GNOG is an excellent title and well worth anyone’s time. It takes excellent advantage of the PlayStation VR functionality to produce something beautiful and striking, both visually and aurally. While it could potentially benefit from some extra puzzles and a bit more polishing, it is still a solid title and worthy addition to your PlayStation VR library.

Bow to Blood is a fine, fun title with some minor niggles. The combat is good, though somewhat tricky to get used to, but the alliance system offers something interesting and unique that elevates the title to a higher level.

Virtual Space Port is still a highly enjoyable puzzle experience that really makes use of VR’s roomscale to give you complete freedom to build. Set against a gorgeous interstellar backdrop, ViSP – Virtual Space Port is almost the perfect example of a well designed indie VR title, delicately balancing content and gameplay.

Wilson’s Heart is good, even very good at points. Expertly mixing its story, sound and visual aesthetics into a solid experience that’ll draw you in and keep you engrossed for hours. But there are some niggles with the constrained gameplay mechanics that hamper its ability to be a great title.

On its own Skyworld: Kingdom Brawl plays just fine, taking popular card gaming and bringing it to life for some rather epic tabletop battles. The gameplay design hasn’t changed since the original, just the offering of more online PvP battles. However, should you want value for money and a card-based videogame, then Skyworld is a much better bet.

This mixture of gameplay elements makes Loco Dojo a great multiplayer experience but just like any online VR multiplayer it does suffer from player numbers.

Moss: Book II builds upon its forebear in so many ways making a hugely worthwhile sequel. Taking around 5-6 hours to complete without collecting everything Moss: Book II isn’t a huge VR game yet it’s a satisfying experience. Whilst not particularly difficult, stepping into Moss and teaming up with Quill is a delight once again, with polished gameplay, more interactivity and visuals you can’t help but soak in. The main problem really is that Moss: Book II ends a bit too soon, as you won’t want it to be over.

While Trover Saves the Universe doesn’t have that same level of interaction a lot of other VR titles tend to feature as standard nowadays, its elevated from being a standard VR platformer to one with a unique atmosphere thanks to all the other elements. Trover Saves the Universe is the funniest experience you’ll have on Oculus Quest, plus there’s plenty of content thanks to the included free DLC. It’s a fun experience which should give most players a good 5+ hours of entertainment.

Shadow Point is a suitably well-accomplished puzzle experience. Those previous grumbles aside, there’s enough here to provide a good few hours of entertainment without breaking a sweat or running the risk of hitting a wall accidentally. Shadow Point isn’t quite up to the standard of Coatsink Software’s Augmented Empire for Oculus Go but it’s a charming adventure no the less.

Its the presentation where The Exorcist: Legion VR shines. It is not long or complex, but it has bags of atmosphere and says what it needs to say with panache. The sense of presence is used effectively to give you a properly immersive horror experience. As Halloween approaches, it is definitely one to look into for fans of horror.

B99 has been in Early Access on the Oculus Store since 2017 which made it easy to miss. Now that it has seen a full release fans of VR roguelikes should definitely take a look, as there’s some quality gaming to be had. Make no mistake B99 is no walk in the park, it does get a little repetitive because of the type of videogame it is and there’s some questionable English being used. Even so, VRFocus enjoyed it immensely thanks to the easy mechanics, electro tunes and brash style. Just beware of the floating cat head.

The fast and furious gameplay is instantaneous, grab a gun and shoot it, with the real enjoyment coming from dodging all over the place. It’s like you’re in a sci-fi dodgeball tournament without the worry of a ball smacking you in the face. Plus the studio has managed to give it that wow factor with some really eye-popping aesthetics. If you’re looking for a deeply engrossing experience this isn’t it, Blaston is more suited to quick-fire gaming sessions.

At points Left-Hand Path is a little rough around the edges, it’s not as polished as The Mage’s Tale for example. But that doesn’t mean it can’t have a charm of its own. Strange Company has created a massive world that you can spend far too many hours in – the studio claims around 15, depending on deaths it’s going to be more. If you’re an RPG fanatic who wants to head out on a brutal adventure then Left-Hand Path is the videogame for you.

