Adorable Adventures is indeed very adorable, but could have been a bit more adventurous with its mechanics. It has a very clever core mechanic, but it could have used a bit more variation to really stand out. Even so, it’s still a fun little adventure, especially for younger players.

Space Control has personality, a fun sci-fi setup, and solid voice work, but it never becomes as interactive or chaotic as it promises to be. The world is fun to visit, and the humor works most of the time. That being said, the physical interactions lack variation to stay fun for longer periods of time. Overall, I think that the simple tasks and passive pacing hold the game back too much. In the end, it works better in short bursts than as a full game.

Pokémon Champions is surprisingly accessible without spending any money if you’re a casual VGC enthusiast. Launching with a few bugs and less content than fans of the series expected, it’s clear that we’ll have to wait for future updates to know where the series is heading in this purely online competitive Pokémon game. The fact that you can play the game without importing from Home by recruiting and tweaking stats on the fly makes this game a very competitive hub for the series. We hope future monetisation plans will not eventually wring out casual players from the game’s population. A tailored selection of Pokémon and items for this first season has both casual and competitive fans creating a brand-new meta for competitive play, and while it falls short in some areas, the game has the potential to become the ultimate generation-spanning battle arena for everyone.

Tides of Tomorrow introduces one of the most interesting gameplay mechanics in years, but it’s not without its flaws. The story lacks some depth, and the gameplay loop can become repetitive a bit too quickly. That being said, it still stands out as one of the more unique games out there and deserves credit for that. If you’re looking to try something different, this might be worth your time.

Life is Strange: Reunion wraps up the story of Max and Chloe in roughly 9 hours. It’s best experienced in one or two sittings to maintain its emotional momentum. While it never quite reaches the high standard set by the original game, it remains an enjoyable and worthwhile conclusion. Just don’t expect particularly challenging choices or complex time-bending puzzles.

So, to conclude! GRIME II is a fascinating, sometimes frustrating, but ultimately worthwhile experience. It builds on the original in meaningful ways, especially in its gameplay systems and world-building. The mold system, which absorbs enemies and turns them into tools, is a standout mechanic that adds both depth and identity. The world is rich, strange, and consistently intriguing. And the studio behind it clearly understands what makes this universe unique. But it’s not without its flaws. The lack of direct storytelling can make the experience feel distant at times, especially for players who prefer a more guided narrative. The difficulty curve, while not unexpected, can feel uneven. And the grind required for certain upgrades occasionally disrupts the flow. Still, there’s something here that sticks with you. Maybe it’s the atmosphere, maybe it’s the mechanics, or maybe it’s just the sheer commitment to doing something different. Whatever it is, GRIME II earns its place, not as a flawless sequel, but as a bold one.

It’s haunting, flawed, but undeniably memorable. And that makes Fatal Frame II: Crimson Butterfly Remake not an easy game to recommend universally, but it is an easy game to respect. It captures a horror style that feels increasingly rare in the action-horror landscape: slow, careful, and deeply unsettling. Its story lingers, and its atmosphere suffocates while the core mechanic remains as unique and compelling as ever. At the same time, it doesn’t escape the limitations of its design. Combat can be awkward, difficulty spikes feel punishing, and its systems aren’t always as intuitive as they could be, especially for newcomers. But for those willing to meet it on its terms, this is a haunting experience that you’ll remember after completing it. All in all, it’s a beautifully reimagined classic that excels in atmosphere and storytelling, but struggles with clunky combat and accessibility, making it a better fit for seasoned horror fans than first-time players.

Tales of Berseria Remastered brings one of the best stories in the franchise to modern consoles, but the Nintendo Switch version never quite feels like a true remaster. Content-wise, there are some welcome quality-of-life improvements, yet graphical hiccups and a capped framerate prevent it from fully living up to that label. It’s still one of the strongest stories the series has to offer, but sadly not the best remaster.

Styx: Blades of Greed successfully brings the goblin anti-hero back into the spotlight with refined mechanics, strong vertical level design, and flexible stealth gameplay. The addition of Quartz abilities adds fresh tactical options, and the semi-open environments encourage exploration more than ever before. However, while the game plays smoothly and offers a consistently enjoyable stealth experience, it rarely dares to surprise. The core loop begins to feel repetitive, and the innovation expected after such a long hiatus simply isn’t fully realised. For fans of the series, this is a worthy continuation. For the genre at large, it’s a solid entry rather than a defining one.

Crimson Capes is a game overflowing with ideas, systems, and artistic ambition. Its combat mechanics are deep, its world is thoughtfully constructed, and its visual style stands out in an increasingly crowded genre. Unfortunately, all of that potential is weighed down by a difficulty curve that actively undermines enjoyment. If Poor Locke manages to rebalance the experience, Crimson Capes could grow into something special. As it stands now, playing it feels more like work than discovery. So I’ll wait until people who are probably better than me at this game work out how to beat the bosses I’m stuck on, and I’ll revisit the game later. However, this leads me to give this game, in its current state, a grade lower than I initially thought.

My Hero Academia: All’s Justice packs in a lot of content and lets fans play through the final arc of one of the biggest anime and manga series around. There’s plenty here to keep fans busy, unfortunately, the overall quality doesn’t always keep up. Recommended for fans but not for everyone.

As a remaster, Fighting Force Collection does exactly what it needs to do. Both games run well, look as good as possible, and are presented in a way that respects their original form. There are no game-breaking issues, no lazy emulation shortcuts, and no technical excuses. This is a competent, respectful revival. Where the first Fighting Force remains the clear highlight: still fun, still chaotic, and still best enjoyed with a second player on the couch. It’s proof that good core design can outlast technical limitations. The second game? It’s… fine. Functional. Interesting in a historical sense. But also a strong example of why some games are better remembered than replayed. And that’s okay. Not every classic needs to be reinvented, and not every sequel deserves the same reverence as its predecessor. The Fighting Force Collection succeeds because it lets you experience both and decide for yourself. So, what you get is a solid, enjoyable remaster anchored by a genuinely fun original game, slightly dragged down by a sequel that time hasn’t been kind to. Yes, it’s worth playing, worth remembering, just maybe not worth revisiting everything.