management portion of things taking you on an adventure that doesn’t require a ton of button mashing. Cuisineer is a rewarding game to play that looks and sounds great and should be a gem for anyone who loves dungeon-crawlers or who wants to get into them because as a gateway game, I can see it being a hit to those who love simulation games as well thanks to the restaurant management.

It may be a game whose focus is entirely singular, but what Boomerang X may lack in density, it makes up for with a fast-but-tactile style of gameplay that rarely gets old.

Splatoon is all about staying fresh, and despite its lack of content somehow manages to remain just as appealing after twenty hours as it was in its first.

With so many Assassin’s Creed games being released, the franchise has lost some its luster in recent years, but this collection is a great way to remember how this series became as popular as it did in the first place. This is also highly recommended as a good starting point for people who have been interested in Assassin’s Creed but haven’t got around to actually playing any of the games, as well as anyone who wants to revisit Ezio’s saga.

I Expect You To Die crafts an experience that is enjoyable from beginning to end. Not only that, but it never feels like it’s using virtual reality as a gimmick. The perspective is required to truly get you in the dangerous lifestyle of a secret agent, puzzling away at how to best carry out their mission. If you’re looking for a seriously unique puzzle game to spend a few hours with, I Expect You To Die is a great choice for PSVR owners.

Far Cry: New Dawn is an unexpected but welcome continuation of Far Cry 5. Hope County was an enjoyable setting, filled with memorable characters in conflict against one of the more compelling Far Cry villains, so it’s nice to return to it and help clean up the mess from the disaster Joseph Seed orchestrated.

Although it’s told through the lenses of cute cuddly woodland creatures, Night in the Woods‘ narrative themes of isolation and insecurity are nothing to shake a stick at. Despite its pitfalls Infinite Falls’ story about the declining heartland touched me more than any game has any abject right to.

Live A Live is a hidden gem from the 16-bit era, a truly unique experience that holds up well today. Expectations should be tempered to account for some gameplay elements that will seem dated, but this is a title that should be mandatory for any fan of classic JRPGs.

Destroy All Humans! is a rare example of a remake that changes just enough to maintain the essence of the original while improving the overall experience. The gameplay enhancements give this a more modern feel but it maintains the original story and visual style to appease those seeking a nostalgia fix. Destroy All Humans! was always a fun game though hasn’t aged all that well. This version revitalizes the title, changing just enough to make revisiting Area 42 a worthwhile invasion.

Massive Chalice is the best turn-based strategy title of 2015 so far, and its unique simulation aspects make it especially intriguing.

Little Rocket Lab is about as cozy an introduction to automation as could be imagined, with a lovely pixel-art style and likable characters in a run-down but charming town. There's no pressure to rush anything, with major events coming to your door and minor ones popping up while running around the town. The automation makes for a nice change of focus for this type of life-sim setting, and it just keeps growing with new complications and machines to handle them at a nice, steady pace. The town of St. Ambroise isn't all that large, comprised of six major areas and a few indoors sections, but it's a lively place with room for the townspeople and all the machinery you build, if you plan it right. There's a lot of enjoyable work involved in bringing St. Ambroise back from the edge of ruin, from supplying rocket components to chasing after lost kids mad at their family, and while Morgan didn't ask for the latter, she's going to deal with every challenge and automation problem in her way to engineer her mother's dream into reality.

After Death doesn’t revolutionize metroidvanias, but it doesn’t exactly seek out to do so either. It’s simply a development team creating their own world and story in a tried and true format. Its self referential nature regarding the gargoyle statues gives an element of levity to the macabre setting with enough of a challenge to keep the game from getting boring without ever threatening to be frustrating through the varied seven unique areas. The well-designed boss fights are a highlight and the transformation Mr. Bones goes through from a useless skeleton to a force to be reckoned with at the end of the adventure is a satisfying process. After Death is a welcome addition to any metroidvania fan’s game collection.

Pistol Whip is a music/action VR shooter built from recognizable elements that combine into a unique whole, and when it all comes together as planned it leaves the player feeling like an invincible gun-god dancing through the bullets.

WWE 2K25 is a healthy year-over-year improvement from last year's game. The core in-ring action flies better thanks to the revamped technical wrestling mini-game and the meaty showcase and MyRise modes encourage playing through new additions like Bloodline rules and intergender matches naturally so you're used to them for exhibition play. The new PS5 and Xbox Series Island is a fun way to explore a virtual WWE city and engage in unique matches in unique settings. The graphics are a minor bump over previous games, while the commentary as a whole is better and included for the Showcase mode to breathe new life into it.

Snake Pass is a modern attempt to rekindle 3D platforming fun in an intelligent way. Instead of falling back on all the old tropes (and problems), players are presented with a protagonist which totally changes up the nature of platforming. Each stage only requires three objects to collect, meaning folks need not dread yet another collectathon. On the other hand, those who look to 100% complete games can enjoy reaching out for the tougher coins. There’s something left to be desired with the general lack of storyline, but fortunately the gameplay is excellent enough to make up for it. Even after finishing the game you’ll likely want to go back and perfect your performances because the gameplay is just that refreshing.