It looks good, there are options for days and most importantly the gameplay is entertaining. GRIP: Combat Racing VR is pure digital witchcraft, making the addition of VR look seamless. Plus it’s a free update if you already own the original title, which is a bonus.

As a normal piece of VR content HoloLAB Champions is short but sweet, offering an informative introduction into the world of chemistry. This isn’t the sort of title where you can go all mad scientist and create crazy concoctions – there’s Rick and Morty: Virtual Rick-Ality for that – but it’s not meant to be. As a teaching tool it’s quite easy to see how VR has a place within education.

Transpose is a feast for the eyes as well as the mind, with enough levels to keep most busy for a good few hours. If there’s a downside then the Echo Bands can be a bit fiddly when trying to delete Echos. Other than that, Transpose is a mesmerising experience that VR players shouldn’t overlook.

With its colourful aesthetic, muppet-like characters and off-the-wall sense of humour Floor Plan 2 is a delight, perfectly suited to the Oculus Quest platform. The pacing and complexity of the gameplay is very well crafted, ensuring players of all ages should enjoy exploring all the various floors. It could do with being a little more difficult especially for puzzle fans but the experience is still satisfying to complete. As Floor Plan 2 does a lot right and little wrong, this is an easy win when it comes to purchasing.

VR puzzlers can be equally entertaining and annoying at the same time, which is why they tend to have a popular following. Rangi is one of those enjoyable experiences that just works. Sure it can’t match the cinematic spectacle of FORM but then its not trying to, delivering a character all of its own.

The videogame does have its faults but they aren’t gameplay breaking. Killing Floor: Incursion’s single-player campaign is a glorious action romp that’s easy to play through in one sitting. One thing not mentioned so far is the fact that there’s a co-op option, and as every gamer should know, bringing a mate along to cover each others back only increases the fun factor.

With a unique art style and engaging story, Groundhog Day: Like Father Like Son offers an unexpectedly enjoyable adventure, and you don’t even need to have seen the film. That being said, it’s time to see if Groundhog Day is online somewhere.

If you already own it it's worth going back to, if not it's worth taking a look.

Skyworld is difficult, and these battles aren’t easily won until you’ve significantly improved your forces – that’s if you manage to in the first place. Screw up your resources – build too much of one, not enough of another – and Skyworld can quickly bottleneck, with there being no obvious way around certain predicaments. With this inmindSkyworld certainly won’t be for everyone simply due to its difficulty. But for those tacticians after a challenge Skyworld is definitely one of the best RTS style VR titles available.

From the very beginning, The Walking Dead: Saints & Sinners offers a satisfying zombie experience that’s hard to match. Titles like Arizona Sunshine easily fill that need for straight-up arcade action, for when you want a living dead apocalypse with a bit more depth then The Walking Dead: Saints & Sinners is your new go-to videogame. With a good 15+ hours of content depending on how slow and methodical you are, the atmosphere and superb physics make a nice cohesive whole.

The Gallery: Episode 2 – Heart of the Emberstone isn’t massively long – a run through should take around 5 hours or so – but it’s big enough to offer a satisfying experience, especially if you play episode one for a refresh. Cloudhead Games has done exactly what it needed to, create a compelling sequel that expands and improves the series.

Fitz has managed to take the core essence of what makes boxing so compelling and distilled it down into Thrill of the Fight. Immersive and a great use of roomscale, Thrill of the Fight has all the hallmarks of an indie gaming gem, especially being so cheap. All you really need to worry about is having enough space so you don’t start putting holes in walls.

The Wizards – Dark Times needed to be a bigger, better adventure than its forebear and for the most part, it does. Once all the spells are unlocked the magic system showcases why VR is a natural fit this style of videogame, wielding powerful spells with abandon. There are no RPG elements to get bogged down with, potions to collect or stats to upgrade, unencumbering players for a lighter gameplay experience which is easy to step into. Even though there are some gripes along the way The Wizards – Dark Times still proves a satisfying magical adventure.

The production values are top notch making Star Trek: Bridge Crew one of those rare VR experiences that feels like a AAA title, and likely part of most VR gamers’ collections.

