Mr. Crab is the McDonald’s toy equivalent of an iPhone game, and it didn’t come free with the Happy Meal.

It looks great, but plays awful. The controls feel clunky and unresponsive, and there is virtually no precision for movement in a game that pretty much demands it. Couple this with an already difficult challenge and constantly having to restart levels, and it becomes far from recommended for anyone with high blood pressure.

Inked is at its worst when things get fiddly, when you’re left poking at the screen to move things about without the benefit of a movable camera. Trial and error is never a good look for a puzzle game and a couple of times you’re going to find yourself sinking to that level in Inked. Get past those parts though and you’ll discover a warm, wonderfully well put together puzzle game that delivers hours of entertainment. It’s not perfect, but there’s enough goodness here that you’re going to forget the bad parts pretty quickly.

Trenches II is an incredible letdown. It's not stable, it shows a serious lack of polish, and, most important of all, it's boring. What's really bizarre is that several of these issues are major steps backwards from previous titles in the series by the same developer. As of right now, there's still a good game beneath all these issues, but it's going to take a lot of polish to uncover it.

It’s no great loss that yet another platformer fails to light the world on fire, as we’re spoiled for choices that match any range of different tastes. But it’s truly a shame that a game with such artistry and heart as Oscura: Second Shadow is crafted in such a boring, clumsy way.

In a genre that's full of titles that have used Trials 2 as a source of inspiration to build off of, Xtreme Wheels ends up playing more like a "me too!" title than a truly unique game.

It’s a shame that Futuridium EP is such a chore to play because it is definitely one of the coolest looking iOS games currently available. There’s a stylish aspect to the color palette and polygonal level design that is undeniable. Sadly, though, a lacking core experience means that nobody—even old-school gamers—should have to require the kind of patience it would take to truly enjoy this one. Pick it up at your own risk.

While it's possible to appreciate DEO for ripping up the rule book in terms of its delivery, when it comes to the gameplay itself, it's far too sparse and peculiar for its own good. All in all, there's ultimately only one way to describe DEO: a jump too far.

The Show Must Go On will set you back $1 in the App Store, and there is nothing in the game that justifies the price. Cute art style aside, save your dollar for some pool at the local pub and turn off the lights on this game.

Attempting to blend wordplay with other genres is a risky effort, and in AbraWORDabrA it just doesn't pay off. If you're a fan of mobile wordplay, don't be drawn in by the cute characters and promise of something fresh and original. There are plenty of better options out there.

It's true these old games have a limited appeal, but simply slapping them on the latest devices does them nothing but a disservice. It's a shame.

Even ignoring the incompatible touch controls, Gun Commando doesn’t satisfactorily accomplish any of what it set out to do.

There’s just too much silliness to suffer through to dig into the parts of Archangel that are good. This is one of a wave of titles showing how pretty mobile games can look on up-to-date hardware, but the beauty is definitely only skin deep. Gameplay matters, even on phones and tablets.

This is Godfire: Rise of Prometheus! This! Is! Boredom!

I think Paper Titans might be a bit of a misnomer here, as nothing about this game – not the characters, nor the world – is particularly epic in stature or in the fun department. While my initial impressions were that Paper Titans would be a stunningly original creation like origami, it becomes painstakingly clear after only a few minutes of playing that this is one platform adventure that has instead been through the paper shredder more than a few times.

We’re still very early days in Harry Potter: Wizards Unite, but we’ve thoroughly enjoyed the little of it we’ve seen so far. It’s captured our imaginations in a similar manner to the books and movies, and makes good use of the Pokémon GO mechanics for the most part.

It finds itself solidly in the middle ground, somewhat mired in a few weird design choices and the lack of any kind of innovation. It just sort of exists. It most likely won't offend the people that decide to play it, but it won't stand out or be memorable for them either.

While there are a ton of equipment options, skill trees, and other back-end options, the things that really matter-combat, navigation and story-leave a lot to be desired. The game is free so you're not going to be out any money, but time is a more precious resource. Save it and pass on Illusia II.

The initial fun just isn't worth the frustration when you start losing online matches because your opponents are willing to spend way more cash than you are.

There are so many things you could buy for $2.99 – a candy bar, a couple of lottery tickets, or most of a bottle of Charles Shaw wine. Any of those would be a more sound investment than Prince of Persia: The Shadow and the Flame. For a company like Ubisoft—one that usually releases fantastic games on multiple platforms—to drop the ball like this can only mean they’re cashing in on a fairly renowned series as quick as they can, leaving Prince of Persia fans feeling burned hotter than the Persian sands.

For a game so brimming with potential, dream:scape couldn't have been less fun. Don't let the trailers and the screenshots fool you – this one has stinkeroo written all over it. You'd have more fun using your favourite iOS device as a paperweight.

Nakama's issue is with its unbalanced gameplay and awful controls. It may well be possible to turn this title around and fashion it into something enjoyable, but that would require massive overhauls to a number of the game's core mechanics. As it stands, Nakama isn't an experience I can recommend.

DuckTales: Scrooge’s Loot is an example of what happens when a developer combines a beloved franchise with a genre that has no logical connection.

In short, I really wanted to enjoy this game. In my opinion, the game is definitely perfect for children, as I don’t think they’d be as negatively inclined as I am in regard to the soundtrack. Though the difficulty does tend to spike at times, so I’m not too sure how a child could complete an entire run, even on the “easier level”. I adore Sanrio, and on paper, a Sanrio rhythm game that features popular characters sounds great – it’s just a shame that the music doesn’t.

Clearly a lot of effort was expended in making the game look and sound arresting, but very little care was wasted on anything else.

While Cracking Sands looks like it has some promise, the fact is that - in our opinion, that is - it just wasn't very much fun to play. The bad outweighs the good, and the whole time, it was hard not to imagine ourselves instead playing other better examples of the genre.

The potential is there for something great, but basic issues like sluggish movement, forced upgrades, and lack of an interesting story backbone leave us with exactly what Brothers in Arms originally strove so hard to set itself apart from: just another mediocre WWII shooter.

I.C.U.P.'s sharp, cartoonishly exaggerated visual style looks good, but that's not nearly enough to save it. Without the bugs, this would be at the low-end of franchise cash-in mediocrity; with them, it's just plain bad.