All the same, there’s enough here to bring you back to Galactic Civilizations III and give you enough to enjoy a good few more hours with space battles and planet cultivation, and if that sounds like it’s worthwhile then the price might not put you off. Everyone else may want to wait for a sale.

Depicting the horrors of an asylum with animated pictures was a tender touch to sensitive imagery. Even the 3D animations conveyed moments with care. But the story is confusing and painfully disappointing and the translation errors make matters worse. So I can commend LKA’s efforts, but I can’t recommend The Town of Light.

The wonderful acting helps to sell the cool writing further, and although the aging engine really needs putting out of its misery it at least supports the game well. Finally on the gameplay side (remember that?) the QTEs have been much improved since Game of Thrones and there were a few good choices along the way. Now roll on Episode 2 to see if they actually matter.

Every addition that Snowfall makes is fun and adds a bit of variety to your city-building. But those additions are few, and even the more sweeping systems like road condition and heating don’t add any long-term strategic considerations to the game. Even the new winter cities are a mostly visual change. It’s tough to recommend dropping money on such an insubstantial expansion.

The original Pillars of Eternity earned much deserved high praise when it was released. The White March – Part II keeps those elements that made the game such a success, but also tweaks some of the areas needing improvement.

Street Fighter V is mechanically one of the best titles in the genre and possibly the best in this storied series, but it’s also lacking in single-player content to the extent that in places it feels unfinished. Multiplayer battling has practically endless scope on or offline in a game of this tactical depth, but I still can’t help but feel that doesn’t excuse the lack of solo activities or how key training features such as trials are missing for the first month after launch.

Unfortunately, its tower-defense half fails to offer compelling strategic options, and that lack of depth, compounded by the lack of content, keeps the game from having much lasting appeal.

If you like the idea of cruising around farmlands in a weaponless Half-Life 2-style buggy by all means pick up The Following, but don’t expect a smooth ride.

There’s no making up for a lackluster story that clearly pads the game length, unimaginative missions, or a weak combo structure, but Arslan: The Warriors of Legend could have been a much better experience had it not been marred with inexcusable framerate problems and sullied with glitches.

The ending will be a point of contention for some, but it all comes down to a perspective and regardless of that, you should play this game.

Clunky, frustrating and a world away from the series best efforts, Assassin’s Creed Chronicles: Russia limps over the finish line, completing a spin-off trilogy and closing the door on a concept that simply deserved better.

XCOM 2 is everything a sequel should be, keeping the things that everyone loved about the first game while changing things up as much as possible. Turning XCOM into a scrappy resistance force alters the sequel considerably, not necessarily for the better but certainly for an equally interesting and different campaign. The enemy forces and AI have been revamped considerably, making for a hugely nerve-wracking and yet satisfying time, and the sheer variety in missions is superb.

Defunct combines speed and exploration in a package that’s simplistic but engaging. The gravity functions lack a variety of uses but they’re necessary in nearly every situation, and there’s so many ways to engage with the game the way you want. It doesn’t have all of its screws tightened, but what’s there is packed with replay value.

Bombshell isn’t the worst game I’ve ever played, but it’s among the most dull and uninteresting. From its cheesy, late-90s alien blasting plot to its absolutely repetitive action, it’s tough to pull out any redeeming qualities. Even assuming its bevy of technical issues get ironed out, this one still isn’t worth your time.

It’s the best game to bear the Tomb Raider name, and the best action-adventure title I’ve played in ages.

As a RTS Homeworld: Deserts Of Kharak doesn’t actually have much new, but it’s still one of the better releases for the genre in a long time. In many ways it feels like a modern Westwood classic, but most importantly it evokes the same feelings of complex strategy that you might have had when playing the original Homeworld games.

Zero’s not a bad game. The opening train sequence is one of the coolest parts of the entire series, and while the character swapping mechanic isn’t the deepest gameplay addition, it adds a sense of cooperation missing from the other games. But its poor pacing and excruciating inventory management problems keep its unique additions from having the impact they should. The visual upgrades and improved control options help to make revisiting it a bit easier, but its flaws stand out all the more now, a decade-and-a-half later.

Dragon’s Dogma is a great game that feels unique among fantasy RPGs thanks to its blend of mechanics and influences. Its flaws - repetitive quests and a somewhat aimless structure - don’t block out its enormous strengths. Its core combat is great, and fighting the game’s array of giant beasts is some of the most fun I’ve ever had in an RPG. And this PC version is absolutely the best way to play it.

For those looking for something unique and original, Tharsis definitely offers that up in spades. It’s not a game that can be played for hours on end, but you’ll certainly return to it time and again should you fall for its clever blend of roguelike and strategy board games.

Although perceptibly divisive in execution and theme, it becomes difficult to imagine an individual that would experience That Dragon, Cancer and not feel richer and better off for having been immersed in its bittersweet storytelling as the end credits roll. While some might be understandably put off by the slim pickings of traditional genre fare on offer here, That Dragon, Cancer staunchly remains as an experience that everybody should let into their lives regardless.

Assassin’s Creed Chronicles: India is a stealth game with Assassin’s Creed adornment. Its story barely invites you to understand more about Arbaaz Mir and Climax Studios completely fails at telling one, but if you are desperate for a stealth game, you will be challenged and fairly compensated for your time and money.

Blood and Gold is a mess of ideas that feels half-finished.

FIVE, at its core, is a competent action RPG with fun abilities and some original ideas. But with achingly slow opening hours, limited character progression, loads of meaningless loot, and an utter lack of difficulty, its appeal is limited.

It would be best to continue playing your favourite ARPG or MMO instead of giving time to this hybrid.

The Mean Greens is one of the simplest multiplayer games ever with about quarter the depth of the already puddle-thin Star Wars Battlefront, and yet for a quick blast now and again that type of game is totally fine.

HellDivers is one of the best multiplayer games of the year.

Just Cause 3 taps the pleasure mechanism that derives so much joy from watching complex structures crumble. Because the game gives you so many ways to interact with the world and to tether anything, blowing things up never becomes a chore.

It is complex, sure, and perhaps that will be off-putting for as many as it will be endearing for, but there’s an original game here - one that ought to appeal to fans of both spectrum of genres.