VRotein claim Slice & Dice has over 20 hours of gameplay but that’s not necessarily the case as this is completely dependent on how good you are at this type of videogame. What can be said is that the latter levels will test your patience so you may want to put those controllers down once in awhile. If you want a novel VR challenge, you can’t go wrong with Slice & Dice.

They Suspect Nothing is a consistent bundle of fun mini-games, yet as a launch title slightly underwhelming. It’s a safe and easy experience for gamers of all ages that looks great and plays well. On the other hand They Suspect Nothing isn’t Coatsink’s best VR work, that’s still Augmented Empire (which handily now supports Oculus Go).

While FORM isn’t perfect, it sure comes close. Yes it’s a bit too easy, and could do with an extra hour or two of gameplay (the latter is really just a moan because you’ll just want more to play), but Charm Games has created a mesmerising experience from start to finish.

All in all Hidden Path Entertainment has achieved what it set out to deliver, a well-tuned VR RTS that fans of the genre should be easily impressed by. Sure it’s not perfect, but in comparison to others in the same class Brass Tactics is one of the best.

While Bloody Zombies doesn’t reinvent the scrolling beat-‘em-up wheel, it does offer a convincing argument for 2D videogames making the jump to the more immersive medium.

Final Fantasy XV: Monster of the Deep is one of the best-looking PlayStation VR titles currently available. Its possible to waste quite a lot of time simply taking in the scenery. The title also uses the limitations of the PlayStation VR cleverly, by letting players sit facing the camera most of the time, it eliminates most of the tracking issues the PlayStation VR is known to have. Though far from a deep experience, Final Fantasy XV is surprisingly absorbing, and can chew up an impressive amount of time, despite its slightly repetitive gameplay.

If you’re after a VR title that’s big on adventure and elaborate quests then videogames like Stormland, Borderlands 2 VR, The Mage’s Tale, Asgard’s Wrath and others offer that sort of experience. However, when you can’t be bothered with all that fuss and want a pickup and play shooter Scraper: Gauntlet is a solid option with polished visuals and gameplay mechanics. Plus, it’s not stupidly priced.

Clash of Chefs VR has everything you could want from a VR cooking game, plenty of food, loads of modes and a nice wedge of lemon. The gameplay is fluid and once you get into a rhythm very satisfying to pump out order after order. Whilst it lacks the insane multiplayer madness of Cook-Out: A Sandwich Tale, there’s enough succulent gameplay to keep you entertained for hours. An entertaining VR cooking experience through and through.

Hurl VR is great fun, so much so that you’ll probably finish it in one sitting – completing it took just under one hour for this review. The other issue is the lack of replay elements, as once you’ve successfully played through all 30 levels there are no additional features – apart from achievements – to entice you to replay the videogame. Aside from that Hurl VR is a finely polished title, with good looking sci-fi visuals and solid physics-based gameplay.

Even with those grumbles, Star Wars Pinball VR is an excellent addition to the franchise, another superb showcase of pinball in VR. There’s so much content to discover you’ll be playing for hour after hour trying to finesse those shots to unlock new secrets. Sure, it really helps if you’re a Star Wars fan as all the cave customization options will be lost on anyone else. VR headsets already have a decent selection of Star Wars titles with Star Wars Pinball VR being one of the best.

Here you have a good example of why indie developers are such a vital part of the VR industry. Cubism would never have been made by a big studio yet it deserves your attention nonetheless. Easy to pick up yet difficult to complete, it may take some an hour whilst others will take five. It’s the kind of VR game you can give to anyone and they’ll instantly know what to do, because who doesn’t know how to place a few blocks together.

So is YUKI a fitting portrayal of bullet hell nostalgia that’ll keep you coming back for more? Even with the lacklustre procedurally generated levels, YUKI is still a blast to play, easy to pick up and great to look at. You get so involved with the levels that a couple of hours go by in an instant and it’s only when you die and take a breather that you realise how much the gameplay makes you move. If you’re looking for a highly polished bullet hell shooter, give YUKI a try.

To be honest Vacation Simulator was always going to face an uphill struggle against its sibling. Is it better than Job Simulator, most definitely yes, enhancing that hands-on play style fans love. But it also arrives at a time very different to 2016, when expectations have changed, but it hasn’t. Once again the series proves ideal for newcomers. Experienced players will get through Vacation Simulator fairly quickly with the only reason to go back being to 100% the memories. Where Vacation Simulator will really find its market is on standalone devices like Oculus Quest creating new VR fans.

Battlewake is a bit of a mixed experience. While its looks great and handles very well the multiplayer definitely carries the whole thing as the campaign is a little lacklustre. The combat is a good laugh once there are a few of you to banter with but it does get somewhat repetitive and so do the locations. Sea of Thieves in VR this certainly is not, on the other hand, for those not after sinking dozens of hours into a videogame to get anywhere Battlewake will have you wondering where the rum’s gone.

The Solus Project is a fine exploration and horror title, though it does have its flaws. The excellent ambiance and general air of loneliness, isolation and foreboding make for a truly immersive experience that is worth your time.

What Carbon Studio has done is combine its knowledge from debut VR title Alice VR and the months of Early Access development and distilled it into The Wizards. If you want to feel like an all-powerful sorcerer then The Wizards is up there with the best, an entertaining adventure that will make non-VR players jealous.

ARVORE has certainly learnt from Pixel Ripped 1989, both in terms of scope and gameplay, Pixel Ripped 1995 is a premium retro experience from start to finish. There’s a wonderful mix of aesthetics employed across the campaign which offers around 4-5 hours of gameplay. For a VR title Pixel Ripped 1995 can feel a little constrained and linear plus there doesn’t seem to be much replay encouragement. However, all in all, there’s still plenty of fun to be had.

Overall, Gates of Nowhere is a visually stunning hack-and-slash dungeon crawler with enough other things to do like magic crafting, exploration and puzzle solving to make it absorbing and engaging. Though some aspects of the combat, such as the bow and arrow, could still use a tweaking, this title is certainly worth your time.

Overall, Light Tracer is a well-crafted VR platform title. Once you get used to the controls, it becomes challenging enough to keep you coming back for more. There are some very frustrating elements, but not enough to spoil the gameplay entirely. Having said that, Light Tracer is at its best when played in relatively small doses. Like a plate of snacks to nibble on instead of a feast, but still just as tasty.

There are a number of VR escape room titles available like Chair in a Room and I Expect You To Die which do the genre justice. Nevrosa: Escape is another that can be added to that list of entertaining puzzlers, with beautiful visuals and brain taxing challenges that’ll fill a good few hours.

Wanderer is an ambitious project and for the most part, M-Theory and OddBoy have succeeded. The single-player adventure will keep you busy for 10+ hours and you’ll want to see it through to the end. Pushing the settings to max on PC will give you a glorious game to look at, and the audio is rock solid. Yes, there are one or two unwieldy issues along the way yet they didn’t hamper the overall entertainment Wanderer provides. If you’re looking for a puzzle game to really get stuck into then definitely take a look at Wanderer.

If you’re a fan of the franchise then you won’t be disappointed with The Room VR: A Dark Matter as Fireproof Games continues to improve upon the gameplay. For those that have never played The Room before, then its standalone storyline won’t make you feel like you’ve missed out. Varied environments filled with detail, rich lore and polished puzzles prove that The Room VR: A Dark Matter is an essential VR puzzler for all fans of the genre.

It feels as if any painting app is going to suffer a markdown in a review because it will never compare to creating in reality, however, Painting VR gets the closest, despite a lack of customisation options. Why? Because the paint acts like paint, rather than a disjointed liquid which creates a disconnect between you, the tool and the canvas. If you’re looking for perfection, it’s still in the distance, but for something that feels genuine, and honestly, great fun to experiment with, give Painting VR a try.

Mothergunship: Forge is a classic wave shooter just like Blasters of the Universe, taking the ability to swap out weapon components to a whole new level. The variance in parts is almost like stepping into a Lego store to build your ideal model. Get far enough and the guns can get ridiculous, filling the screen with components. Then again, that’s kind of the point. It would’ve been nice to have a sandbox gallery to experiment in, even so, the variety of gameplay modes keeps the gameplay entertaining. Just don’t go in expecting a slick, tactical shooter, Mothergunship: Forge is 100% an absurdly frantic FPS.

Overall, Racket Fury: Table Tennis VR is a good table tennis simulator with great physics and a pleasant backdrop, but the lack of multiplayer and strange absence of music leave holes in what would otherwise be a very satisfying title. This is one of enthusiasts, though once the multiplayer comes out, it might be worth a second luck.

Dark Eclipse works well enough, but the mixture of MOBA and RTS elements means it feels watered-down and lacking a firm identity. In addition, the lack of a large community of online players presents a problem for an online-focussed title. For a free to play title, it is solid, and worth considering for RTS fans.

What you see is what you get with Gamedust’s latest VR experience and that’s no bad thing. From the aesthetics to the locomotion, Yupitergrad is a nicely crafted VR game which was thrilling to play at points. The light humour gives it character few VR titles achieve, nicely offsetting those moments of frustration. It would’ve been nice if there was a bit more because Slavic Spider-Man deserves it.

Déraciné is beautiful and atmospheric and has a deep and absorbing story to tell, but its easy to question why this needs to be a VR title. The tonal inconsistency and node-based movement might also be off-putting, but for those who wish to be absorbed in a story, Déraciné is worth giving a look.

All in all the Witching Tower is a reasonably solid VR experience throughout. It’s not overly long but there are secrets to find for those completionists out there which help stretch the gameplay that bit further. While it doesn’t break new ground or offer anything too unique, the Witching Tower is still an enjoyable title for those who love this genre of videogame.

As a launch title for Oculus Quest Face Your Fears 2 really should amaze and drop you to the floor in horror. Yet at no point does the experience ever feel like it can attain those heights, treading mediocre level ground that sorely underuses the device’s ability. Face Your Fears 2 is by no means a bad VR experience it’s just not up to the calibre of Turtle Rock Studios’ previous output.

UNBINARY delivers a wonderfully paced puzzle experience that’s vivid and alive, even if it’s meant to be a digital simulation. Those pretty visuals aside, it’s such a shame that so many other factors hamper the overall enjoyment. Those random walking issues, janky teleportation and random bugs like preferences being in Portuguese when the language is set to English. For a game that lasts around 3-4 hours depending on where you get stuck, it needs more polish, so that completion feels truly fulfilling. There were moments where it was delightfully satisfying to be in UNBINARY as if trapped in an abstract painting you don’t mind being locked inside. By the end though it was nice to get out.

It’s hard to say whether VR really offers anything to the concept here. There weren’t really any moments where I marvelled at something I was manipulating in virtual reality; the whole experience could be played with mouse and keyboard and affect nothing within the game. While that’s not a major detraction, it would be nice to have some features that justify the need for VR.

Over all, League of War: VR Arena is a decent, if somewhat flat, experience. there are no twists in game mechanics. Difficulty slowly ratchets up, but little actually changes. Aside from the possibility of challenging a visiting friend to an Arcade match, there is little to draw you back in once you have completed the Campaign. Which will not take long, since battles are over in a remarkable short period of time, This is not a bad videogame by any means, but it is a shallow one, a fun time-waster that is sadly let down by its lack of online multiplayer, which might have gone so way towards extending its lifespan.

The core ‘obstacle course’ style gameplay is fun but can be a little shallow, repetitive and frustrating at points. However, being frustrated is almost the point of the experience, ViRa Games’ title is something to learn from, an experience that could really only work in VR and that opens your eyes and creates empathy for others. It would be great to see more videogames like this, putting you in the shoes of someone who wasn’t a powerful wizard or secret agent.

What Shooty Skies Overdrive offers is an entertaining arcade shooter, great for those times when you want to dive into a VR game that’s not too overly complicated. The powerups help to break up the repetitive nature of the gameplay whilst the aesthetics give the overall experience a charming personality which makes Shooty Skies Overdrive great for any age.

It’s great to finally see Windlands 2 on PlayStation VR and remember what made this VR experience so enjoyable in the first place. Alas, with a heavy sigh this just doesn’t match its PC brethren when comparing the entire package. What this release really does is demonstrate PlayStation VR’s ageing technology and how it was good for some but not all VR videogames. However, Psytec Games has confirmed it’ll patch PlayStation VR 2 support into Windlands 2 when available, which could really help to unshackle the gameplay. At the moment, Windlands 2 only really soars half the time.

Day of Heroes: D-Day offers some nice level ideas and decent visuals that do allow you to become engrossed in the gameplay at points. But it is a very middle of the road VR shooter with mechanics which could do with some refinement and more comfort options to support player requirements. One aspect Day of Heroes: D-Day does completely miss is heart, you’re in the midst of a war yet it feels very ‘by the numbers’, a videogame you could like but never love.

Drawing inspiration from The Little Prince, the early 20th-Century novella by Antoine de Saint-Exupéry, Stargaze feels very much like a piece of children’s piece of interactive literature. It offers a pleasant narrative set amongst the stars with enough wonderment and interactive controls to keep them entertained. For most players this will be a one and done experience that’ll last a couple of hours at most, even the last couple of puzzles aren’t too difficult. Short, wholesome VR puzzle gaming.

There’s only one level and you’re stuck to the spot. Only three guns and the re-playability factor is solely limited to a global leaderboard. What Hangry Bunnies from Mars needs is more variety, it may not be priced as a premium experience but it feels somewhat hollow. It has potential to be one of the quirkiest VR wave shooters available, in its current form however most gamers will probably play a few rounds then move onto something else.

Stride is a very mixed experience on Oculus Quest. Whilst that might be due to the PC version still being in early access and you’re essentially getting the same version here, this is still a full release for Quest, hence the review. Stride’s parkour mechanics are what really sell the experience as there’s nothing quite like it for Oculus Quest. There are points where the gameplay is very addictive and engrossing as you try to perfect each jump and wall run. On the other hand, Stride can get repetitive too quickly and lacks that spark to make it a great VR game.

The dungeon crawling experience isn’t without its bugs with a little finesse needed here and there. The sword mechanics, story and visuals are all notable highlights while the bow and enemy AI could be improved. Even so, The Morrigan is one of those indie titles with bags of character, a plucky adventure which makes good use of VR’s features and sometimes maybe that’s enough.

If you enjoy VR videogames like Kittypocalypse then Paws ‘n Claws has that similar charm to it. It’s a fun little time waster that younger players will certainly enjoy. It lacks the depth of other tower defence experiences and just doesn’t quite have enough uniqueness in its gameplay offerings to shine in its own right.

Final Space has a legion of loyal fans and that’s exactly who Final Space VR – The Rescue is being catered towards. If you’ve never seen the show and you buy this as a single-player shooter you’ll be disappointed. It looks good, sounds great and plays well yet there’s so much missing to make this an awesome sci-fi FPS. You need friends who love the cartoon to truly get something out of Final Space VR – The Rescue. Another concern was that there was no teleport to be found and no additional gameplay modes. A co-op like this would’ve benefited from a horde mode or something to keep you coming back for more. Final Space VR – The Rescue had its fun moments but just like the show, it ended too soon.

While Animal Force makes a valiant effort to bring some changes to the tower defence genre, and take advantage of VR, and it only manages to clear the its okay bar. It has some nice touches, and an appealing art style, but it also has very linear, repetitive gameplay, a steep difficulty curve and some very bizarre gameplay decisions that prevent it from being as good as it could have been.

Boxed In is one of those pleasurable time wasters like the videogames you play on your smartphone. What it lacks in amazing visuals, convoluted narrative or ground breaking gameplay, it makes up for by having a plucky, no nonsense attitude to VR gaming. It may not be a library essential, yet for its price Boxed In is a great little VR bargain for puzzle fans.

Death Lap has some great elements to it, instantly offering exciting races where you can throw caution to the wind, drive like a maniac and shoot stuff. Unfortunately, there is a lack of finesse and polish to the whole experience with the content really needing a little boost. Plus there’s no way to add some personalisation or upgrades for that much-needed variety. In another six months, this may well be a great racer, for now, it’s simply average.

Should you complete the main campaign then there’s always survival mode, which is exactly the same just without end, like some kind of VR torture. There’s nothing wrong with throwing the rulebook out and trying something new but there’s always that chance something doesn’t click. And it doesn’t with Fruit for the Village. It’s easy to see there’s polish and finesse to the title yet the core gameplay is more gamejam than professional puzzler.

There’s no doubt that Good Goliath is fun in short sharp intervals, drawing you in with its colourful designs and pick up ‘n’ play mechanics. Nine levels might not sound many but you should get a good few hours of gameplay as they are subdivided with checkpoints because of their length. This is rinse and repeat gaming so the gameplay isn’t exactly deep but it’s still mostly enjoyable, great for those looking to steer clear of RPG style titles.

RADtv is quick instant fun that’s great for short stints in VR. With a bold distinctive art style, interesting character design and zany gameplay, RADtv isn’t a videogame that wants to be taken seriously; it just wants to put a smile on your face. This is an impulse purchase title and Ruffian Games has priced it accordingly, great for those moments where you can’t decide what to play.

Don’t Knock Twice really is a mixed bag. On the one side it provides one of the scariest, heart thumping VR experiences out there, with a beautifully designed mansion to explore – especially when you get to free-roam. On the flip side there are points where it feels like a battle, trying to achieve something relatively simple but isn’t. If you love horror videogames and can handle proper locomotion controls then Don’t Knock Twice is worth a look, otherwise steer clear.

There was so much potential for Doctor Who: The Edge of Time as well as expectation that the end result feels muted. Parts of the experience are great and showcase high production values – the storyline, locations and acting for instance. Interspersed with these are the negatives which make it hard to recommend to the casual gamer. Doctor Who: The Edge of Time is one for the hardcore fans out there.

For gamers the issue remains about replay, and how many times you want to sit on the same ride, or whack the same penguins. No matter how good it looks, Summer Funland won’t quite have that same draw as more focused titles. Summer Funland may not light the VR world on fire but it provides an enjoyable – if somewhat short – piece of entertainment. If you’ve got kids or want an all-in-one experience to show VR virgins then Summer Funland is an ideal starting point.

Those looking for a causal city-building experience might take satisfaction in it if they can master the late-game balancing, and fans of puzzle games will doubtless enjoy challenge mode. Hardcore city-planners will likely be too frustrated by the lack of depth, but it might be worth a look for them anyway.

Journey for Elysium has some wonderful elements and high production values, such as the visual design, movement mechanics and voice acting. But like its protagonist, the title is stuck between two worlds, not quite offering enough gameplay challenge while the story fails to emotionally connect. At the right price Journey for Elysium is worth a quick blast through.

This is a short and sweet VR experience from the fledgling development team, with a few puzzles to solve using just one magical mechanic, object scaling. Conjuror’s Eye as a whole is a novel little time waster. It’ll only take around 20 minutes to complete so it’s a nice little break from some of the lengthier VR titles available now.

For an on-rails shooter in 2018 Naked Sun isn’t going to set the VR industry alight with an original idea or gameplay. It’s another title that perfectly suits the ideas of what VR could achieve a couple of years ago without going any further. On the other hand it’s extremely comfortable to play, has great gun control mechanics and will draw you in enough to probably complete it in one sitting. A decent yet average VR experience.

Day of Destruction certainly doesn’t wow in the graphics department – there are far better looking virtual reality (VR) titles – but it doesn’t need to. It has that B-movie quality that just works, and the in game audio (especially the music) is top notch. That’s why it’s a shame there isn’t more to the gameplay. Sure you can go back with the better weapons to jump you up the global leader boards, other than that there’s little to hold your interest. Day of Destruction certainly isn’t one of those must have VR titles, it’s a blast for a while until every city starts to look the same.

Lila’s Tale is a quaint VR experience which will enthral a younger player but older gamers will likely find the title to be a little hollow. With nine levels to play through and the challenge on really setting in after five or six, game time is going to be short and sweet. But with no secrets to find, the replay factor is limited. Not an essential purchase for Oculus Go, there are others in this genre that are better.

For an indie title that was originally just a portfolio piece, Hooplord is an enjoyable basketball videogame with a nice cartoon style. There’s just the right amount of difficulty so that you can’t blast through it in five minutes, the only real frustration is if you’re a rubbish shot. Hooplord isn’t a massive title so it would be great if Wu continues to support it and expand the premise, maybe adding a menu in there.

There are points where A Wake Inn provides some superb VR design more games should have and it never felt like there was nothing to do. But clunky elements stutter the experience making it less refined. It was close to being a great VR title, instead, falling into the average horror crowd.

Marvel Powers United VR really is a mixed bag of goodies. One the one hand are its high production values, with gorgeous character models and scenery, easy control schemes and comfortable gameplay style. It’s the repetition that lets it down, dissolving the gameplay down to basic wave-based combat. With four friends you’ll get some life out of Marvel Powers United VR, just not the heroic gameplay most were looking for.

An awe inspiring educational experience that's somewhat restrained. The main disappointment was the inability to get a closer look at each of the planets themselves. Earth wasn’t a problem, but after seeing them in the Story mode, it would’ve been nice to look at the planets in closer detail at leisure. No amount of fiddling with the controls would allow this, which was a shame for such a technically impressive educational experience.

The initial premise of Island Time makes for fun quirky experience to begin with. Utilising repetitive gameplay however cuts a fine line between addictive ‘must try harder’ and boring tedium, a line that Island Time really does sit on. It is hard not to like Island Time yet after five or six longer sessions that sheen starts to wear off as the variety does.

On first inspection, A Rogue Escape didn’t seem like it was going to do anything too different yet it showcases how a traditional escape room videogame can be recreated and enhanced by VR. Playing around with all the systems is a lot of fun with a run through taking around 2-3 hours. The real shame is the replay factor, there is none. Once you’ve figured out what does what that initial spark is lost, and there’s nothing else to explore. But the same can be said for most games of this ilk. Even so, A Rogue Escape had its moments of greatness.

On the one hand, the weapons are great and you could easily spend hours in the shooting range mixing and matching components. The 4-5 hour campaign is ok until you get further in and notice some of the glaring issues and glitches like the AI or the rather bland design choices. Best played on the hardest difficulty setting for any real challenge, Zero Caliber: Reloaded gets enough right to be worth a look, but only just.

The Way of Kings: Escape the Shattered Plains will be of interest to people who are big fans of Brandon Sanderson’s work, or for people who are curious about what a The Stormlight Archive TV series might feel like, anyone else will only feel frustrated a a bit short-changed by how brief and limited it all is. If this was the first part in an episodic series, it might be enough to draw interest, but otherwise its’ something best left for hardcore fans only.

Playing the main Megadimension Neptunia story in VR is mostly worth it, but the poorly-rendered VR-only sections do little or nothing to really add to proceedings other than hurt your eyes and make you feel awkward. Its fun, but unless you don’t already have a copy of the original title, its one for fans only.

Symphonics isn’t going to be for everyone, it’s way too stark at the moment. However, if you love VR and creating your own music then this is certainly worth a look for the cheap price as it is entertaining, and VRFocus will be interested in seeing it take shape.

Unknown Fate isn’t one of these pickup and play mobile titles for a quick 20-30 minutes of gameplay, this needs patience. Mainly to unlock the story so you can figure out what’s going on but also because it’s not exactly content rich – some elements are spaced out. There’s some lovely design work at play between the audio and visuals but it’s debatable whether that’s enough to see you through the 4+ hours of gameplay available.

Crisis on the Planet of the Apes VR is by no means one of the best VR experiences out there, but as a film tie-in it certainly sets the bar high. If you’re a fan of the Planet of the Apes franchise then Crisis on the Planet of the Apes VR is certainly worth checking out, everyone else may find it too constrained and short lived.

Shadow Legend VR is most certainly one of those 50/50 VR titles with both recommendable and questionable elements. Why wasn’t there more crafting elements to make better weapons? Or why didn’t the swords become blunt over time, necessitating the use of the grinding wheels? Shadow Legend VR isn’t a bad VR title by any means, it looks good and offers a fun few hours but it could’ve been so much more.